Still life with strawberries - Jacques Favre de Thierrens
French, 1895 -1973
Oil on board , 15 x 18 in. 38.1 x 45.7 cm.
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do interact
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Rebecca Horn, Cockatoo Mask, 1973 (stills from Cockfeather Mask Perfomance II)
Horn described using this mask in a performance exploring ideas of sexual availability and intimacy: ‘My face is covered by two intertwined, closed feather wings. The person standing before me touches the feathers delicately, then separates and opens the wings. The spread wings stretch like long bird wings, and softly enclose around [both] our heads. The feather-enclosure isolates our heads from the surrounding environment, and forces us to remain intimately alone, together.’ The use of the mask is deliberately ambiguous and the performance implies a tension between tenderness and aggression. (Text Via)
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Illustration from Oscar Wilde’s The Sphinx by Charles Ricketts (1894)
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Marc Quinn (British, b. 1964), South China Sea Shore, 2010. Oil on canvas, 169 x 244 cm.
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green moments in august
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Rina Sawayama by Marcus Cooper for Rolling Stone
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Rina Sawayama by Marcus Cooper for Rolling Stone
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Yoshitaka Amano “A Midsummer Night's Dream“ Printmaking & Acryllic, 2006
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1900-1912 Kyoka Design, Japan
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Feminism is for Everybody: Passionate Politics by bell hooks (2nd ed. - 2015)
Paragraph ends with “In actuality those structures are re-entrenched as many women move away from feminism.”
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Ceramic Mirrors by Mithe Espelt, France circa 1960
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who ever left the tags "we are all fruits in the same basket" (paraphrased) on one of my lgbt solidarity posts i can't stop thinking abt that. you're so right
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Butch4Butch, Genevieve Kuzak
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Tom Hammick (British, b. 1963)
Dusk, 2022
Oil on canvas
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