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you guys don’t even understand what GoodTimesWithScar means to me. Funniest character to ever exist. He’s the server’s sexy pool boy and marriage counselor and he’s bad at all of his jobs and you can never tell if it’s through intentional sabotage or genuine incompetence and then you see him build the most beautiful thing you’ve ever seen and log out. He’s not a himbo because he’s a genius and master manipulator but he decided a long time ago that he cares more about having abs and giant tits than proving to anyone that he’s smart. He can cry on command and make you think he’s the most helpless creature on the planet and then turn around and fire an arrow from 200 blocks away and get a headshot and kill you. And then he turns around trips over his own feet and drowns in four inches of water. I’m literally obsessed with him

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Just absolutely astounding to hear the right talk about these medicaid cuts. "it'll only be illegals." "it's only able bodied people who will now have to work" even though 92% of eligible adults on medicaid who can work, do work. "no one who needs it will be affected in any way"

.... The proposed cut is $880 billion over 10 years. The current medicaid budget is $890 billion for 2025. But the government has yet to produce a single drop of evidence of this amount of fraud. No proof. No concrete examples. No actual audit. Just numbers pulled out of someone's ass.

Meanwhile, studies have shown the $880 billion cut will result in at least 13.7 million Americans (not "illegal aliens") losing their coverage and 30,000 American deaths.

Please tell me how that's only illegal immigrants or able bodied people? These cuts will kill American citizens. They'll further destroy our already crumbling healthcare system, especially in rural areas. All to give the rich another tax cut.

What is patriotic about that? If you love your country, you want the best for it's citizens. This is not the best.

Please call your representatives and tell them hands off medicaid. The five calls app makes it extremely easy. It connects you directly to your reps and gives you a call script. Please fight to save American lives.

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I think we as a society don't hate ads enough. We can always hate them more you know.

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I am 100% going to go back to this and tweak some details (there's some issues I'm aware of but I haven't fixed yet), but it's here.

It took five other fanarts to make this one fanart, and I did a very bad job of planning the composition and the layout of it completely changed from how I originally envisioned it, but it's here.

He doesn’t feel lucky. If anything, he feels alarmed– because it’s starting to come together, the reason why the edge of hunger has dulled, why it's only closer to a tickle against his senses compared to the thunderous roar from before. Horror wells up his throat. He must've somehow been feeding on them– it's the only explanation for why the hunger isn't subsuming him now. Even unconscious, he can't stop himself from being a monster.

Lost In The Dark (He's Got a Heavy Heart) by @definitelynotshouting

Full pictures for the Rescue Squad:

Scar | Pearl | Xisuma | Tango | Mumbo

Some fun notes on the "hooks":

I tried to make the "hook" going for Xisuma more predatory by trying to make the positioning look like a scorpion tail. It doesn't really have the same effect if it isn't scorpion tail shaped, but I tried to give The Vibe. It also isn't touching Xisuma to show Grian is more hesitant around him and not as close as some of the others.

Tango's is also not touching because Grian isn't as close to him as he is with Scar, Mumbo, and Pearl. I tried to make it look like it was reading Tango's messages to Jimmy over his shoulder.

Since the fic is Grian/Scar, I wanted to kind of hint at that with Scar's "hook." It's wrapped around him like a hug (though usually hugs aren't, you know, eating you) and caressing his face.

I wanted to have the "hook" for Pearl be wrapping around her arm, but that's where my poor planning messed things up, unfortunately.

I originally wasn't planning the "hook" on Grian himself but it 1) looked better with it and 2) has the ~symbolism~ of how this hurts Grian even though it's also keeping him alive. I was tempted to have it cutting into his skin a bit, but felt like that would be too much/wouldn't look good.

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“A man who does not have the concept of how much it would cost you to pay rent is currently deciding whether or not the Social Security Administration should be paying out seniors in America.”

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I’m just going to leave this here

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To sum up: they still think that trans peoples human rights are an online conversation, and expect the series to run for 10 consecutive years.

So let's get ahead of this right now.

I propose a media-wide blackout of everything Harry Potter related when the first season is released. No tweeting about it, not even to trash it. No posting online about it at all - No Instagram stories or posts, no TikToks, no snaps, no memes on FB, not a word on here, nothing. They will not commit themselves to 10 consecutive years of something if the first season flops. They might attempt a second season, but we can shoot that down, too.

I cannot still be dealing with the hate this woman has for us in 10 years. I cannot still be having this conversation when I'm in my mid-30s. I need her to be dead & forgotten by then, or used as a cautionary tale after her death. We can revive the fandom after she has died, depending what her will stipulates will be done with her bloodmoney. Okay? Is that a good enough compromise for you? You just have to wait for her to die, and not leave her estate & bank account to anti-trans stuff, and then you can get back to loving Potter. Deal?

But in the meantime, we need Warner Bros. to see that they cannot make money from this show. We need them to lose money. We need them to lose enough money that even JKR funding the entire project won't be enough for them to take the risk. Right now, they're saying that JKR's reputation & blatant transphobia have not impacted their ability to find more than enough people to audition for the series. We need them to rethink that. We need them to see that this is not the next Marvel-length franchise to get rich on.

Since I know some of you haven't participated in a media blackout protest before, here's how it'll work:

Don't hype the series / fandom / author / cast up in the lead-up to the series being released. Don't trash it, either. Ignore it. Forget about it. || This means that they won't get good word-of-mouth rates online, which means they will need to really push advertising to get enough people interested.

Don't watch the adverts online. Don't like or comment on the videos, not even with hate or pro-trans stuff. || Engaging with online ads or videos in any way gives them positive data, because it feeds the algorithm & let's them make money from the adverts. We don't want that.

When the series is released, don't watch it. Don't talk about it. Don't tweet about it. Don't post about it. Don't tiktok about it. Don't complain about it. Don't trash it. Pretend it doesn't exist. Ignore it. Forget about it. || They need their launch to earn them money, and even if you're posting about how bad it is, or posting anti-JKR content using the show's hashtags, even if you're watching it in order to know exactly what to complain about & critique, you are still giving them money. They still earn royalties from you watching it, regardless of your intentions. They still get word-of-mouth and clout from you posting about it, even if what you're saying is negative. You know the expression "There's no such thing as bad press"? This is what that refers to. It doesn't matter if you're sharing love or hate for the franchise, because you're still promoting it by saying its name. Also, an overwhelming amount of negative press online can and does lead to other people deciding to watch it to see why everyone is complaining, and arguing about it online, all of which feeds the creators more royalties. We don't want them to earn money from this.

Spread news about other shows & films & franchises & books. Get a fandom which has been dead for 10+ years trending again. Get anime shows & Futurama & ATLA & Adventure Time & Owl House & Over the garden Wall & some really obscure franchises trending across all social media platforms. Get something from the 80s trending in the Top 3 on Twitter. Engage with fandoms you're not even part of. Get BL shows trending in Netflix's Top 5. || This will completely skew analytics online, and it will flood people's dashboards with cmenough content that they won't see promotional content for the series we are blacking out. It will also show spikee data for which genres & shows are more popular & getting more attention & more royalties.

Share media with transgender actors / directors / crew. Share media with LGBTQIA+ storylines. Share pro-trans & pro-LGBTQIA+ content. Share & donate to fundraisers which help Trans & LGBTQIA+ people. Share Trans & LGBTQIA+ history. Show & Share Trans & LGBTQIA+ positivity & love & pride. Do all of this without acknowledging the series or creator we are blacking out. || This will show overwhelmingly positive & inclusive analytics, which will prioritise showing more of the same content. This is what we want the data to show.

Do not give in to temptation to look the show up. Do not look up the cast. Do not look up the directors or producers or executives. Do not look up the soundtrack. Do not put anything remotely related to the series into a search bar of any kind. || Search algorithms still store data, and if enough people look the same stuff up, it will show positive online engagement. We do not want this.

Do not give the actors hate. Do not tag them in hateful content online. Do not abuse them & do not bully them. || This is just unnecessary.

Give the blackout a cool-down period. Continue to ignore it for at least 10 days after the launch. || This forces the show's analytics to fall into negatives. If you suddenly start engaging with something immediately after blacking out the launch, the analytics show a delayed uptake - but it still shows them that people will engage with it, and that they will make money from it. We do not want this.

After the cool down period, mock it. Remember the mocmery that the Velma show got? And you've seen the mockery of the Rachel Zeigler version of Snow White is getting? And how that is impacting the ratings for Songbirds & Snakes because people don't want to watch her, at all, in anything? That is what we need to create on purpose. || If a show gets hate, the creators can use it to feed controversial interest in the show - 'Come watch this to see why people are hating!'. It's as beneficial as positive reviews. They can recover from it. But mockery? Mockery & dismissal is far more difficult to recover from, as it does more damage to their names and reputation. People do not want to be associated with a project which was mocked after it lost them a lot of money. Audiences are also much less likely to engage with a series which has been publicly mocked, compared to hated.

Only mock it for the same amount of time as the cool-down period. || This prevents the series from getting a large spike in analytics.

After this, ignore it. Move on. Talk & post about other stuff. Watch other stuff. || This will result in the show's analytics returning to negatives, and remaining there.

This is a strategy which is proven to work. It has worked for multiple franchises. It is behavioural analytics. It will work for this, but only if we commit to it & get enough people taking part.

All we have to do is:

Do not watch the HBO HP series

Do not post about it online

Ignore it

Do not play, stream or buy any games related to HP

Do not rematch the movies on a streaming service - JKR will still earn royalties from that

Do not post about JKR during the media blackout

Share pro-trans & pro-LGBTQIA+ content & history instead

Support trans creators & actors

Mock the series after the cool down time & then move on

Stick to this method. It WILL work.

And to dispute any attempted justifications for engaging with it:

"But she won't be involved!" || She is listed as an executive producer for the show

"But it's not the actors' fault!" || Actually, it is. The adult actors should know better than to involve themselves with this franchise, and the child actors' parents should know better than to exploit their children's desire to be famous &/ or their love of the series, because the adults should be socially aware enough to know that this franchise will harm their children in the long run.

"But what about my childhood nostalgia!" || What about trans people's human rights & dignity? What about trans children who don't think they'll make it to 18? What about the fact our Prime Minister is selling out transgender rights of his people for Trump? Wht about all of the trans people in the UK who are now facing the possibility of losing more of our rights? What about all of the little trans girls & boys & envies who saw those TERFs celebrating stealing their legal right to identify as their gender, with champagne on national TV? What about trans children who won't be able to go on 100% reversible hormone blockers because JKR funded the vitriol which made them illegal? What about all of the trans women & girls who just lost their legal rights this week? What about our right to legally exist? What about privacy rights and medical & legal autonomy for women & afab people in the UK? What about all the trans people who just watched 21 years of work & progress go down the drain in one afternoon? Are we not worth as much as one of the many memories of your childhood?

Nobody is saying you're not allowed to watch the DVDs or pirate it or read the books or listen to CDs or records of it. Just do not use streaming services for any of it, do not use YouTube, do not talk about it on Twitch & don't post about it online.

We need this franchise to die. We need the producers to see they can't make enough money from this to justify continuing it after the first season. We cannot still be having this argument in the mid 2030s.

We need to get ahead of this right now and stamp the fire out before it kills more trans people.

You understand that buying a Tesla = supporting the Elongated Muskrat & Trump. You understand that buying McDonald's or Starbucks funds Isreal & harms Palestinians. You understand that watching Sandman supports Neil Gaimen.

So why is it so hard for you to apply that exact same logic to JKR, when you can see the harm she is causing in real time to real people?

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You’re not depressed. You just need $250,000 in your bank account.

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People still tend to lump JK Rowling in with the category of ~problematic artists~ and I need everyone to understand that is not the problem with her. She is not comparable to anyone who wrote a piece of fiction you hate, or someone who made rude comments in 2015 and has since learned better.

She is far more like Elon Musk. She is a radicalized person with an extreme amount of social and financial power, and for YEARS she has been using that power to try to influence her government into hurting vulnerable people, on purpose. And she has succeeded. THAT is the problem with her, and THAT is why spending money on her books is so dangerous, not because her books aged badly.

Critiquing her work is fine, of course (I personally was never a fan so I really don’t care) but you NEED to understand that fiction is not the main issue here. And I truly think acting like she’s the same as the rest of any giant list of ~problematic creators of the week~ waters down how dangerous she is.

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pride month!!!

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This is so wholesome

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Description: [A video of a woman riding a galloping horse bareback while holding a large rainbow flag.]

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Sure there's zombies killing and eating people on the street but those people are not dying from the virus they're dying from comorbidities. For instance, that guy we saw getting eaten on the way into work today clearly died from blood loss, not infection, plus he already had a heart condition. People with preexisting conditions are just going to have to take care of themselves. Say it with me, "They're all already dead to me." See, that feels a lot better now doesn't it?

Good because you still have to go to work. No we're not paying you extra. Yes we're doubling grocery prices. No you don't qualify for disability. Or healthcare. Or a home.

Look, if you get bitten, you can stay home for one day, I guess 😒, but then you need to come in early. We're really short staffed at the moment, despite our company's profits being higher than ever. In fact we may be laying some of you off next month. You don't mind working off the clock right?

Also you look silly with that protective gear. We're gonna harass you for it, not like institutionally but just socially. Who cares if a zombie attacks you? Who cares if we invite them into the building? You don't need to defend yourself, you're just overreacting. If you get bitten just tell everyone the festering bite mark is from a different animal, that's what we all do.

And hey, don't worry so much. It's endemic, which means we don't have to keep track of how many people are dying from it anymore. Just look at those numbers! It's only killed 2,000 people in America this week! That's basically nobody! We're back to normal!

If everything starts tasting like rotting meat for the rest of your life, it's probably something else. If you experience brain fog or you forget things constantly or you're tired all the time after even minor physical activity, it's just because you're lazy. Yes every other virus you ever get will also be increasingly worse but that's just a coincidence. Those viruses just happen to be exponentially worse now.

Plus, those few weeks during the lockdown were terrible for my mental health. I just can't keep living like that, so we have to go back to normal life, which now involves people biting each other and twitching uncontrollably and rotting visibly.

You can't expect the world to wait for you. "Already dead to me," remember?

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Are you 🫵 pissed off about the Lilo and Stitch monstrosity remake? Do you want to know how you can actually make a difference in supporting the people and ecosystems of Hawaii?

Tourism is a big issue in Hawaii (which the remake got rid of the original's commentary on because it makes foreigners look bad). I'm not gonna promote it, BUT I know that realistically, thousands of people arrive here every single day by the airplane-ful. And the majority of them aren't educated on the socio-cultural and economic impacts of tourism. SO, I'm making this post in an effort to educate visitors. If you or someone you know is visiting or moving to Hawaii (whether by circumstances in or out of your control), here are some suggestions on how you can give back!

You can donate to the Hawaii Community Foundation, which has been instrumental in giving aid to the displaced community of Lahaina after the Maui wildfires in 2023. They also provide scholarships to students of under-represented communities.

If you're interested in visiting Kualoa Ranch, you can do their Mālama Experience where you get your hands dirty giving back to the ‘āina (land)!

There are other organizations you can join to volunteer with, too, like Kupu and Mālama Maunalua. Check them out; maybe you can help with a beach cleanup or plant native trees! These are both non-profit organizations that accept monetary donations.

Visit the Bishop Museum to learn about Hawaiian history and culture! They also have events focused on sustainability and conservation.

If you're visiting Hilo on the Big Island, go visit the Laulima Nature Center! They're a non-profit aimed at protecting Hawaii's native species, and they even have an online store that ships to the US mainland and internationally! (After I post this, I'm gonna head on over and get myself a manu o Kū pin ♡)

A few other tips I have:

DO: Respect the locals' homes. Several beaches and hiking trails have access points in residential areas. Please be mindful to keep your voices down when passing by, and park ONLY in designated parking areas.

DO: Wear reef-safe sunscreen! Sunscreens containing oxybenzone and octinoxate are banned in Hawaii because they are known to damage coral reefs.

DON'T: Approach wildlife, particularly honu (sea turtles) and 'īlio holo i ka uaua (Hawaiian monk seals). Stay at least 10 feet (3 meters) away from turtles and at least 50 feet (15 meters) away from monk seals. If you see someone harassing animals, report them to the statewide NOAA Marine Wildlife Hotline: (888) 256-9840. You can also contact the Hawaii State Department of Land and Natural Resources.

DON'T: Collect sand, rocks, or other natural items to bring home with you. This is to protect the ecosystems and also out of respect for Kānaka Maoli (Native Hawaiians), who have cultural beliefs regarding lava rocks in particular. Taking lava rocks is extremely disrespectful.

DON'T: Litter! Please throw away your waste in proper trash cans. If you see a bin that says "ʻōpala," that's a trash can!

Many Kānaka Maoli (Native Hawaiians) are moving to the US mainland because the cost of living in Hawaii has been driven up so high (because of people moving here), they can't afford to live in their ancestral home. So, if you are going to visit or move to Hawaii, please:

- Make the effort to support local businesses, especially those owned by Native Hawaiians!

- Educate yourself and your loved ones about actual Hawaiian culture!

- Try Hawaiian food, like poi!

- Learn some Hawaiian words and don't be afraid to ask how to pronounce words correctly!

- Donate to a food bank!

- Watch films and read books written by Native Hawaiians!

My hope is that whoever sees this post will use it to educate themselves, their friends, and their families who are considering visiting.

My background is in sustainability and the environment, so that's what I know to suggest off the top of my head. If any Kānaka Maoli read this post and have suggestions to add, please do!

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I'm sure glad Disney hasn't made a live-action version of one of my childhood favourite movies that completely misses the point of the original. That'd be horrible.

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Fuck it, I didn't want to make a post on this but it's bugging the hell out of me so let's exorcize the thought.

Lilo and Stitch is an extremely good children's movie. I've been working at a daycare for over five years now, and out of all the children's movies I've shown to an auidence of twenty or so school-age kids (i.e. between the ages of 5 and 12), the only movie that's held their attention as well as Lilo and Stitch is The Emperor's New Groove, and the only one that's held it better is An American Tail. Of those three, Lilo and Stitch has won the vote of "what movie we will watch" the most. It not only entertains kids, but emotionally captivates them from start to finish, because it very thoroughly understands how to engage children on their level. It's a smart, tightly written children's movie.

The feat of story-telling genius it pulls of lies in its ability to reach both where children's imaginations want to go and where their lived real-world experiences lie - most children's movies focus on one or the other, but Lilo and Stitch dives deep into both. On the imagination side, there's Stitch's whole plotline of being a little alien monster being chased by other weirdo aliens onto earth because they want to stop him from running amok and causing havoc (which, of course, happens anyway in fun cartoony comedy/action spectacle). On the real-world side, you have Lilo's plotline of being a troubled little girl who has an abundance of very real problems that, like an actual child, she struggles to comprehend and deal with, as well as the many adults in her life that care about her to some degree but all struggle to fully understand her. Kids want to be Stitch and run amok and cause cartoony havoc. Kids, even the least-troubled kids, relate to Lilo, because all of them have been in a similar situation as her at least once in their lives.

Balancing these two very different stories, with very different tones and scopes to their respective conflicts, is a hard writing task, but Lilo and Stitch manages to do it in a way that seems effortless with one very powerful trick. The two plots are direct mirrors to each other, complete with the characters involved in each having foils in the respective plot. To break it down:

Stitch, the wild and destructive alien gremlin who everyone has labeled as a crime against existence, is Lilo, the troubled young girl who's viewed as a "problem child" by all the adults in her life. In both plotlines, Stitch and Lilo are facing the threat of being "taken away" from the life they know because they act out, and in both plotlines, we see that this is an unfathomably cruel thing to do to them and will not actually solve the problems they have.

Dr. Jumbaa, the mad scientist who made Stitch because making monsters is what mad scientists do, and who had no intentions of ever being nurturing or parental to anything or anyone in his life, is Nani, Lilo's older sister whose parents died when she was young and now is forced to act as a parental substitute despite not being mentally or emotionally prepared for that responsibility yet. Both Dr. Jumbaa and Nani are trying to get their respective wild children in line with what society wants them to be, and both are struggling hard with it because they in turn have a lot of growing to do before they can actually accomplish that.

Pleakley, the nebbish alien bureaucrat who ends up being assigned to help Dr. Jumbaa despite being mostly uninvolved in creating the whole Stitch situation, is David, the nice but mostly ineffectual guy who's crushing on Nani and wants to help her but doesn't really have much he can provide except emotional support. Ultimately Pleakley and David prove that said emotional support is a lot more helpful than it seems on the surface, as they give Jumbaa and Nani respectively a lot of the pushes they need to become better in their parental roles.

The Grand Councilwoman, who runs the society of aliens that is trying to banish Stitch forever for his crime of existing, is Cobra Bubbles, the Child Protective Services agent who is in charge of deciding whether or not Lilo needs to be taken away from her home forever for, ostensibly, her own good. Both are well-intentioned and stern, with a desire to follow the rules of society and do what procedure says is the most humane thing to do in this situation, but both lack the understanding of Stitch/Lilo's situation to actually help until the end of the movie.

Finally, we have Captain Gantu, the enforcer of the Galactic Council who is a mean, aggressive, sadistic brute but is viewed as a "good guy" by society because he plays by its rules (well, when he knows can't get away with breaking them, anyway), who is the counterpart of Myrtle, the mean, aggressive, sadistic schoolyard bully who is viewed as a "good kid" by other adults because she plays by the rules they established (well, when she knows she can't get away with breaking them, anyway). Both Gantu and Myrtle are, in truth, much nastier in temperament than Stitch and Lilo, but are better at hiding it in front of others and so get away with it, and often make Stitch and Lilo look worse in the eyes of others by provoking them to violence and then playing the victim about it - in fact, both even have the same line, "Does this look infected to you?", which they say after goading their respective wild-child victims into biting them.

The symmetry of these two plotlines allows them to actually feed into each other and build each other up instead of fighting each other for screentime. The fantastical nature of Stitch's plot adds whimsy to the far more realistic problems that Lilo faces so they don't get too heavy for the children in the audience, while the very real struggles of Lilo in her plotline bleed over into Stitch's plot and make both very emotionally poignant. When both plotlines hit their shared climax, they reach children on a emotional level few other movies can match - the terror of Lilo being taken away from her family, and the emotional complexity of that problem (Cobra Bubbles pointing to Lilo's ruined house and shouting at Nani, "IS THIS WHAT LILO NEEDS?" is so starkly real and heart-breaking), is matched and echoed in the visual splendor and mania of the spectacular no-way-this-is-going-to-work chase scene where Stitch, Nani, Jumbaa, and Pleakley all team up to rescue Lilo from Gantu.

The arcs of the characters all more or less line up. Nani confronts her own failures to be a guardian and parent to Lilo and resolves to do better and learn from her mistakes. Jumbaa, who through most of the movie protests to be evil and uncaring, nonetheless comes to not only care for Pleakley, but more importantly for Stitch too, and ends up assuming the role he never wanted but nonetheless forced himself into from the start: he is Stitch's family. Hell, the moment that reveals this is really clever - Stitch goes out into the wilderness to try and re-enact a scene from a storybook of The Ugly Duckling, hoping, in a very childish way, that his family will show up and love him. Jumbaa arrives and, coldly but not particularly cruelly, tells Stitch that he has no family - that Stitch wasn't born, but created in a lab by Jumbaa himself. But in that moment Jumbaa is proving himself wrong - because Stitch's creator, his parent, DID show up, and did exactly what happens in the story by telling Stitch the truth of what he is. It can't be a surprise, then, that later in the movie Jumbaa ends up deciding to side with Stitch, to help him save Lilo, and to stay on Earth with his child.

David and Pleakley go from being pushed away by Nani and Jumbaa respectively to essentially becoming their partners in the family. The Grand Councilwoman and Cobra Bubbles finally see how cruel their initial solution of isolating Stitch and Lilo from their family would be, and bend the rules they are supposed to enforce to protect and support this weird found family instead of breaking it apart. Gantu and Myrtle are recognized for the assholes they are and face comeuppance in the form of comedic slapstick pratfalls. And most importantly, Stitch and Lilo both get the emotional support and understanding they need to thrive and live happy lives as children should be allowed to do. It's like poetry, it rhymes.

It's a very precise, smartly written movie. It's a delicate balancing act of tone and emotions, with a very strong theme about the need for family and understanding that hits children in their hearts and imaginations. It's extremely well structured.

...

So it'd be kind of colossally fucking stupid to remake it and start fucking around with the core structure of it, chopping out pieces and completely altering others, with no real purpose beyond "Well, the executives thought it might be better if we did this."