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FINALLY BEAT JEVIL….. about to finish the rest of chapter 1!!! 💃

about to hop on stream and play some deltarune!!! hoping to fight jevil and MAYBE EVEN finish chapter 1 ?????

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this jevil fight is kicking my ass 😔

about to hop on stream and play some deltarune!!! hoping to fight jevil and MAYBE EVEN finish chapter 1 ?????

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COME ON IN

about to hop on stream and play some deltarune!!! hoping to fight jevil and MAYBE EVEN finish chapter 1 ?????

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about to hop on stream and play some deltarune!!! hoping to fight jevil and MAYBE EVEN finish chapter 1 ?????

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sometimes i get really horny but like. for food? they should invent a word for that

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thepastatable__

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Fruits Basket ‘フルーツバスケット’ (2019-2021)

▸ season 2, ep 23: It's Cinderella-ish

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my phone thinks I’m dating emperor augustus

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recently we were out on a hilltop taking photos of the comet and suddenly some car's headlights blind us from across the bay. literally four miles away.

who the fuck is out here with these nuclear fusion powered headlights. who puts naval searchlights on their fucking toyota tacoma.

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tv used to have smart people flirting

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not to be like both sides are wrong, and only i’m right, but i have been thinking about sabrina’s album cover controversy. to me, it’s pretty evident that she is going to be exploring her own compliance in getting into relationships where she gets treated badly or well like a dog. while manchild is a tongue-in-cheek mocking song that is all about how she just keeps stumbling into bed with these loser men, woe is me, there is an obvious irony to lines like “won’t you let an innocent woman be?” “i swear they choose me, i’m not choosing them.” sabrina is hardly an innocent doe-eyed girl. she is very sharp and experienced in relationships, and no one is forcing her to date these men. the music video further emphasizes this point by showcasing her hitchhiking into increasingly more ridiculous automobiles with increasingly more ridiculous men who all let her down in various absurd and/or violent ways. and yet the closing shot of the video is her getting out of one car and immediately running over and jumping into the next, continuing the cycle. so while the song on the surface externalizes the blame for her mistreatment to basically everyone but her, the subtext is all about how sabrina is the one doing this to herself. when i see the album cover of her smiling at the camera on her knees while a man holds her hair like a leash, i see a deep and very uncomfortable self-awareness and acknowledgement happening here. it’s obviously going to be dressed up in the shiny pop music veneer and sabrina’s signature brand of dry humor, but this is a very sensitive topic that most upcoming pop girls wouldn’t touch with a ten feet pole because it is humiliating to admit that you’re complicit in your own mistreatment and degradation. that you aren’t just posing as a dog, but you actually let men treat you like one. manchild isn’t just the first single from the album but also the opening track, setting the stage for what the album will be exploring. and again while on the surface it looks like your usual my ex is a loser classic fare, in actuality it is all about how sabrina is deluding herself about her choice of partners. “manchild, why you always come running to me?” she asks, and i’m willing to bet that she is going to be answering that question in the album, eventually coming to the conclusion that these things aren’t as one-sided as she initially presented them to be. from what i’ve seen, sabrina is very smart and very deliberate when it comes to her branding. i highly doubt she chose such a sensational image just to “appeal to the male gaze.” yes the picture is meant to play into that trope, but hardly in a glorifying way.

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"kung pow penis," a phrase commonly used in reblogs to indicate utter disdain for OP, has twelve letters, each of which (traditionally) must be supplied by a different user. the unanimity of disdain indicated by these twelve unrelated users has strong parallels to the requirement of unanimity for a jury—also traditionally of twelve—to arrive at a verdict. in this essay i will

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i unironically think that the resurgence of mustache culture has brought about a male slut era that is in many ways still in its infancy but is growing day by day. hemlines are getting shorter, chest hair is growing back, tops are cropped. gone are the dark, dark days when the sluttiest thing a man could do was roll up the sleeves of his button up office shirt. we are returning to the light of mustache rides and teeny tiny swim shorts. amen.

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the culturally american past time of sitting in your car alone for no reason