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Genre-savvy horror protagonist figures out they're in a slasher movie, simply turns around and leaves; realises too late that they're actually in an artsy character-driven psychological horror film about them slowly being driven mad by existential uncertainty over whether they've successfully escaped the narrative.
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all my friends should quit their jobs/drop out of school so they can PLAY WITH ME
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If a regional war breaks out between Iran and Israel, Gaza will be forgotten. We will continue to suffer this suffering and will not be mentioned in anything. We will be forgotten forever.
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Being pretentious and arrogant is literally all we have #myvanity
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Why isn't "too scary" a good enough reason to never drive a car
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2015? that wasnt even that long ago. it was only... [doing the math] ohhh. ohhh..... oh dear...
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affirmation: nobody is going to shoot me for being awkward
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character who;s doomed form the start but not because of tragedy or anything but because they're a woman and their writer is a misogynist
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aaugh i hate citing sources *excruciatingly loud sounds of tearing metal combined with tortured human screams and fleshy hitting noises* ok that wasn't so bad actually..
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pausing torture to let the victim know i don’t personally get anything out of this sexually and if i did get off on torture they are nottt the one i would pick bc i find them kind of repulsive lol but anyway yeah i’m not like some kind of pervert this is old fashioned love of the game. you know you’re like kind of unresponsive and shitty to talk to. like i’m giving you information about my life this is a conversation. you should work on that it’s really unpleasant. Anyway so this one is called the “scavengers daughter”
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(trying to give relationship advice) from a narrative perspective i think both of you dying together would be the most emotionally satisfying resolution but i’m guessing that’s not what you want to hear
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“…to me” is one of the most powerful disclaimers we have on here… is this character analysis accurate? debatable. but it’s real… to me.
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