bianca || 20 || there is a ghost haunting the marrow of your bones, slipping between muscle and skin. it wants to get out, it wants to live, it wants to be put to rest. it screams, and it wails, and it pounds its fists against its sinew prison, and it knows will never see morning
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Tragic brothers.
Dexter: Dexter Morgan and Brian Moser. Genesis by Valzhyna Mort † Abel’s Body to Cain by Joseph Fasano
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🔪 so grab a plate, have a taste, 这口味让我陶醉! i'm still preying on a butcher's vein—
[ID: a piece of dungeon meshi fanart. on the left are five panels showing a closeup of a character's eye with the hourglass-shaped pupil of the demon: from top to bottom they are the winged lion, mithrun, thistle, marcille & laios. the background, extending to the right, is abstract veins, intestines, feathers & checkerboards. text above, lyrics from butcher vanity - flavor foley, reads:
"The slaughter's mine Oh, blood and viscera divine Preserved and primed Each muscle divvied up to dine And in the high, 我存在 Tasting 血淋淋的爱 I'll devour all of you in time" End ID.]
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⚠️DUNGEON MESHI MANGA SPOILERS
The demon
Song: LUNCH by Billie Eilish
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Something something vampires have no reflection so he can't even try to see his brother's face anymore when he looks into the mirror
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they should invent a grief that doesn’t define you in new and strange ways for the rest of your life
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where's that picture that ruined my life
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peter pan (2003)'s portrayal of peter pan is so unhinged like. he can never die. but he can never live either. he'll never have to grow up. he'll never get to grow up. wendy could have convinced him to leave but what would have happened to neverland, which falls into a wintry darkness if he so much as leaves for a night, if he'd left for good? he has the world in the palm of his hand. it's a very small world. it would just as soon kill him to be sure he's paying it mind. everyone gets a satisfying ending except him. everyone changes except him. he's stagnant. he's constant. he's eternal. he's not a boy—he's a story. and sometimes that's the loneliest thing to be.
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helena eagan who grew up wanting for nothing but at the same time truly wanting nothing until she watched her innie receive the affection she spent her whole life trying to earn. helena eagan who stepped into her innie's life because she wanted to know what it felt like to be loved with no strings attached. helena eagan who tried so hard to be the woman her innie is - who crawled through a tunnel full of goat shit to help mark find his outie's wife, and tried to console irving before his trip to o&d, and laughed openly and freely with the refiners around the campfire on a snowy night - but in the end just couldn't pull it off. helly was never cruel. sometimes the poison drips through.
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going insane over the fact that helena's father never realised it was helly using the OTC until she literally stood on stage and screamed it out, but irving immediately knew something was up when helena came back pretending to be helly. the fact helena clearly studied helly's interactions with mark, recognised the significance of the attraction between them and tried to replicate it as well as she could, but she never managed to convincingly do the same with irving because she just couldn't recognise that kind of love as existing, let alone mattering- a familial bond, a relationship that rhymes with a father figure. she never expected it. why would irving pay attention to who helly is? why would he notice? why would he care? but of course he does. helly was never cruel. fetid moppet.
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it's so sad that the innies think the outies have all this life and freedom that has been denied to them and meanwhile mark is a depressed alcoholic who lives only in dim lighting, helena cuts eggs in pieces so small the fork shouldn't be able to lift them to her mouth, dylan and gretchen's marriage is desintegrating, all irving has is black coffee and black paint and the black hole of vengeance that wants to swallow him whole... it's just so fucking sad they have the physical means to reach for and grasp all the happiness denied to the innies and they still can't. they're too damaged to. they've drawn a chalk circle of hell around themselves and they never step out of it. the innies' lust for life is the only thing that will help them break the cycle. we can't, we can't, i'm ready, we can't, i'm ready, i'm ready, i'm ready.
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- Helly asking Mark in the pilot if she was dead and the Severed Floor was Hell.
- Mark and Gemma's story being a spin on the myth of Orpheus and Eurydice. A man who tries to rescue his deceased wife from being trapped in the Underworld.
- "Well boss, I guess this is the part where I should tell you to go to hell. Except you're already here."
- The musical notes that play during the elevator transition of Outie to Innie being a G and C#. A tritone, also known as the Devil's Interval.
- Mark mentioning Persephone in the latest episode, the Queen of the Underworld. Whose life is split in two, spending half her time down there, and the other half up above in the world of the living.
- "You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create."
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helena eagan whose destiny from birth was to be the future serene and placid face of lumon, who never once wavered from that path, even getting severed to prove her commitment to kier's vision, watching her innie be imperfect, impulsive, unsure, freely and openly affectionate and then receive affection and concern in turn with no strings attached.......yeah baby i'd rewind that security footage too
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SISYPHUS GETS A 9 TO 5
[spoilers for all of severance season 1. words by northernlion, brain worms by me]
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see you at the equator.
severance, 2.10 ‘cold harbor’ // the guest by anna akhmatova
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