i'm my [ ššš šššš¼š ] first ... last ... š¼ššæ š¼ššš¼šš.
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" Truth is a matter of PERSPECTIVE , it doesn't have to mean all things to all people all the time ... NEITHER AM I. "
#B1CKWDCW is an extremely private , mutually exclusive roleplay blog for marvel's NATALIA ROMANOVA / THE BLACK WIDOW. this blog , while inspired by marvel comics , IS MY OWN PORTRAYAL OF HER and will include mostly custom lore , with comic and game canon mostly to fill in the blanks. this blog will contain extremely triggering content , and not for muns under 20.
#ā ā§ propaganda : self promo.#maybe this will encourage me#to get on here more what do you think??
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do i dare ... is the natalia muse awake??
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ā©Ėļ½”ā š·š¹š°š«š¬ šÆš¬šØš«šŖšØšµš¶šµ šøš¼š¬šŗš»š°š¶šµšŗ
below are some headcanon questions for the muse , centered around things themed around PRIDE MONTH. please do not add to the list , only reblog.
When did they know they were lgbt?
When did they come out/are they not out yet?
What gender do they identify as?
What orientation do they identify as?
Does their family support them in being queer?
Do they attend Pride festivities? If yes , which ones?
Do they feel like they've completed their "Journey"?
Do they decorate/dress up for Pride?
How open are they about their "Queer Identity"?
What is their favorite piece of queer cinema?
Do they wish they had come out sooner?
Do they engage in helping outreach/charity groups?
What's their favorite Pride flag design?
What would they say to someone considering coming out?
Do they enjoy Pride month , or think it's a bit much?
Do they buy something new every year or do they have the same Pride outfit they wear?
Do they do anything extra to celebrate Pride month?
Do they march in the local Pride parade , or just watch?
What does Pride month mean to your muse?
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WHERE IN THE WORLD: SENTENCES AND DIALOGUE ABOUT ESPIONAGE. All these sentences are taken from media related to espionage, spies, assassins and the like. Note some of this are inspired by the MCU and marvel, and mention agencies like the red room, shield and hydra. You can change names, locations and pronouns as you seee fit.
āWomen of the Gallagher Academy, who comes here?"
"To learn her skills. Honor her sword. And keep her secrets."
āTell me or I'll yell for Mr. and Mrs. Baxter, and you can find out how bex became bexā
āWaiting. Like it or not, it's a skill all spies have to master eventually.ā
āI didnāt know what was more disturbingāthe fact that something was obviously wrong, or that three faculty members of the worldās premiere spy school had forgotten to lock the door.ā
"It's amazing how much red tape gets cut when everyone's rooting for one man to survive.ā
āHe was a secret agent, and still alive thanks to his exact attention to the detail of his profession.ā
āThis is a war, It's graphic and unpleasant because it's fought on a tiny scale, at close range; fought with a wastage of innocent life sometimes, I admit. But it's nothing, nothing at all besides other wars - the last or the next.ā
āTreason is very much a matter of habit.ā
āSpy' is such a short ugly word. I prefer 'espionage.' Those extra three syllables really say something.ā
āThen why havenāt you noticed Iām not your only tail?ā
āShadows were both a manās best friend and his worst enemy.ā
āIf Ashlynn was trained in seduction, lesson one must be how to not punch your target in the face when you really want to.ā
āIām not your dog.ā
āA spy for a spy just makes for another lie.ā
āThere is rarely anything clean about killingā
āLet this be my first lesson to you: words matter. Use them carefully, like bullets.ā
āRemmichās subconscious mind is controlled by us. He will get what we want.ā
āIf one attempt in fifty is successful, your efforts won't have been wasted.ā
'I trust no one, and I suspect everything,'
āI also send you on this mission, In the hope that if he is, in fact, responsible for all this. That you'll keep your head and not let it get personal.'
āOne of the hardest things to do as a spy, a strategist, or even just as a person, is wait.ā
āSecurity cameras turn on when there is a movement. The main focus being on its leader.ā
āBrava, my dear. Once a spy always a spy.ā
āFortune favors the bold. If necessary, it eavesdrops on them.ā
āThese are our special reconnaissance troops. Hand-picked. Disciplined. Smart. We call them the Gatherers.ā
āIf we were lucky, none of them would realise that Rhys's lapdog was actually a bloodhound.
āMe? Scrubbing blood from carpets? It would be like asking Nureyev to do the conga.ā
āSev couldnāt tell the truthābut as any good liar will tell you, itās best to stick as close to the truth as possible.ā
āOne may spy on every subject, but cannot spy other's mind.ā
āJust be cool, calm, and collected.ā
āHe was born into it, in the same way stars were born from midnight.ā
āSpies are, by nature and necessity, pathological liars who strive to make their endgames justify their meanness.ā
āEad knew the scent of a secret. She wore it like a perfume.ā
āNever trust a spy you cannot see.Ā
āOnce is a stranger; twice is a coincidence; three times is a tail.ā
āLesson: Never underestimate a woman. Or a chef.ā
āCongratulations. A title so classified you canāt even list it on your resumĆ© when they fire you.ā
āEspionage is not a cricket gameā
āAll defectors have a complex relationship with truth.ā
āDo I want to know why you're so informed about spyware?"
āIf you live your life in fear and had the opportunity to change. . .could you muster the strength?ā
āHe didnāt save women. He damned them.ā
āPlease don't trouble yourself with my scars. At least not right now, OK?ā
āOrdinary people can do extraordinary things that can change the course of history.ā
āThat's for me to know, and for you to find out.ā
āYouāll have to do better than that chaps, if you want to kill me!ā
"Heās not just off the gridāhe burned the grid to the ground.
"Do you know what it costs to disappear? Everything. And then some.
"Trust is a weapon. In the wrong hands, itās lethal."
"I never lose sleep over collateral. Only over loose ends."
"I wasnāt recruited. I was broken and rebuilt."
"Codes can be cracked. People, too."
"You donāt need a gun when everyone believes you already pulled the trigger."
"The mission is simple: in and out, no names, no shadows."
"She smiled like a lover and stabbed like a ghost."
"You weren���t trained to feel. You were trained to finish."
"I know who you are, and thatās why Iāll never turn my back."
"One fingerprint, one mistake, and you're a memory on someone else's file."
"You hear the word āassetāāI hear āliability waiting to snap.ā"
"They said the world needed saving. So they built monsters to protect it."
"He's a legend. But only because the dead don't tell stories."
"Your cover's blown. And so is the building in five minutes."
"Sheās been ten people in the last six yearsāand none of them were herself."
"You weren't supposed to wake up. That was the whole point."
"HYDRA taught me control. The Red Room taught me obedience. I chose neither."
"You donāt need to outrun them. You just need to vanish first."
"He left a trail of bodies and burned IDs. The perfect calling card."
"They erased your name. Now erase theirs."
"Youāre looking at the knife. You shouldāve looked at my hand."
"The safe word was betrayal. How poetic."
"Some of us never had a choice. We just made it look like we did."
"You donāt kill the target. You erase the reason they ever existed."
"He walked into the gala with a smile and a cyanide tooth."
"Everyone thinks the briefcase holds state secrets. Itās just leverage."
"My loyalty isn't for sale. But it can be rented."
"She didnāt need a disguise. Her face was already classified."
"The safest lies are the ones wrapped in half-truths."
"Your heart's beating too loud. They'll hear it before the alarm goes off."
"You were my mission. And I failed ā on purpose."
"We donāt do apologies in this line of work. Just clean exits."
"He trained with ghosts. Now he haunts the people who made him."
"This isnāt chess. In our game, the pawns bleed."
"You were compromised the moment you hesitated."
"She wasnāt after the codes. She wanted a reaction."
"One photograph. One mistake. And it all unravels."
"They say thereās no honor among thieves. Theyāve never met spies."
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TheĀ Ā soldierĀ Ā hadĀ Ā alwaysĀ Ā beenĀ Ā somethingĀ Ā ofĀ Ā aĀ Ā Ā CURIOUSĀ Ā MYSTERYĀ Ā Ā toĀ Ā her.Ā Ā Ā NataliaĀ Ā hadĀ Ā beenĀ Ā theĀ Ā dutifulĀ Ā recruitĀ Ā ,Ā Ā āāĀ Ā performingĀ Ā wellĀ Ā aboveĀ Ā theĀ Ā restĀ Ā ofĀ Ā herĀ Ā classĀ Ā inĀ Ā everyĀ Ā aspect.Ā Ā Ā SheĀ Ā wasĀ Ā everythingĀ Ā theĀ Ā RedĀ Ā RoomĀ Ā wantedĀ Ā outĀ Ā ofĀ Ā theirĀ Ā assassinsĀ Ā ,Ā Ā Ā Ā Ā Ā Ā Ā Ā (Ā Ā andĀ Ā heĀ Ā wasĀ Ā HYDRA'sĀ Ā prizedĀ Ā asset.Ā Ā )Ā Ā Ā TheĀ Ā confusionĀ Ā hadn'tĀ Ā comeĀ Ā fromĀ Ā themĀ Ā choosingĀ Ā herĀ Ā toĀ Ā trainĀ Ā withĀ Ā himĀ Ā ,Ā Ā āāĀ Ā theĀ Ā mysteryĀ Ā andĀ Ā confusionĀ Ā wasĀ Ā alwaysĀ Ā solelyĀ Ā behindĀ Ā hisĀ Ā eyes.
ThereĀ Ā wasĀ Ā Ā PAINĀ Ā Ā there.Ā Ā Ā PainĀ Ā thatĀ Ā didn'tĀ Ā seemĀ Ā toĀ Ā haveĀ Ā aĀ Ā causeĀ Ā ,Ā Ā āāĀ Ā butĀ Ā stillĀ Ā somehowĀ Ā feltĀ Ā soĀ Ā realĀ Ā sheĀ Ā couldĀ Ā seeĀ Ā itĀ Ā inĀ Ā thoseĀ Ā icyĀ Ā blueĀ Ā eyes.Ā Ā Ā NoĀ Ā matterĀ Ā howĀ Ā piercingĀ Ā theyĀ Ā hadĀ Ā comeĀ Ā toĀ Ā beĀ Ā withĀ Ā theĀ Ā yearsĀ Ā heĀ Ā hadĀ Ā beenĀ Ā inĀ Ā theĀ Ā field.Ā Ā Ā Ā Ā Ā Ā Ā Ā (Ā Ā aĀ Ā trueĀ Ā ghostĀ Ā storyĀ Ā inĀ Ā moreĀ Ā waysĀ Ā thanĀ Ā one.Ā Ā Ā hauntingĀ Ā inĀ Ā thoseĀ Ā hues.Ā Ā )Ā Ā Ā SomehowĀ Ā bothĀ Ā heartbreakingĀ Ā ,Ā Ā butĀ Ā alsoĀ Ā Ā FASCINATING.Ā Ā EveryĀ Ā attemptĀ Ā toĀ Ā learnĀ Ā moreĀ Ā ,Ā Ā metĀ Ā withĀ Ā somethingĀ Ā inĀ Ā betweenĀ Ā denialĀ Ā andĀ Ā ā¦Ā Ā SOMETHINGĀ Ā ELSEĀ Ā Ā sheĀ Ā couldn'tĀ Ā quiteĀ Ā place.
HeĀ Ā spokeĀ Ā ,Ā Ā andĀ Ā sheĀ Ā listened.Ā Ā Ā MostĀ Ā ofĀ Ā theĀ Ā timeĀ Ā ,Ā Ā āāĀ Ā theirĀ Ā trainingĀ Ā wasĀ Ā voidĀ Ā ofĀ Ā wordsĀ Ā saveĀ Ā forĀ Ā theĀ Ā occasionalĀ Ā correctionĀ Ā whenĀ Ā heĀ Ā foundĀ Ā aĀ Ā flaw.Ā Ā Ā HeadĀ Ā tiltsĀ Ā ,Ā Ā hearingĀ Ā thoseĀ Ā wordsĀ Ā andĀ Ā wonderingĀ Ā whoĀ Ā theyĀ Ā belongedĀ Ā toĀ Ā ā¦Ā Ā HimĀ Ā orĀ Ā theĀ Ā onesĀ Ā whoĀ Ā heldĀ Ā theirĀ Ā leashes.Ā Ā Ā EmeraldĀ Ā eyesĀ Ā narrowĀ Ā ,Ā Ā watchingĀ Ā hisĀ Ā movesĀ Ā beforeĀ Ā duckingĀ Ā toĀ Ā evadeĀ Ā himĀ Ā ,Ā Ā āāĀ Ā movingĀ Ā aroundĀ Ā himĀ Ā inĀ Ā almostĀ Ā aĀ Ā danceĀ Ā likeĀ Ā state.Ā Ā Ā UntilĀ Ā sheĀ Ā foundĀ Ā herselfĀ Ā behindĀ Ā him.Ā Ā Ā ArmsĀ Ā raisedĀ Ā inĀ Ā herĀ Ā fightingĀ Ā stance.Ā Ā Ā āĀ Ā BecauseĀ Ā ofĀ Ā whoĀ Ā mightĀ Ā findĀ Ā outĀ Ā ,Ā Ā orĀ Ā somethingĀ Ā youĀ Ā can'tĀ Ā answer.Ā Ā āĀ Ā Ā SheĀ Ā waitsĀ Ā ,Ā Ā onlyĀ Ā longĀ Ā enoughĀ Ā forĀ Ā himĀ Ā toĀ Ā turnĀ Ā beforeĀ Ā throwingĀ Ā aĀ Ā kickĀ Ā toĀ Ā knockĀ Ā hisĀ Ā legsĀ Ā outĀ Ā fromĀ Ā underĀ Ā him.Ā Ā Ā ConfidenceĀ Ā rulingĀ Ā overĀ Ā herĀ Ā movements.
@b1ckwdcw asked: āYouāre holding back. Are you afraid of hurting meāor of what happens if you donāt?ā
The Ā silence Ā between Ā them Ā crackled Ā with Ā more Ā tension Ā than Ā the Ā clash Ā of Ā fists Ā ever Ā could. Ā He Ā stood Ā across Ā from Ā her Ā on Ā the Ā mats, Ā fists Ā still Ā half-raised, Ā breath Ā low Ā and Ā controlled. Ā The Ā Red Ā Room Ā training Ā hall Ā was Ā cold Ā and Ā unyieldingājust Ā like Ā it Ā used Ā to Ā beābut Ā her Ā voice Ā cut Ā through Ā it Ā like Ā a Ā scalpel. Ā His Ā jaw Ā tightened, Ā the Ā ghost Ā of Ā an Ā old Ā memory Ā flaring Ā behind Ā his Ā eyesāhands Ā stained, Ā missions Ā completed, Ā names Ā forgotten. Ā But Ā Natasha Ā wasnāt Ā just Ā another Ā recruit. Ā She Ā never Ā had Ā been.
He Ā looked Ā at Ā her Ā then, Ā not Ā just Ā as Ā a Ā partner Ā or Ā an Ā opponent, Ā but Ā as Ā the Ā woman Ā who Ā saw Ā too Ā much Ā and Ā still Ā didnāt Ā flinch. Ā āIām Ā not Ā afraid Ā of Ā hurting Ā you,ā Ā he Ā said Ā finally, Ā voice Ā rough Ā like Ā gravel Ā dragged Ā over Ā steel. Ā āIām Ā afraid Ā of Ā what Ā I Ā remember Ā when Ā I Ā stop Ā holding Ā back. Ā What Ā I Ā become.ā Ā He Ā met Ā her Ā gaze Ā and Ā something Ā in Ā him Ā shiftedānot Ā quite Ā surrender, Ā not Ā quite Ā control, Ā but Ā the Ā line Ā he Ā walked Ā every Ā day Ā since Ā they Ā took Ā the Ā trigger Ā words Ā out Ā of Ā his Ā head.
He Ā raised Ā his Ā hands Ā again, Ā this Ā time Ā not Ā holding Ā back. Ā Not Ā entirely. Ā If Ā she Ā wanted Ā the Ā truth Ā of Ā him, Ā then Ā he Ā would Ā give Ā her Ā just Ā enough Ā of Ā it. Ā Enough Ā to Ā show Ā her Ā what Ā the Ā Winter Ā Soldier Ā never Ā got Ā the Ā chance Ā to Ā regret. Ā "You Ā should Ā not Ā ask Ā questions." Ā Because Ā they Ā could Ā be Ā watching, Ā because Ā this Ā could Ā be Ā a Ā test Ā (how Ā can Ā it Ā not Ā be? Ā are Ā they Ā letting Ā the Ā reins Ā of Ā his Ā brain Ā loose? Ā why? Ā ).
#geistsoldat#āĀ ā§ Ā āŖ mission logs. ā« geistsoldat.#HYDRA mention tw.#listen i love exploring this era of them
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š¤ š§šØš§-šÆšš«ššš„ šššš¢šØš§š¬ : š“š¦šÆš„ š¢ š±š³š°š®š±šµ š§š³š°š® šµš©š¦ ššŖš“šµ š£š¦šš°šø šµš° š“š¦š¦ š©š°šø š®šŗ š®š¶š“š¦ š³š¦š¢š¤šµš“. šÆš° šøš°š³š„š“ šÆš¦š¦š„š¦š„, š«š¶š“šµ šµš°š¶š¤š©. š“š¦šÆš„ (+ š³š¦š·š¦š³š“š¦) š§š°š³ š®šŗ š®š¶š“š¦ šµš° š„š° šµš©š¦ š¤š©š°š“š¦šÆ š¢š¤šµšŖš°šÆ šµš°šøš¢š³š„š“ šŗš°š¶š³ š®š¶š“š¦.
šļø š¬šššš¢šØš§ šØš§š: š§šØš§-šÆšš«ššš„ šššš¬ šØš ššØš¦ššØš«š šš§š ššš«š
01. gently brushing the other's hair out of their face to tuck behind their ear. 02. wrapping a blanket around their shoulders from behind. 03. brushing tears off of their cheeks. 04. reaching out hesitantly before resting a hand on their back. 05. placing a cup of tea or coffee in front of them. 06. sitting beside them while they are asleep to watch over them. 07. sharing silence with them. 08. pulling them into a tight hug. 09. writing something quietly and passing them the note. 10. fixing a piece of their clothing carefully.
š„ š¬šššš¢šØš§ šš°šØ: š§šØš§-šÆšš«ššš„ šššš¬ šØš šš«š®š¬šš«ššš¢šØš§ šš§š šš§š šš«
01. staring at them in silence for a long moment before walking away. 02. slamming a door shut without explanation. 03. packing their things up, slowly and deliberately. 04. breathing sharply through their nose and refusing to meet their eyes. 05. cleaning something obsessively in silence.
š„ š¬šššš¢šØš§ šš”š«šš: š§šØš§-šÆšš«ššš„ šš®šš¬ šš”šš šš«š šš«š¢š©š©š¢š§š š°š¢šš” š¬šš±š®šš„ ššš§š¬š¢šØš§
01. running their thumb over the others bottom lip slowly. 02. standing just a little too close, enough to feel each others breath. 03. grazing their knuckles along the other's hip or thigh in passing. 04. undoing the top button of their shirt while holding eye contact. 05. leaning in like they're going to kiss and then pausing shyly. 06. sliding a hand under their chin to tilt their head up.
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Bye Bye Bikins. Ā [sarcastic] Yeah, I bet you look terrible in them now.
#ā ā§ a study of a widow : appearance#ā ā§ people of interest : steve rogers / captain america#love them so much
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āĀ ā§Ā Ā āŖĀ MISSIONĀ LOG:Ā ICĀ ā«Ā Ā āĀ Ā iĀ Ā thoughtĀ Ā youādĀ Ā likeĀ Ā someĀ Ā company.Ā Ā āĀ Ā Ā ,Ā Ā Ā @awbroĀ
OfĀ Ā courseĀ Ā heĀ Ā thoughtĀ Ā sheĀ Ā wouldĀ Ā wantĀ Ā someĀ Ā companyĀ Ā ,Ā Ā āāĀ Ā he'sĀ Ā farĀ Ā tooĀ Ā considerateĀ Ā forĀ Ā theĀ Ā likesĀ Ā ofĀ Ā her.Ā Ā Ā She'sĀ Ā saidĀ Ā asĀ Ā muchĀ Ā ,Ā Ā toldĀ Ā himĀ Ā timeĀ Ā andĀ Ā timeĀ Ā againĀ Ā thatĀ Ā he'sĀ Ā farĀ Ā toĀ Ā goodĀ Ā forĀ Ā allĀ Ā ofĀ Ā this.Ā Ā Ā Ā Ā Ā Ā Ā Ā (Ā Ā regardlessĀ Ā ofĀ Ā theĀ Ā truthĀ Ā ofĀ Ā itĀ Ā he'sĀ Ā alwaysĀ Ā betterĀ Ā thanĀ Ā her.Ā Ā )Ā Ā Ā theĀ Ā reasonĀ Ā sheĀ Ā triesĀ Ā toĀ Ā beĀ Ā betterĀ Ā ,Ā Ā reachĀ Ā outĀ Ā toĀ Ā peopleĀ Ā whenĀ Ā theyĀ Ā needĀ Ā itĀ Ā ratherĀ Ā thanĀ Ā remainĀ Ā cold.Ā Ā Ā RememberingĀ Ā whatĀ Ā reallyĀ Ā mattersĀ Ā mostĀ Ā whenĀ Ā itĀ Ā getsĀ Ā tooĀ Ā dark.Ā Ā Ā It'sĀ Ā hardĀ Ā toĀ Ā meetĀ Ā thatĀ Ā revelationĀ Ā withĀ Ā aĀ Ā coldĀ Ā reaction.Ā Ā Ā SoĀ Ā sheĀ Ā doesn't.
āĀ Ā IĀ Ā wouldn'tĀ Ā ,Ā Ā āĀ Ā Ā TheĀ Ā redĀ Ā headĀ Ā statesĀ Ā coldlyĀ Ā ,Ā Ā āāĀ Ā wearingĀ Ā thatĀ Ā emotionalĀ Ā armorĀ Ā forĀ Ā herselfĀ Ā asĀ Ā always.Ā Ā Ā ButĀ Ā unlikeĀ Ā mostĀ Ā othersĀ Ā inĀ Ā theĀ Ā pastĀ Ā ,Ā Ā there'sĀ Ā aĀ Ā Ā SMIRKĀ Ā Ā thatĀ Ā curlsĀ Ā theĀ Ā widow'sĀ Ā lips.Ā Ā Ā Ā Ā Ā Ā Ā Ā (Ā Ā SomethingĀ Ā sheĀ Ā wouldn'tĀ Ā haveĀ Ā learnedĀ Ā toĀ Ā doĀ Ā soĀ Ā wellĀ Ā withoutĀ Ā him.Ā Ā )Ā Ā Ā āĀ Ā ButĀ Ā it'sĀ Ā hardĀ Ā t'sayĀ Ā noĀ Ā whenĀ Ā youĀ Ā askĀ Ā soĀ Ā nicely.Ā Ā Ā ForĀ Ā youĀ Ā I'llĀ Ā makeĀ Ā anĀ Ā exception.Ā Ā ā
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starter call 2.0 Ā Ā feel free to combine prompts !
for Ā a Ā happyĀ Ā starterĀ .
for Ā a Ā melancholy Ā starterĀ .
for Ā an Ā excited Ā starterĀ .
for Ā an Ā angry Ā starterĀ .
for Ā a Ā soft Ā starterĀ .
for Ā a Ā silly Ā starterĀ .
for Ā an Ā angsty Ā starterĀ .
for Ā a Ā violent Ā starterĀ .
for Ā a Ā romantic Ā starterĀ .
for Ā a Ā sexual Ā starterĀ .
forĀ aĀ comfortingĀ starter .
forĀ aĀ threateningĀ starter .
forĀ anĀ argumentativeĀ starter .
forĀ anĀ action / adventureĀ starter .
forĀ aĀ flirtatiousĀ starter .
forĀ aĀ lovingĀ starter .
forĀ aĀ hostileĀ starter .
forĀ anĀ enviousĀ starter .
forĀ aĀ fearfulĀ starter .
forĀ anĀ injured / sickĀ starter .
forĀ anĀ urgentĀ starter .
forĀ aĀ celebratoryĀ starter .
forĀ aĀ reunionĀ starter .
forĀ aĀ lazyĀ starter .
forĀ aĀ protectiveĀ starter .
forĀ aĀ domesticĀ starter .
forĀ anĀ intimateĀ starter .
forĀ aĀ weather - basedĀ starter .
forĀ aĀ surprisedĀ starter .
forĀ aĀ maliciousĀ starter .
forĀ anĀ illegalĀ starter .
forĀ aĀ concernedĀ starter .
forĀ aĀ tenseĀ starter .
forĀ aĀ sentimentalĀ starter .
forĀ aĀ hopefulĀ starter .
forĀ aĀ hopelessĀ starter .
forĀ aĀ guiltyĀ starter .
forĀ anĀ embarrassedĀ starter .
forĀ anĀ anxiousĀ starter .
forĀ aĀ desperateĀ starter .
forĀ aĀ disappointedĀ starter .
forĀ anĀ aggressiveĀ starter .
forĀ aĀ cautiousĀ starter .
forĀ anĀ impulsiveĀ starter .
forĀ aĀ resentfulĀ starter .
forĀ aĀ suspiciousĀ starter .
forĀ aĀ conflictedĀ starter .
forĀ aĀ provokedĀ starter .
forĀ anĀ awkwardĀ starter .
forĀ aĀ dishonestĀ starter .
forĀ aĀ fatiguedĀ starter .
forĀ aĀ gratefulĀ starter .
forĀ aĀ flusteredĀ starter .
forĀ aĀ vulnerableĀ starter .
forĀ aĀ manipulativeĀ starter .
forĀ aĀ professionalĀ starter .
forĀ aĀ mischievousĀ starter .
forĀ aĀ relievedĀ starter .
forĀ aĀ cooperativeĀ starter .
forĀ anĀ uncooperativeĀ starter .
forĀ aĀ moodyĀ starter .
forĀ anĀ impatientĀ starter .
forĀ aĀ competitiveĀ starter .
forĀ anĀ encouragingĀ starter .
forĀ aĀ sensualĀ starter .
forĀ anĀ interruptedĀ starter .
forĀ aĀ clumsyĀ starter .
forĀ aĀ tearfulĀ starter .
forĀ anĀ affectionateĀ starter .
forĀ aĀ cozyĀ starter .
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&. š«š¢šÆšš„š¬ (ššØ š„šØšÆšš«š¬?) š¬šš§ššš§šš š¬ššš«ššš«š¬.
(Ā variousĀ dialogueĀ promptsĀ toĀ sendĀ toĀ yourĀ worstĀ enemyĀ (affectionate).Ā feelĀ freeĀ toĀ changeĀ howĀ youĀ seemĀ fit.Ā )
ā oh great, it's you again. ā
ā you? kill me? that's funny. ā
ā for being someone you hate, i'm sure on your mind a lot. ā
ā you're the last person i wanted to see, actually. ā
ā do us both a favor. stay away from me. ā
ā you really are an asshole, you know that? ā
ā i'm the asshole? what does that make you then? ā
ā sometimes i think you must hate me. ā
ā i thought you said you never wanted to see me again. ā
ā if you want me to go, then you have to tell me to leave. ā
ā well, someone's cranky today. ā
ā well, someone needs to shut the fuck up. ā
ā just stay out of my way. ā
ā of all the idiots in the world, i'm stuck with you. ā
ā what is it you want this time? ā
ā sometimes i wonder if you're in love with me. ā
ā do you honestly think this is easy for me? ā
ā why would i ever want to be friends with you? ā
ā can we please just talk? ā
ā there is nothing for us to talk about. ā
ā you can yell at me later. just let me help you. ā
ā touch me, and you're dead. ā
ā oh, so now you care? ā
ā there is something deeply wrong with you. ā
ā i know i'm the last person you probably want to see, but... ā
ā you don't think we could be friends, do you? ā
ā i'm tired of fighting against you. ā
ā don't pretend you give a shit about me. ā
ā you're an idiot, but... i trust you. ā
ā oh, don't be cute. ā
ā wait, did you just say that i'm cute? ā
ā we're not good for each other. ā
ā if i say yes, will you shut up? ā
ā don't you have to be stupid somewhere else? ā
ā maybe we should kiss just to break the tension. ā
ā i'm sorry i can't turn off my feelings as easily as you. ā
ā maybe there's a universe out there where we're friends. ā
ā how can you be so smart yet so dumb at the same time? ā
ā don't think this changes anything between us. ā
ā you look ridiculous in that outfit, by the way. ā
ā if you die, i'll kill you. ā
ā is that a challenge? ā
ā ah, so you're not heartless after all. ā
ā i don't think i've ever seen you smile. ā
ā you never cared about me, so why now? ā
ā why didn't you kill me when you had the chance? ā
ā i don't even remember why we started fighting. ā
ā i don't have time for distractions right now. ā
ā you're not as bad as everyone says you are. ā
ā enemies make the best lovers, you know. ā
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š Ā * Ā ā Ā š·š³šØš»š¶šµš°šŖ šŗš¬šµš»š¬šµšŖš¬ šŗš»šØš¹š»š¬š¹šŗ.
ā Ā you've been my best friend for years, what made you think it would change now?Ā ā ā Ā i'm always here for you if you need me.Ā ā ā Ā well, that's what friends are for.Ā ā ā Ā remember, i'm always just one call away.Ā ā ā Ā how long have we known each other now? i know you better than you know yourself.Ā ā ā Ā you're an idiot most of the time, but you're my idiot.Ā ā ā Ā do you want to come over and watch movies tonight? i could use some company.Ā ā ā Ā you always know how to cheer me up.Ā ā ā Ā i made you your favorite food.Ā ā ā Ā i know it's 2 a.m. but i really need someone to talk to. are you awake?Ā ā ā Ā remember when we used to build blanket forts? let's do it again.Ā ā ā Ā please come to this family dinner with me. my family already loves you and i need some neutral person there with me.Ā ā ā Ā here, i got you something. i saw it at the shop and it reminded me of you.Ā ā ā Ā do you remember that promise we made to each other when we were kids?Ā ā ā Ā i'm so grateful to have you in my life. you mean the world to me.Ā ā ā Ā i don't need advice right now, just a friend to listen.Ā ā ā Ā you're the best friend one could ever ask for.Ā ā ā Ā hey, umm ... thank you for being my friend.Ā ā ā Ā you don't have to go through this alone. i'm here for you.Ā ā ā Ā want to grab a coffee and catch up?Ā ā ā Ā we may not talk every day anymore, but i still consider you my friend.Ā ā ā Ā i can stay and help you finish this if you want.Ā ā ā Ā you've got this. i believe in you!Ā ā ā Ā how about we plan a game night this weekend?Ā ā ā Ā do you ever wonder what our lives will be like in ten years?Ā ā ā Ā no matter what happens, you'll always have me.Ā ā ā Ā you don't have to pretend with me. i like you just the way you are.Ā ā ā Ā consider it ... a little friendly competition.Ā ā ā Ā thank you, you always know how to make me laugh.Ā ā ā Ā i can't believe how far we've come together.Ā ā ā Ā just stay put, i'll be over in a minute.Ā ā ā Ā i've got us tickets for that concert/movies/exhibition you wanted to go to.Ā ā ā Ā how about a road trip? just like old times ...Ā ā ā Ā i really appreciate you staying in my life all these years.Ā ā ā Ā i don't know what i'd do without you.Ā ā ā Ā you can tell me if something is bothering you.Ā ā ā Ā race you to the end of the street!Ā ā ā Ā bet you can't beat me at this game. i'm a pro.Ā ā ā Ā i challenge you to a cooking contest. loser has to buy dinner for the next week.Ā ā ā Ā you've been such a great friend, and i just wanted to say thanks.Ā ā
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¤a collection of loose quotes taken from various characters from hades (supergiant games). these quotes are from the first game of the series. writing/roleplaying prompts. from fluff to angst! feel free to edit as you see fit, especially since some are gendered.
ā iām leaving. try and stop me. ā ā that could have gone better. ā ā why canāt you just stay? ā ā i wish you could come with me. ā ā youāre coming with me. ā ā i have to take you back. ā ā but for you, i will be making an exception. ā ā whew⦠theyāre gone. ā ā now, come on, we got places to be! ā ā may the fates favour your journey. ā ā oh you know, iād rather have my eyes put out, but thanks for offering! ā ā if only⦠ā ā you should be ashamed of yourself, and learn your place. ā ā ahh, so you are taking pity on me, then? ā ā iām sorry that it has to be this way. ā ā youāre late. ā ā will i see you soon? ā ā did you miss me? ā ā iām home. ā ā weāre heading home. ā ā you⦠came back? ā ā i hope i didnāt keep you waiting very long, did i? ā ā is something wrong? ā ā i canāt believe this. ā ā iām in your debt. ā ā thereās going to be payback, you know. ā ā ⦠damn you. ā ā this is for you. ā ā do you remember me? my name isāah, nevermind. ā ā iām not who you think i am. ā ā keep following that heart of yours. ā ā to hell with this place! ā ā fear is for the weak. ā ā oh, look at you, you poor, poor thing, youāre hurt! ā ā youāre such a sweetheart. ā ā you brought this on yourself. ā ā no need to thank me, mate. ā ā please, i donāt want to do this⦠ā ā you donāt have to do this⦠ā ā only the best for you. ā ā i hope youāre right. ā ā gods grant me strength⦠ā ā that is the worst idea i think iāve ever heard. ā ā do you understand how little sense that makes? ā ā look what i found! ā ā somethingās changed about the beating of your heart. ā ā no wonder they donāt like you. ā ā wish i could be there to see your face. ā ā iāll earn your favour yet. ā ā how bad could it be? ā ā hello there, handsome. ā ā ⦠this is the cheesiest thing iāve heard from you. ā ā what has gotten into you? ā ā blood and darkness! ā ā lucky for you, iāve no pride like many others here. ā ā itās over. iām sorry. ā ā go. away. i wonāt repeat myself. ā ā i knew your heart was true. ā ā letās kiss and make up! ā ā mischief, me? oh please! ā ā i donāt know how you can stand this kind of thing⦠ā ā you tried. thatās what matters. ā ā a man after my own heart⦠ā ā why wonāt you give up? ā ā ever so stubborn, arenāt you? ā ā life and death, one and the same. ā ā youāre running from yourself. again. ā ā what do you want from me? leave me alone. weāve nothing to discuss anymore. ā ā i cannot bring myself to stay upset with you forever. ā ā the truth is iām a lover, not a fighter. ā ā i have to see her! ā ā so how goes wilful disobedience of late? ā ā you think all these gifts will make things go back to the way they were? ā ā weāre older nowāiād hope weāre wiser, too. ā ā i have to go. ā ā we were having such a good time! ā ā time is up. ā ā youāre so reckless. ā ā thank you for always keeping me on my toes. ā ā your luckās run out. ā ā i donāt know why i bother with you, honestly. ā ā may i call you my friend? ā ā iād like to make a toast, to you! ā ā no need for special thanks. ā ā iāve some memories iām not quite ready to give up on yet. ā ā iāll break your heart. ā
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⦠a collection of prompts that can be considered nsfw, with a lot of teasing and tension driven prompts. adjust as needed ; send ā + reverse ā for sender and receiver to switch spots. Combine prompts by sending more than one.
ć SQUEEZE ć : for sender to rest their hand on the receivers thigh , giving it a squeeze .
ć LINGER ć : for senders touch to linger on the receiver.
ć MASSAGE ć : for sender to give receiver a massage .
ć LOTION ć : for sender to rub lotion into the receivers skin
ć SLIP ć : for senders hand to slip between the receivers legs.
ć TUG ć : for sender to tug on the receivers hair
ćCLIMB ć : for sender to climb into receivers lap
ćPULL ć : for the sender to pull receiver into their lap
ćBITE ć : for sender to bite the receiver ( include the location )
ć MARK ć : for sender to leave hickies on receiver
ć BARE ć : for sender to undress in front of receiver
ć HELP ć : for sender to help receiver undress
ć GRIND ć : for sender to grind against the receiver
ć HOT ć : for sender and receiver to share a heated kiss
ć OOPS ć : for sender to accidentally send receiver a risquĆ© image.
ć CHIME ć : for sender to purposefully send receiver a risquĆ© image.
ć WHISPER ć : for sender to whisper something suggestive in receivers ear
ć HOLD ć : for sender to hold receivers throat
ć THROW ć : for sender to throw receiver onto the bed
ć PRESS ć : for sender to press receiver against a wall and kiss them
ć CAUGHT ć : for sender to catch receiver pleasuring themselves
ć LIGHT ć : for sender to touch the receiver with a feather light pressure.
ć INNER ć : for sender to kiss along the inside of receivers thigh
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ā±Ėļ½”ā āŖ š šššššš ššššššš . Ā Ā (Ā Ā a collection of Ā mixed action prompts.Ā Ā adjust phrasing as desired. Ā Ā potentially matureĀ contentĀ within.Ā Ā )
[ 1. ] sender steps between receiver and an aggressive stranger, voice low and steady: "walk. away."
[ 2. ] sender teaches receiver self-defense, hands firm on their hips as they adjust their stance.
[ 3. ] sender presses their forehead to receiver's, voice breaking as they murmur, "i don't know how to fix this, but i'm not leaving."
[ 4. ] sender shoves receiver out of the way of a projectile.
[ 5. ] sender combs their fingers through receiver's hair in the aftermath of a traumatic event, whispering words of comfort.
[ 6. ] sender whispers, āiāve thought about this all day,ā before pinning receiver against a wall for a searing kiss.
[ 7. ] sender wipes away the receiverās falling tears with their thumb and whispers, āiām here."
[ 8. ] sender patches up receiver's wounds, hands trembling as they whisper, "you can't keep doing this to me."
[ 9. ] sender shoves receiver into a hiding spot, hissing, "stay here or iāll kill you myself."
[ 10. ] sender finds receiver drunk at a party, sighing. "letās get you home."
[ 11. ] sender is discovered sleepwalking by receiver.
[ 12. ] sender steals receiverās weapon and presses it to their own chest, daring: āgo ahead. prove me right.ā
[ 13. ] sender āaccidentallyā flashes receiver while changing, purring, "see something you like?"
[ 14. ] sender whispers, "youāll ruin me," before biting receiverās lip hard enough to draw blood.
[ 15. ] sender takes over while receiver is giving themselves stitches, promising to handle it.
[ 16. ] sender frantically grips receiver by the shoulders, "don't you dare close your eyes."
[ 17. ] sender fixes receiverās crooked [ tie / jewelry ], teasing, "nervous?"
[ 18. ] sender shakes receiver out of a nightmare, comforting them in the aftermath. "same nightmare again?"
[ 19. ] sender brings hot tea and medication to a [ hungover / ill ] receiver.
[ 20. ] sender invites receiver to dance with them, insisting, "what? this song's perfect."
[ 21. ] sender leaves a single rose on receiverās windshield with a note: "youāre being followed. smile."
[ 22. ] sender pins receiverās wrists during a sparring match, grinning, "yield."
[ 23. ] sender playfully steals something from receiver, initiating a chase. "come and get it, then."
[ 24. ] sender drapes a blanket over receiver, accidentally waking them. "sorry, go back to sleep."
[ 25. ] receiver returns home only to find sender already there. "finally."
[ 26. ] after a pleasant night out together, sender asks: "can i kiss you goodnight?"
[ 27. ] sender wipes the blood from receiver's face, murmuring, "let's get you cleaned up."
[ 28. ] sender shoves receiver against a vending machine to dodge security, breathless. "act natural."
[ 29. ] sender wakes receiver in the throes of a nightmare, reassuring them, "it's okay, it's not real."
[ 30. ] sender purposefully antagonizes receiver, hurling insults; "what are you gonna do about it?"
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āŗĀ Ā Ā Ā Ā TENSIONĀ Ā LINERĀ Ā PROMPTSĀ Ā Ā Ā
"IĀ Ā dareĀ Ā youĀ Ā toĀ Ā try."
"DoĀ Ā youĀ Ā alwaysĀ Ā getĀ Ā close?"
"YouāreĀ Ā pushingĀ Ā myĀ Ā limits."
"StopĀ Ā lookingĀ Ā atĀ Ā meĀ Ā likeĀ Ā that."
"IāmĀ Ā losingĀ Ā controlĀ Ā here."
"YouĀ Ā haveĀ Ā noĀ Ā idea,Ā Ā doĀ Ā you?"
"IĀ Ā canātĀ Ā resistĀ Ā youĀ Ā anymore."
"StayĀ Ā back,Ā Ā orĀ Ā donāt."
"IĀ Ā knowĀ Ā whatĀ Ā youĀ Ā want."
"ThisĀ Ā isĀ Ā gettingĀ Ā dangerousĀ Ā now."
"YouāreĀ Ā tooĀ Ā temptingĀ Ā forĀ Ā me."
"IĀ Ā shouldnātĀ Ā wantĀ Ā this,Ā Ā butā¦"
"IĀ Ā donātĀ Ā playĀ Ā fair,Ā Ā remember?"
"Careful,Ā Ā youāreĀ Ā testingĀ Ā me."
"YouāreĀ Ā justĀ Ā makingĀ Ā itĀ Ā worse."
"YouāreĀ Ā tooĀ Ā closeĀ Ā forĀ Ā comfort."
"DoĀ Ā youĀ Ā alwaysĀ Ā pushĀ Ā buttons?"
"StopĀ Ā beforeĀ Ā IĀ Ā kissĀ Ā you."
"YouāreĀ Ā makingĀ Ā itĀ Ā tooĀ Ā hard."
"IĀ Ā canātĀ Ā stopĀ Ā thinkingĀ Ā aboutĀ Ā you."
"IĀ Ā wantĀ Ā youĀ Ā tooĀ Ā much."
"YouĀ Ā knowĀ Ā exactlyĀ Ā whatĀ Ā youāreĀ Ā doing."
"IāmĀ Ā notĀ Ā playingĀ Ā gamesĀ Ā here."
"YouāveĀ Ā crossedĀ Ā theĀ Ā lineĀ Ā now."
"KeepĀ Ā pushing,Ā Ā andĀ Ā youāllĀ Ā regretĀ Ā it."
"ThisĀ Ā isĀ Ā dangerous,Ā Ā isnātĀ Ā it?"
"IāmĀ Ā tryingĀ Ā notĀ Ā toĀ Ā care."
"DonātĀ Ā makeĀ Ā meĀ Ā regretĀ Ā this."
"YouāreĀ Ā playingĀ Ā withĀ Ā fire."
"YouĀ Ā donātĀ Ā knowĀ Ā whatāsĀ Ā coming."
"IĀ Ā shouldnātĀ Ā beĀ Ā thisĀ Ā close."
"WeāreĀ Ā gettingĀ Ā dangerouslyĀ Ā closeĀ Ā now."
"IĀ Ā canĀ Ā feelĀ Ā theĀ Ā heat."
"DonātĀ Ā testĀ Ā meĀ Ā right�� Ā now."
"IĀ Ā wantĀ Ā youĀ Ā tooĀ Ā badly."
"DonātĀ Ā makeĀ Ā meĀ Ā chaseĀ Ā you."
"YouāreĀ Ā distractingĀ Ā me,Ā Ā youĀ Ā know."
"IĀ Ā wonātĀ Ā fallĀ Ā forĀ Ā this."
"IĀ Ā wantĀ Ā you,Ā Ā butā¦"
"WhatĀ Ā doĀ Ā youĀ Ā wantĀ Ā fromĀ Ā me?"
"IāllĀ Ā neverĀ Ā giveĀ Ā in."
"IāmĀ Ā tryingĀ Ā notĀ Ā toĀ Ā care."
"YouāreĀ Ā playingĀ Ā withĀ Ā myĀ Ā patience."
"DonātĀ Ā makeĀ Ā thisĀ Ā harder,Ā Ā please."
"IĀ Ā canātĀ Ā stopĀ Ā thisĀ Ā feeling."
"IāmĀ Ā alreadyĀ Ā inĀ Ā tooĀ Ā deep."
"YouĀ Ā wonātĀ Ā walkĀ Ā awayĀ Ā unscathed."
"YouāreĀ Ā walkingĀ Ā aĀ Ā fineĀ Ā line."
"IāmĀ Ā tryingĀ Ā toĀ Ā stayĀ Ā calm."
"WhatĀ Ā areĀ Ā youĀ Ā doingĀ Ā toĀ Ā me?"
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thisĀ Ā blogĀ Ā willĀ Ā beĀ Ā usingĀ Ā theĀ Ā dynamicĀ Ā forĀ Ā alexeiĀ Ā andĀ Ā yelenaĀ Ā asĀ Ā portrayedĀ Ā inĀ Ā theĀ Ā mcuĀ Ā byĀ Ā default.Ā Ā Ā iĀ Ā simplyĀ Ā preferĀ Ā theĀ Ā familyĀ Ā dynamicĀ Ā thatĀ Ā theyĀ Ā gaveĀ Ā themĀ Ā inĀ Ā theĀ Ā movieĀ Ā andĀ Ā wouldĀ Ā likeĀ Ā toĀ Ā useĀ Ā thatĀ Ā forĀ Ā myĀ Ā portrayalĀ Ā goingĀ Ā forward.Ā Ā Ā THISĀ Ā BLOGĀ Ā ISĀ Ā WILLINGĀ Ā TOĀ Ā WRITEĀ Ā WITHĀ Ā COMICĀ Ā PORTRAYALSĀ Ā OFĀ Ā THOSEĀ Ā MUSES.Ā Ā Ā justĀ Ā wantingĀ Ā toĀ Ā explainĀ Ā thatĀ Ā aĀ Ā littleĀ Ā beforeĀ Ā divingĀ Ā intoĀ Ā rp.Ā Ā Ā whileĀ Ā iĀ Ā doĀ Ā useĀ Ā theĀ Ā canonĀ Ā ofĀ Ā natĀ Ā andĀ Ā yelenaĀ Ā actingĀ Ā asĀ Ā siblingsĀ Ā ,Ā Ā āāĀ Ā nataliaĀ Ā wasĀ Ā stillĀ Ā bornĀ Ā backĀ Ā inĀ Ā 1928Ā Ā andĀ Ā posedĀ Ā asĀ Ā aĀ Ā collegeĀ Ā agedĀ Ā sisterĀ Ā toĀ Ā yelena.Ā Ā Ā atĀ Ā theĀ Ā timeĀ Ā ,Ā Ā sheĀ Ā hadn'tĀ Ā defectedĀ Ā yetĀ Ā ,Ā Ā andĀ Ā wasĀ Ā stillĀ Ā theĀ Ā versionĀ Ā ofĀ Ā herselfĀ Ā sheĀ Ā doesn'tĀ Ā likeĀ Ā now.Ā Ā Ā it'sĀ Ā theĀ Ā lieĀ Ā sheĀ Ā hadĀ Ā toĀ Ā liveĀ Ā inĀ Ā frontĀ Ā ofĀ Ā yelenaĀ Ā thatĀ Ā pushesĀ Ā herĀ Ā toĀ Ā beĀ Ā aĀ Ā goodĀ Ā sisterĀ Ā toĀ Ā herĀ Ā now.
#ā ā§ out of character : psa / important.#mainly for mcu lena's#i generally don't engage much with her comic relationship with alexei.#like the mcu version for my own reasons.
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" Truth is a matter of PERSPECTIVE , it doesn't have to mean all things to all people all the time ... NEITHER AM I. "
#B1CKWDCW is an extremely private , mutually exclusive roleplay blog for marvel's NATALIA ROMANOVA / THE BLACK WIDOW. this blog , while inspired by marvel comics , IS MY OWN PORTRAYAL OF HER and will include mostly custom lore , with comic and game canon mostly to fill in the blanks. this blog will contain extremely triggering content , and not for muns under 20.
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