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bambaiyya · 3 months
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New York City ballet production of Midsummer Nights Dream
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bambaiyya · 3 months
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this pride, i learnt about the Palestinian trans woman Oscar Al-Halabiye, dancer and resistance fighter against the israeli occupation in Southern Lebanon. she named herself Oscar after Lady Oscar from the "The Rose of Versailles", a Japanese manga series written and illustrated by Riyoko Ikeda.
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her story is documented in Cinema Fouad(1993). zionists use pink washing to reinforce their genocidal terrorist narrative when queer Palestinians have been fighting against the occupation since the very beginning. you can watch it here with english subtitles. long live the intifada!
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bambaiyya · 3 months
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damn seeing so many terf posts suddenly from people i dont even follow ?
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bambaiyya · 4 months
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bambaiyya · 4 months
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birds from this (link) Iranian bestiary, 1297-1298 or 1299-1300.
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bambaiyya · 5 months
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The roads out of town
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bambaiyya · 8 months
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Since when does a militarily occupied people have the responsibility for a peace movement?
— Edward Said
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bambaiyya · 1 year
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this post aged like a fine wine
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bambaiyya · 1 year
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Jeanette Winterson, Written on the Body
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bambaiyya · 1 year
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Octavio Paz, tr. by Elizabeth Bishop, The Collected Poems, 1957-1987
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bambaiyya · 1 year
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Jeanette Winterson, Written on the Body
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bambaiyya · 2 years
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Headless John The Baptist Hitchhiking, C.T. Salazar
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bambaiyya · 2 years
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Participation in The Line—an indoor, climate controlled mall only conceivable in a state absolutely drunk off oil money that will almost certainly never get built and, if it does get built, will come at the cost of massive human suffering—is not just an embarrassment; it should be nullify the progressive reputations of all firms involved. For a very long time, architecture firms have talked out of both sides of their mouths, espousing reverence for resiliency, egalitarianism, and environmentalism all while working for some of the most despotic regimes on the planet.
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By default, ethics are blurred in the industry, especially under capitalism, where, as the tired adage goes, there is no ethical consumption. Projects like NEOM are not particularly novel: Norman Foster and Zaha Hadid have conceived of superyachts for the obscenely wealthy and luxury trifles for despots in the Middle East—like the Al Janoub Stadium in Qatar, one of the major venues for the 2022 World Cup. On occasion, this status quo can be challenged, as evidenced by those firms who have ceased their Russian projects as Putin and his cronies continue their imperial misadventure in Ukraine.
However, as far as pie-in-the-sky vanity projects go, NEOM feels different. Even if it’s never completed, the environmental havoc, displacement, and immiseration it will inflict should puncture once and for all the image of architecture as some kind of world-bettering public service exempt from the horrors and temptations of capitalism. To take on a project like NEOM is objectively and profoundly unethical. To take on any project bankrolled by dictators, oligarchs, petro-regimes, as well as the carceral state here at home, is unethical.
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bambaiyya · 2 years
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— Adonis, translated by Khaled Mattawa
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bambaiyya · 2 years
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Something I love about Tumblr is having over a thousand followers and yet absolutely zero activity when I make a post. Thank you everybody for ignoring me 🙏🙏 allow my sillyness to slip into the silent succulent dark
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bambaiyya · 2 years
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Lisel Mueller, from Alive Together: New and Selected Poems; "On Reading An Anthology of Postwar German Poetry"
[Text ID: I know enough to refuse to say / that life is good, / but I act as though it were, / and skeptical about love, I survive / by the witness of my own.]
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bambaiyya · 2 years
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— Clarice Lispector, from “The Stream of Life.”
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