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We looked inside some of the posts by blakebridgewaters-blog and here's what we found interesting.
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Photo
Virtual Land Art. V2. Triptych N°1/8 by TTY, 2022
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The Coalescence of the Virtual and Physical Space in the Artwork Endocytosis
Endocytosis and exocytosis, its complementary process, are both essential biological processes for cell growth and cell-tocell communication and, hence, crucial for the evolution of eukaryotes and the origin of multicellular organisms. Endocytosis encompasses the movement of cargo into the cell by means of vesicles that emerge from the cell’s membrane and navigate through the interior of the cell [21]. In the artwork Endocytosis, I use endocytosis as a metaphor to show the evolution of a flat land into a 3D world—the conceptual evolution in the perception of space elegantly depicted by Abbott in his seminal book Flatland [22]— and to create a continuous flow between the virtual and the physical spaces that merge dynamically and seamlessly. This coalescence between the virtual and physical spaces takes place by means of the rigid visual interface of the RW that becomes a virtual membrane to the third dimension. The passage from a two-dimensional world to a three-dimensional world implies, on the one hand, our ability to redimension the space; on the other hand, it implies our limitations in perceiving higher, or lower, dimensions and accepting reality as a construction of our mind.
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Stereopsis
Over the centuries, artists have represented the world on flat surfaces using pictorial cues to create the illusion of depth. However, it was not until the nineteenth century—when Charles Wheatstone described the basis of stereopsis [1]— that images could be produced that appeared to be threedimensional (3D). Wheatstone invented the stereoscope and demonstrated the link between binocular rivalry and stereoscopic depth perception [2]. The coupling of stereoscopy with photography resulted in a new way to visually depict spatial depth [3,4]. Ever since then, stereoscopic images have excited artists and scientists, for “there is a quality of magic in the experience of depth from stereopsis. . . . a vivid sense of the space between and taken up by objects in the world” [5]. During the twentieth century, stereo imaging techniques improved with the emergence of computer graphics and viewing devices that evolved from the basic stereoscopes of David Brewster [6] to the advanced 3D displays used in virtual reality (VR). Stereopsis is doubtlessly effective and intuitive for understanding space [7], therefore it is a key factor in data visualization and thus of increasing interest in computer graphics.
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Situationism and the Internet
The Internet constitutes a new type of dérive which includes the knowledge that our everyday life is invisibly governed by social norms and technologies shaping our world to a significant extent[7] and at the same time provides the means for re-appropriating reality. As psychogeography applied in practice the power of the people to create new and unexpected social situations, such as an alternative public space, through the actual, physical movement, accordingly the hypertext helps to democratize knowledge and empowers the free will of the individual to connect otherwise unconnected “dots”
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