bardnuts - Tumblr blog

[bardnuts]

Shadowheart will camp across the river

[bardnuts]

Ohhhhh my god u found out somebody has a physically impossible fetish? should we tell everyone? Should we write a callout post?should we invite sigmund freud

[bardnuts]

It’s my opinion that like if a white supremacist/Nazi is going to be reformed. They need to do so willingly. The only times I’ve heard of successful rehabilitation of fascists is when they made the conscious decision to no longer be one anymore and seek atonement. People who try to like hug and change fascists that don’t want to change are fucking morons

[bardnuts]

need my dick sucked so bad but i have this stupid ass vagina

[bardnuts]

kind of funny that he says this. considering

[bardnuts]

noooooo don't roll for initiative, ur so sexy ahahaha

[bardnuts]

The agonising feel when a character tag is full of shipping that you Simply Do Not Vibe With. The solution is, naturally, to keep scrolling. But the wince, the WINCE.

[bardnuts]

You’re a seemingly normal, average 10-year-old child except for one thing: time travelers have been trying to assassinate you for years, and you’re not sure why.

[bardnuts]

friendly reminder that astarion fell for kindness. he started genuinely caring because of kindness. because the "fierce leader" of their group helped people, helped him. it wasn't power, it wasn't authority, it wasn't seduction, it wasn't a promise of revenge - it was kindness, selflessness, companionship. it felt wrong and it felt strange but that's what got him to fall in love (or the closest thing to it). his "nice, simple plan" of seduction and manipulation fell apart because someone was good, because someone protected and accepted him. i think that says a lot about him.

[bardnuts]

Me when I use the blender that makes 50% of all turtles feel immeasurable pain

[bardnuts]

[bardnuts]

[bardnuts]

[bardnuts]

yeah but he lost the election :(

as far as i'm concerned all gore is necessary

[bardnuts]

classic post rant quora phrase

[bardnuts]

I feel I should specify when I talk about the vast majority of Israelis supporting this genocide it's not to call for violence of them or even to demonise them. It's to call attention to Israel having a genocidal education system which dehumanises Palestinians from the moment Israelis start school. Ilan Pappé did a study in 1994 of the Israeli education system and raised the alarm that it would raise a generation who are even worse than those who first colonised Palestine in 1948. We're seeing the truth of that now.

I raise this point because we're seeing this attempt by politicians and the media to claim that it's just Netanyahu who is to blame for this genocide and not a systematic problem that requires boycotting, divestments and sanctions to push them to correct. This lie is being pushed because they do not want to change the status quo which allows for Israel to steal Palestinian land and homes and keep Palestinians under military occupation.

[bardnuts]

Hi, don’t know if it’s already been asked, but how do I find a good B story? I understand that it should resonate with the A story but I’m struggling to find something

Thanks for asking! In essence, the A-story is the main focus, while the B-story provides supplementary narrative elements that contribute to the overall richness and complexity of the story. Both storylines usually intersect or influence each other in some way, contributing to the cohesion and coherence of the narrative and generally making it more interesting for the reader. Here are some tips for achieving this:

Character Arcs: Look at the main character's journey in the A story. Is there a secondary character who could undergo a parallel or contrasting arc? This can add depth and complexity to both storylines.

Theme Exploration: Identify the central themes of your A story. Then, brainstorm how you can explore those themes from a different angle or perspective in the B story. This can create a rich tapestry of meaning for your audience.

Subplots: Consider subplots that are indirectly related to the main plot but still tie into its themes or motifs. These can provide relief from the intensity of the A story while enhancing its emotional impact.

Backstory or Flashbacks: Delve into the past of a character or the world of your story. This can add depth and context to the A story while providing opportunities for exploration in the B story.

Parallel Events: Introduce events or challenges happening simultaneously with the main plot. These can intersect with the A story at key moments, driving the narrative forward while offering new perspectives.

Foils or Counterpoints: Create a character or situation in the B story that contrasts with or complements elements of the A story. This can highlight different aspects of the main themes or characters.

World Building: Expand the world of your story by focusing on a different aspect of the setting, culture, or history. This can enrich the reader's understanding of the story world while adding depth to the overall narrative.

Secondary Goals or Motivations: Give characters in the B story their own goals or motivations that intersect with or diverge from those in the A story. This can create tension and conflict, driving both plots forward.

Emotional Resonance: Ensure that the B story elicits an emotional response from the audience, whether it's empathy, excitement, or curiosity. This will help engage readers and keep them invested in both storylines.

Explore Character Relationships: Look at the relationships between your main characters. Is there a subplot that involves a secondary character's journey or development that could complement or contrast with the main storyline?

Foreshadowing and Subtext: Use the B story to foreshadow events or themes that will be important later in the main storyline. Subtle hints and subtext can add layers of meaning to your narrative and keep readers engaged.

Happy writing!