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https://youtu.be/0dbn27HlSss

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PREMIERE: LISTEN TO BEN LOVETT’S ‘WE SHALL BE MONSTERS’ FROM THE WIND SOUNDTRACK | DREAD CENTRAL

Slowly builds transitions from beauty to beast. Strings open the track, moving from hypnotic stutters to subtly eerie moments before fully embracing the darkness, discordant melodies clashing against each other. – Jonathan Barkan, Dread Central

Fans of Ben Lovett’s film music work will be delighted to hear his upcoming score to The Wind was released Friday, April 5 on Lakeshore Records! Listen to the cue, “We Shall Become Monsters” exclusively now at Dread Central. The album is available now on pre-order but you will not be able to preview any tracks anywhere else! Have you seen the movie trailer as well? We’d love to know what you think of this Ben Lovett-scored film!

Pre-order The Album: http://smarturl.it/TheWindSCORE

IFC Midnight presented THE WIND, recently at theaters on Friday, April 5! 

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https://www.tanikal.com/en/wind-soundtrack-by-ben-lovett/

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Ben Lovett: Composer, Songwriter, Producer

Lakeshore Records adds another Ben Lovett score to its horror soundtrack catalog in the latest: The Wind, the new IFC Midnight horror western in theaters this weekend. We dare you to listen to this score alone in a cabin (or a reasonable facsimile).

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The Ritual - Original Motion Picture Soundtrack LP

Death Waltz, in association with Lakeshore Records, is proud to bring you the score to The Ritual. The Ritual is part of the new wave of folk horror films (The VVitch, into darkness as four friends travel to Sweden to go camping and pay tribute to a fallen friend.As they get deeper into the woods they discover strange symbols etched into trees, a gutted Elk and an empty cabin filled with Ritualistic artefacts. Someone (or something) is in the woods watching over their every move and a quiet creeping dread begins to descend on the party eventually giving way to an all out attack on the sense as the film races toward its inevitable climax.

Ben Lovett’s score (featuring woodwind, strings and the occasional synth) captures the mood of the forest perfectly, It is both tribal and haunting. The score runs a range of emotions; One minute it is reflective and relaxed the next sinister and terrifying. Absolutely essential stuff from one of the most exciting composer working today

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Score by: Ben Lovett 

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 THE DARK RED will appear at Austin Film Festival - 2018. - A new film by "Ghost of Old Highways" director Dan Bush and scored by Ben Lovett. The score is a dense and analog synth heavy Lovett score. Dan Bush & Ben Lovett previously collaborated on "The Signal" and "The Reconstruction of William Zero."

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Double Feature Friday! The Wind in Philly (10p) & The Dark Red in Austin (9p), two films featuring outstanding lead performances from Caitlin Gerard &   April Billingsley with music by American composer  Ben Lovett,.

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Score by: Ben Lovett

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The film produced by Soapbox Films and Divide/Conquer was scored by American film composer Ben Lovett.

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American film composer Ben Lovett is returning to the Toronto International Film Festival 2018 scoring Emma Tamil’s sinister western horror THE WIND. The movie stars Caitlin Gerard, Julia Golden Telles and Ash Zukerman. The film will be a part of TIFF18 Midnight Madness lineup. Toronto International Film Festival 2018 will begin on Thursday, September 6 and ends on Sunday, September 16.

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After watching “The Ritual,” the music alone will have you periodically checking your room for intruders.

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(via EXCLUSIVE! 'The Ritual' Soundtrack: Listen To 'To Hell With This' By Ben Lovett | Dread Central)

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Ben Lovett Scores Netflix’s THE RITUAL And Lives To Tell About It.

When hiking in the woods with friends, this is the music you may not want to hear.

Ben Lovett has been creating unorthodox genre film scores for indie hits like The Signal (2007) and Synchronicity (2015) since the early 2000s. He’s at it again with a chilling score to the Netflix original film The Ritual (2017).

Ben sat down with Lakeshore Records and offered up a behind-the-scenes glimpse into his process and approach to scoring the film. His insight is a revelation as composers don’t get the opportunity to step in front of the camera very often to explain and discuss their creative process. Not every composer even knows how to do this effectively; however, Lovett takes you step by step into his thought process and the creative weight the film brought to his musical palette.

Directed by David Bruckner, The Ritual debuted on Netflix in the UK and is available for viewing in the United States. Lovett’s score is available on iTunes from Lakeshore Records.