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heartbreaking! a pretty solid standalone horror story has gotten a continuation that recontextualizes all of its self-contained events as part of a massive & banal "epic" mythos

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watching Seven Samurai

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Painted Cottages in Poland (x)

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ROBERT WUN Couture Fall/Winter 2026 if you want to support this blog consider donating to: ko-fi.com/fashionrunways

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Alek Wek by Rafael Pavarotti for Acne Paper June 2025

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The best photo I took at Dashcon 2

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me when i have a bone to pick Lol idk.. im not really sure which one to choose

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“eldritch horror beyond your comprehension” and it’s just a generic monster with tentacles and eyes

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ROBERT WUN Couture Fall/Winter 2026 if you want to support this blog consider donating to: ko-fi.com/fashionrunways

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as a fat person who's always clamoring for more interesting fat characters in media, I honestly think one of my all-time favorite depictions of a fat character is Jumba from the original Lilo and Stitch - both visually and personality wise

from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).

and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast

I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways

and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)

it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!

the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...

and he was even gay

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VALDRIN SAHITI Couture 2025 if you want to support this blog consider donating to: ko-fi.com/fashionrunways

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Art snobs are actually a thousand times less annoying than people who respond to everything with "it's not that deep bro"

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I haven't seen anyone on tumblr talking about it but Araki's tribute for the Rurouni Kenshin 30th Anniversary is actually the funniest thing ever. Look at this

Araki DID NOT give a fuck. It's so clear that he purposely dedicated no time for his tribute for Watsuki. This is not how he usually draws and everyone knows it. There's one thing to be forced to draw for the tribute but this is intentional disrespect for the pedophile. RESPECT

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Mark Vomit (2020)

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EXTRO CODE 3D Printed Girls Gauntlet if you want to support this blog consider donating to: ko-fi.com/fashionrunways