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okay. listen. I try not to be pedantic about this sort of thing but it’s starting to get on my nerves. the wire mother offers milk but not comfort. the cloth mother offers comfort but not milk. if something is comforting, fun, or otherwise compelling, but lacks substance, that is the cloth mother. if something is boring or unpleasant but has substance, that is the wire mother.
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"WHAT PLATO SHOULD I READ!!!!!!" (A HANDY GUIDE) (not all are represented)
"I hate myself!" - The sophists
"I wish I had experienced sex at some point in my lifetime! Or perhaps recently!" - The Symposium
Alternatively: "I am experiencing a terrible insatiable pining and am on verge of tears!" - The Symposium
"I love it when someone's a slightly arrogant asshole!" - The Euthyphro
"It really bothers me when people ignore their friends!" - The Crito
"I've always thought about how nice soldiers look in their little outfits but I think they should train naked instead sometimes!" - The Laches
"I want to imagine a place that may or may not suck for everoyne involved!" - The Republic
"I imagine Socrates would have enjoyed oiling up young Athenian men with olive oil granted the chance!" - The Charmides
"I need to understand the concept of hotness so I can do it myself!" - The Phaedrus
"Does Socrates experience love, and if so, what does it look like?" - The Alcibiades I
"How do I know if I even have friends?" - The Lysis
"I'm not a Socrates fan :(" - The Phaedo
Alternatively: "I am a huge Socrates fan and would like to see him surrounded by friends, but I also take pleasure in crying!" - The Phaedo
"Socrates did nothing wrong!" - The Apology
"I love to know about murder mysteries!" - The Hipparchus
"I'm a math major!" - The Theatetus, The Timeus
"I understood AND enjoyed Hegel!" - The Parmenides
"I don't think it's possible for people to get better!" - The Protagoras
"I forget things often!" - The Meno
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the cover and a selection of pages from the fabric book I just finished, This summer I spent a lot of time sleeping with my head in a pool of moonlight.
The pages are printed on canvas, muslin, and cotton bedsheets and are silkscreened, printed with photo intaglio processes, drawn on, and embroidered.
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Supermoon. Temple of Poseidon, near Athens, Greece. July 3, 2023, by Alkis Konstantinidis
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If trench warfare were made-up, it would be the most on-the-nose anti-war satire ever created. Bunch of young men shooting at each other from inside open graves, slowly rotting even as they fight to stay alive. Every so often, they get to move a few hundred metres to dig a new grave for themselves somewhere else and this is called a victory.
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Details of the the vaulted ceiling covered in medallion relief and built in shelving.
The apodyterium (dressing room), Central Baths, Pompeii.
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I’m obsessed with the bit in the Hobbit films where Thranduil tells Legolas to go find Aragorn— because if you care enough to dive through the layers of obscure knowledge it takes to understand the timeline, then you’re also the exact kind of LOTR Film Nerd who knows why the moment actually doesn’t make sense.
Tiny brain: “oh cool Legolas will find Aragorn”
Small brain: “ummm actually in the first Hobbit film it says that The Hobbit take place 60 years before Bilbo’s 111th birthday in lord of the rings? So wouldn’t Aragorn be a baby?”
Medium brain: “ummm actually if you watched the extended cut of The Two Towers, it’s made clear that Aragorn is a descendant of Numenor who has an abnormally long lifespan. He is 87 at the time of Lord of the Rings; 60 years earlier, he was 27, a very reasonable age for him to have made a name for himself as a ranger.”
Large Brain: “Ummmm actually in the book it’s confirmed that there’s a twenty-year gap between Bilbo’s 111th birthday party disappearance to Frodo leaving the Shire with the Ring. The Hobbit quest happened 60 years before Bilbo’s famous birthday party. 87-60-20=7 years old. Aragorn would be a lil guy. He would not yet be Strider, the timeline makes no sense.”
Giant brain: “ummm actually the screenwriters have confirmed that the 20 year gap is not canon in the film’s universe. First, it’s really not portrayed as a 20-year-gap in the films— it’s written and shot as if it were a couple months. The screenwriters were also aware of the implications of removing it. For example, in a behind the scenes commentary they discussed how their portrayal of Frodo is much younger than the version in the book —because they removed the 20-year gap. Film!Frodo is an innocent youth going out on his own for the first time, in contrast to the book’s more mature adult— and that deeply affects his characterization throughout the trilogy.
We can consider Legolas’s journey to meet Strider an official canon confirmation that the 20-year gap did not happen in the film’s universe. So the timeline makes sense!”
Galaxy brain: “okay, but even if the timeline works with the LOTR films, this new backstory doesn’t work with the LOTR films’ portrayal of Legolas’s character.
In the Hobbit films, it’s retconned that Legolas went to find Aragorn because he was so overwhelmed by all the death he witnessed in the Battle of the Five Armies. It’s retconned that he has a mother who died when he was young, and a grief-stricken father, and that he’s constantly Angsting over both. it’s also retconned that Legolas was in unrequited love with a grieving woman who loved a dwarf tragically killed in battle. Legolas feels he can no longer stay in the Woodland Realm because of all this loss, which is why he decides to find a new purpose with Aragorn.
But in the Lord of the Rings films, part of Legolas’s character arc is that he’s witnessing death and mortality up close *for the first time in his immortal life.* He’s a fae magical immortal who’s not used to death affecting him personally. This character arc is unique to the films. (it is not reallllllly in the books, and doesn’t jive with the way Tolkien writes elves in general— but it is the way the films chose to rewrite Legolas’s storyline. )
film!Legolas reacts to Gandalf’s death with bewilderment, acting lost, as if he’s experiencing emotions that are entirely new to him. This acting decision is discussed explicitly in behind the scenes materials. Legolas has rarely encountered this kind of death, not in a way so close to him personally, so it’s hard for him to even comprehend. Legolas’s unfamiliarity with mortal death continues through Boromir’s death and into the Two Towers, where he gradually grows more worried over the lives of Aragorn/ the people of Rohan. He reacts with bewildered anger when told to leave Aragorn for dead, and then lashes out at Aragorn when he thinks that everyone at Helm’s deep will die (only to receive the response: “then I shall die as one of them.”)
This character arc ends in Return of the King, with a famous bit of dialogue that does not appear in the books. Gimli says he “never thought he’d die side by side with an elf,” and Legolas cheerfully responds “what about side by side with a friend?” Mortal death goes from something Legolas finds distant/unfamiliar, to something he accepts as a natural part of living among mortals.
This is similar to the changes the films make to Arwen’s character, vs the original book. In the films, both of the “young” elves have arcs about encountering death up close, and yet continuing to love the mortal world. The films contrast them with the “older” wearier elves like Elrond and Galadriel. Obviously this theme is more of a focal point in Arwen’s plotline, but it’s also relevant to Legolas. (And! In early drafts of the Two Towers, Arwen joined Aragorn at Helm’s Deep— I have a theory that the scenes where Legolas worries over Aragorn’s death were originally written for Arwen.)
So!
if you care enough about the Lord of the Rings films to understand that “there is no twenty year gap,” that Frodo is a young ingenue instead of middle-aged adult, that the films have their own storyline/characters/timeline separate from the books, and that therefore the timeline of Legolas meeting Strider can make sense …
….then you also probably care that Legolas had a specific character in the LoTR films, and this new backstory contradicts it.
Giving Legolas a new core motivation where “he’s overwhelmed by angst/grief from encountering too much death” undercuts his entire characterization in LOTR, which was meant to be about encountering mortal death up close for the first time. It also cheapens really impactful moments from LOTR— like Orlando Bloom’s performance after the death of Gandalf, where he really captures the idea that this fae immortal is struggling to comprehend the ordinary human emotion of grief.
And that’s why so many critics get that moment in The Hobbit wrong XD. People always try to critique it from a timeline/continuity perspective, when in reality, the timeline continuity makes perfect sense!!! The actual problem is the way it poorly attempts to retcon Legolas’s entire characterization. And IMHO that’s a much more serious flaw than a continuity error. It’s not “making a math mistake,” it’s undercutting the meaning of Legolas’s story in LOTR.
Super Mega Galaxy Brain: “nothing in the hobbit films is canon except the pieces I like”
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“Boromir apologist” he doesn’t have anything to apologize for????? He fell victim to evil ringTM like once. and then immediately redeemed himself. Guys come on.
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imagine being éowyn in the lord of the rings trilogy. your uncle the king is being mind controlled by an evil wizard until said evil wizard's cooler version shows up and frees him. he is accompanied by an elf, a dwarf, and the hottest guy you've ever met. the hot guy also happens to be 87 years old and maybe still not over his immortal elf girlfriend but he respects and listens to you so you're shooting your shot. your geriatric hotguy situationship turns you down the night before the biggest battle ever then goes ghost hunting in the mountains. you decide to go to battle because you'll either help save your people or die in a really cool and honorable way. you then kill middle earth satan's number one henchman with the power of loophole and being a woman (you are also helped in doing this by a 4 foot tall stoner). then you get to marry faramir. 10/10 no notes my girl went through it all
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