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[bittybabs]

stepped on a plum (overripe plum) (barefoot) it was on the driveway got out of the car and accidentally (didn't know it was there) stepped on the plum (warm) (on the ground) (it had fallen from the tree) barefoot (no shoes) wearing long pants (too long) (need to hem them) plum viscera got on them (the pants) unexpected plum on the driveway (hot plum) (97 degrees out) already super hungover (throwing up all morning) (should not have been driving at all) and I stepped out of the car (black car) (97 degrees out) and onto the plum (unexpected) (didn't know the plum was there) and it burst (plum nightmare on my only good pair of sweatpants) still we find ways to keep ourselves going from day to day

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ㅤ

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I think what's wrong with me is that my dad loved making boiled peanuts but when you say "boiled peanuts" in a thick Mississippi Delta accent it sounds like "bald penis" and we were forbidden from acknowledging that

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whenevr i take an antihistamine i think of

[bittybabs]

Someone has probably already asked you this but do you have any tips on studying/understanding perspective? I keep trying to find resources to learn but none of them really stick or are actually useful

so I'm hoping that your issue isn't just figuring out the difference between 1-point, 2-point, and 3-point perspective and how it works, because there are tons and tons of resources available for that, and I'm guessing what people tend to get tripped up on is what you're supposed to be doing with your grid.

I'm definitely far from being an expert on understanding perspective, but I'll share some of the things that helped ME finally Get It.

Things like eye level and different camera angles can be a GREAT tool to use when doing a comic or storyboard between multiple characters of different heights!! I actually drew an example of this exact thing for a friend about a month ago (I used adventure time characters bc they're easy to draw and have a good height variety):

You can use camera angles like this to add variety to your shots, and even use it to help convey something emotional (using a down-shot on a character to show that they FEEL small, use an up-shot on a character to make them look more intimidating, etc etc)

hope this helps!

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[bittybabs]

i’m losing my mind

[bittybabs]

Ancestry & Culture: An alternative to Race in 5e

I just got my physical copy of this wonderful tome by Arcanist Press! It has a great introduction that explains why the use of the term “Race” in our beloved role-playing games is so problematic, and then offers a great solution for it that fits right in-between existing 5e rules.

We’ve been looking for a good alternative to “Race” for the character options we publish on our patreon, and we’re now going to do some tests to see if this model is something we could use.

I highly recommend you check it out! The free preview on DiveThruRPG includes the introduction & full rules for alternate character creation.

Find it here 👉 Ancestry & Culture

[bittybabs]

When me and my brother were kids we didn’t know how to play yugioh so we just made up our own rules which included the rule where we both had to stick a strip of duct tape to each eyebrow and whenever you lost you had to rip them off

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tbh.. life really IS like the sims..

[bittybabs]

look I know this is sappy and cheesy but u know when a character loses control of their power or they’re possessed or w/e and their s/o shouts their name running towards them and then they stop their rampage and let their s/o hug them,, like that’s good shit

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[bittybabs]

let me relax……………will comment later…………………..

[bittybabs]

VIDEO SOURCE

(Turn on the sound!!)

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Haha just kidding...... unless?

[bittybabs]

(ohhh here she comes) watch out bugs she’ll chew you up (ohhh here she comes) she’s an anteater