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Tarzan by Glen Keane 

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Elizabeth Taylor plays with a duckling at home, 1957. 

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If someone’s dumb enough to offer me a million dollars to make a picture, I’m certainly not dumb enough to turn it down.

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This is how you pack to go to Afghanistan.

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Stanley Kubrick shot countless Polaroids during the production of The Shining, both to test lighting and for tracking continuity. Director of Photography John Alcott’s camera was calibrated to match the 35mm film stock they were using, and these Polaroids gave them an accurate sense of relative light levels.

This image was photographed during an early lighting test on the set of Hallorann’s Florida bedroom. Kubrick can be seen lying on the bed, studying another Polaroid. Standing next to the bed is Camera Assistant Douglas Milsome.

This photo also reflects an early version of the set dressing. In the finished film, a different television set was used, and it was flanked by a pair of table lamps. The mirror was ultimately replaced by the infamous Supernatural Dream poster.

(photo courtesy Zack Winestine)

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Orson Welles by Ernest A. Bachrach, 1940

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Interstellar (2014)

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#87.

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Incredible photos of Space Mountain's construction and opening day!

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It’s weird, it seems that when you run up against a problem, you always think it’s because “oh I’m not good enough”. But- it’s not that, it’s just that you’ve kind of hit the limit of your knowledge, and you’ve got to go out and observe and get and find and discover and nothing more. Those are really great, those are the best times- when you feel like you stink and you can’t get it- that’s like, man, now the world is open and you’re ready to learn something new and you gotta go, you gotta take advantage of that.

Glen Keane, “The Animation Podcast” (via archenjol)

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Behind The Scenes | The Sound Of Music (1965)

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vintascope:

General Electric on Flickr.

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the-overlook-hotel:

Steadicam Operator Garrett Brown, Stanley Kubrick and Camera Assistant Douglas Milsome on the Lobby set of The Shining.

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