ardnek8

[ardnek8]

this guy

reblog if you agree

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Double Income No Kids used to be seen as a kind of lavish lifestyle, now it’s like…a requirement to have any remote chance at financial stability

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This scientist crafts stunning visual art through chemistry.

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Star Wars: Revenge of the Sith | Concept Art of Boga

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there’s been a really bizarre trend in the past couple years of TERFS/radfems getting pissed off about biology posts. posts about the bilateral gyandromorph cardinal (one half male, one half female), posts about older hens beginning to crow and act like roosters, posts about animals being animals. and it’s hilarious because they interpret these posts as some kind of agenda. no! these are animals not choosing any gender identity or sexuality but being born into bodies they have no control over. weird how that happens in nature huh

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a detailed list of things i hate

hot weather

high temperatures

heat

warmer than average conditions

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Ok. What you're gonna want to do is chop up a cucumber and put it in a bowl. Then you're gonna sprinkle a generous portion of salt on top. Then you're gonna drizzle them with a balsamic vinaigrette and gently shake to combine, leaving you with a cool and refreshing summer snack. In 15 seconds dangerous and burly men are going to drag me away to an unknown second location. Remember everything I've taught you. I love you

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NGC 3324, Cosmic Cliffs

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How the commercial is shot

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Zoom In, Don’t Glaze Over: How to Describe Appearance Without Losing the Plot

You’ve met her before. The girl with “flowing ebony hair,” “emerald eyes,” and “lips like rose petals.” Or him, with “chiseled jawlines,” “stormy gray eyes,” and “shoulders like a Greek statue.”

We don’t know them.

We’ve just met their tropes.

Describing physical appearance is one of the trickiest — and most overdone — parts of character writing. It’s tempting to reach for shorthand: hair color, eye color, maybe a quick body scan. But if we want a reader to see someone — to feel the charge in the air when they enter a room — we need to stop writing mannequins and start writing people.

So let’s get granular. Here’s how to write physical appearance in a way that’s textured, meaningful, and deeply character-driven.

1. Hair: It’s About Story, Texture, and Care

Hair says a lot — not just about genetics, but about choices. Does your character tame it? Let it run wild? Is it dyed, greying, braided, buzzed, or piled on top of her head in a hurry?

Good hair description considers:

Texture (fine, coiled, wiry, limp, soft)

Context (windblown, sweat-damp, scorched by bleach)

Emotion (does she twist it when nervous? Is he ashamed of losing it?)

Flat: “Her long brown hair framed her face.”

Better: “Her ponytail was too tight, the kind that whispered of control issues and caffeine-fueled 4 a.m. library shifts.”

You don’t need to romanticise it. You need to make it feel real.

2. Eyes: Less Color, More Connection

We get it: her eyes are violet. Cool. But that doesn’t tell us much.

Instead of focusing solely on eye color, think about:

What the eyes do (do they dart, linger, harden?)

What others feel under them (seen, judged, safe?)

The surrounding features (dark circles, crow’s feet, smudged mascara)

Flat: “His piercing blue eyes locked on hers.”

Better: “His gaze was the kind that looked through you — like it had already weighed your worth and moved on.”

You’re not describing a passport photo. You’re describing what it feels like to be seen by them.

3. Facial Features: Use Contrast and Texture

Faces are not symmetrical ovals with random features. They’re full of tension, softness, age, emotion, and life.

Things to look for:

Asymmetry and character (a crooked nose, a scar)

Expression patterns (smiling without the eyes, habitual frowns)

Evidence of lifestyle (laugh lines, sun spots, stress acne)

Flat: “She had a delicate face.”

Better: “There was something unfinished about her face — as if her cheekbones hadn’t quite agreed on where to settle, and her mouth always seemed on the verge of disagreement.”

Let the face be a map of experience.

4. Bodies: Movement > Measurement

Forget dress sizes and six packs. Think about how bodies occupy space. How do they move? What are they hiding or showing? How do they wear their clothes — or how do the clothes wear them?

Ask:

What do others notice first? (a presence, a posture, a sound?)

How does their body express emotion? (do they go rigid, fold inwards, puff up?)

Flat: “He was tall and muscular.”

Better: “He had the kind of height that made ceilings nervous — but he moved like he was trying not to take up too much space.”

Describing someone’s body isn’t about cataloguing. It’s about showing how they exist in the world.

5. Let Emotion Tint the Lens

Who’s doing the describing? A lover? An enemy? A tired narrator? The emotional lens will shape what’s noticed and how it’s described.

In love: The chipped tooth becomes charming.

In rivalry: The smirk becomes smug.

In mourning: The face becomes blurred with memory.

Same person. Different lens. Different description.

6. Specificity is Your Superpower

Generic description = generic character. One well-chosen detail creates intimacy. Let us feel the scratch of their scarf, the clink of her earrings, the smudge of ink on their fingertips.

Examples:

“He had a habit of adjusting his collar when he lied — always clockwise, always twice.”

“Her nail polish was always chipped, but never accidentally.”

Make the reader feel like they’re the only one close enough to notice.

Describing appearance isn’t just about what your character looks like. It’s about what their appearance says — about how they move through the world, how others see them, and how they see themselves.

Zoom in on the details that matter. Skip the clichés. Let each description carry weight, story, and emotion. Because you’re not building paper dolls. You’re building people.

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I had some unexpected visitors today when I went out to do goat chores!

That's a nice pair of Spaldings. A BS male and a hen. Some idiot just lost $600+ because they thought peafowl were like chickens and could instantly be free ranged.

If they stick around and you'd like to capture them (and they should be captured even if you don't intend to keep them, they do not know where they are and will not be adept at finding food and water and are susceptible to predators), they can be offered game bird feed or dry cat food or whole corn or peanuts, and led into an enclosed space. Shut the door behind them and capture them in the dark (it will be easier to grab them when they can't see).

If you'd like to keep them I can give housing advice, otherwise either contact your local humane society/ASPCA or drop me a PM and let me know where you are and I'll see what I can do about helping you find a place for them with new owners.

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So, fun fact about the skinned FurReal pony - I got the ID wrong, but only because Smores and Butterscotch's necks are semi-fixed in position, and I didn't think to google if the image I had of Butterscotch was mirrored.

The skinned horse IS Butterscotch, not Smores, but all of that's besides the point.

The reason I'm making this post is that y'all need to know that they skinned Butterscotch to turn her into a flamethrower

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2015? that wasnt even that long ago. it was only... [doing the math] ohhh. ohhh..... oh dear...

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on being yourself

@ brainsoupp_ on twitter// @stmichaelthearchangel// @ cybermrcury on twitter// @throughmy-eyez // @ shellerina on twitter// @caesarsaladinn// @ nelsoncj4 on twitter // @ heimberg_a on twitter// make your own kind of music by cass elliot// @ soledadfrancis on twitter// ? // @ sourcenectar on twitter// @superorganism