bleiddyd
bleiddyd
SELF RIGHTOUS SUICIDE
10 posts
ᴡʜʏ ʜᴀᴠᴇ ʏᴏᴜ 𝕗𝕠𝕣𝕤𝕒𝕜𝕖𝕟 ᴍᴇ?
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bleiddyd · 5 years ago
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STARTER   CALL   !   to   be   done   at   /   after   work   tomorrow   .   one   to   two   paragraphs   .   mutuals   only   .
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bleiddyd · 5 years ago
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                                             @crestologies​     /    LIKED
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                    FOREHEAD   CREASED   SLIGHTLY   ,   LIP   WORRIED     between   his   teeth   &   was   he   not   bend   over   a   pile   of   notes   in   a   reclusive   corner   of   the   library   ,   dimitri   would   worry   it   might   look   ridiculous   .   it   still   does   ,   he   is   sure   ,   running   a   hand   through   his   hair   in   equal   parts   frustration   &   exhaustion   harldy   helps   .
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                  ❛     this   makes   no   sense     .     ❜     slumping   back   in   his  seat   ,   bottom   lips   protrudes   in   an   almost   pout   that   he   would   vehemntly   deny   later   .   for   once   ,   dimitri’s   head   hurts   for   reasones   other   than   the   evasiveness   of   sleep   .    ❛     how   any   of   this   is   logical   to   you   eludes   me   entirely   . . .     ❜
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bleiddyd · 5 years ago
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DIMITRI   HEADCANON   -   DEPRESSION   :   while   i   am   going   to   comment   on   just   what   exactly   was   wrong   with   dimitri   post   time   skip   (   just   saying   depression   is   not   gonna   cut   it   .   )   when   it   is   not   10pm   ,   there   is   another   thing   i   have   to   talk   about   first   .   take   this   as   a   PSA   of   sorts   .   spoilers   ahead   .  trigger   warnings   for   discussions   of   depression   ,  
this   is   about   the   miracously   quick   recovery   dimitri   had   after   rodrigue’s   death   .   of   course   ,   importance   for   the   flow   of   the   game   play   (   though   personally   i   would   deeply   enjoy   a   whole   section   of   the   crown   prince   visits   a   therapist   .   )   so   this   is   no   real   criticism   in   the   game   itself   .   but   let   it   be   known   that   for   as   long   as   i   live   ,   mister   dimitri   alexandre   blaiddyd   does   not   recover   over   night   .   at   least   not   on   this   blog   .   what   does   change   is   the   way   he   sees   the   world   .   but   he   still   hears   the   voices   of   the   dead   ,   sometimes   &   it   is   only   with   years   passing   that   they   slowly   fade   away   .   he   does   ,   however   ,   learn   not   to   listen   to   them   as   much   .   his   paranoia   lessens   &   he   no   longer   mistrusts   those   that   care   for   him   (   +   heartfelt   apologies   to   felix   ,   sylvain   &   ingrid   because   it   is   the   least   they   deserve  .   )   but   distrust   is   still   his   first   instinct   .   a   gut   feeling   he   then   thinks   on   instead   of   acting   rashly   . night   terrors   become   worse   once   he   actually   starts   to   sleep   regularly   again   ,   so   you   may   still   find   him   roam   the   castle   hall’s   on   more   occasions   than   one   .   sometimes   he   plays   cards   with   the   guards   .   it’s   not   too   bad   . hopelessness   &   guilt   are   now   a   constant   companion   .   but   they   are   no   longer   his   driving   force   .   rather   than   letting   those   notions   guide   him   ,   he   relies   on   others   when   his   mind   drove   him   in   a   corner   &   he   seeks   advice   /   reminders   from   friends   when   he   is   uncertain   of   where   to   step   next   .
it’s   a   process   &   it   is   terribly   ,   achingly   slow   .   it   is   frustrating   because   he   can’t   see   it   ,   not   like   a   wound   that   closes   with   appropriate   care   .   but   it   is   a   process   nonetheless  
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bleiddyd · 5 years ago
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needless   to   say   but   i   am   not   affiliated   to   the   fe   rpc   at   all   .   i   am   here   to   write   with   the   three   people   i   like   &   will   give   those   people   a   chance   that   i   did   not   know   before   moving   this   blog   .   but   i   will   be   cautious   &   i   have   zero   issue   to   block   on   sight   <3
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bleiddyd · 5 years ago
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                                                         @belail​     /     LIKED
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                    THE   EXPRESSION   LIVING   IN   THE     singular   eye   is   often   exhaustion   these   days   ,   the   kind   you   try   to   shake   away   but   never   quite   succeed   .   nights   spent   awake   barely   help   ,   sorting   through   the   mess   every   kingdom   would   be   after   a   war   .     (     A   MESS   YOU   ARE   PARTIALLY   RESPONSIBLE   FOR   .     )     no   finds   rest   in   times   like   these   .   &   as   their   king   ,   how   can   he   be   anything   but   an   example   ?
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                       STILL   HIS   SMILE   IS   WARM     when   directed   at   his   old   friend   &   one   might   almost   believe   the   carelessness   he   pretends   to   feel   .   a   hint   of   it   returns   when   he   addresses   her   by   the   title   that   found   a   home   with   him   years   ago   ,   that   he   can   not   rid   himself   off   even   now   .     ❛     professor   .     ❜     dimitri   bows   ,   briefly   but   still   entirely   unbecoming   for   the   reigning   monarch   .   he   also   finds   that   he   does   not   care   .   yet   another   tradition   he   is   prepared   to   dismantle   .     ❛     what   brings   you   to   faerghus   ?     ❜
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bleiddyd · 5 years ago
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for   future   ships   ,   it   is   important   to   note   that   i   am   ship   exclusive   .   which   means   i   will   ship   with   one   version   of   a   character   &   only   with   muns   i   am   100 %   comfortable   with   .   &   yes   ,   i   expect   the   same   courtesy   in   return   or   otherwise   we   won’t   come   to   an   agreement
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bleiddyd · 5 years ago
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                               ANONYMOUS   ASKED WHAT DO THEY CARE DEEPLY ABOUT? WHAT KIND OF LOYALTIES, COMMITMENTS, MORAL CODES, LIFE PHILOSOPHIES, PASSIONS, CALLINGS, OR SPIRITUALITY AND FAITH DO THEY HAVE? HOW DO THESE TEND TO BE EXPRESSED?     /     MEME   -   ACCEPTING
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                    there   is   a   lot   to   say   about   this   ,   not   going   to   lie   .   even   if   i   exclude     (     &   i   will     )     the   time   skip   period   as   his   moral   code   &   life   philosophies   were   briefly   paused   .  
                    in   general   dimitri   cares   deeply   about   the   future   of   faerghus   .   about   the   few   friends   he   has   .   he   is   concerned   about   &   aware   of   racial   inequalities   in   the   kingdom   &   has   full   plans   to   take   care   of   those   as   soon   as   he   is   able   .   that   is   part   of   his   moral   commitments   ,   too   .   to   give   everyone   the   same   chances   with   no   regards   to   gender   ,   race   ,   bloodline   or   whether   they   possess   a   crest   .   it   is   part   of   a   more   personal   commitment   of   his   ,   which   is   earning   redemption   for   his   wrongdoings   .   &   this   is   where   religion   comes   into   play   for   contrary   to   popular   belief   ,   dimitri   is   not   religious   &   stops   praying   while   he   is   still   a   student   /   only   appears   in   church   to   keep   up   appearances   .   he   does   not   seek   forgiveness   from   the   goddess   but   from   his   friends   &   the   people   that   look   up   to   him   as   their   king   .   his   family   may   have   been   devoted   ,   but   dimitri   himself   sees   more   use   in   working   on   an   issue   himself   rather   than   leave   it   up   to   the   concept   of   a   goddess   .
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bleiddyd · 5 years ago
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42 character development questions!
PHYSICAL PRESENCE AND GESTURE. 1. How do they move and carry themselves? Pace, rhythm, gestures, energy? 2. How much physical space do they use, active and at rest? 3. How do they position themselves in a group? Do they like to be the center of attention, or do they hang back at the edges of a crowd? 4. What is their size and build? How does it influence how they use their body, if it does? 5. How do they dress? What styles, colors, accessories, and other possessions do they favor? Why? 6. What are they like in motion–in different environments, and in different activities? What causes the differences between these? 7. How do they physically engage with other people, inanimate objects, and their environment? What causes the differences between these? 8. Where and when do they seem most and least at ease? Why? How can you tell? 9. How do they manifest energy, exhaustion, tension, or other strong emotions? 10. What energizes and drains them most? 11. How are they vocally expressive? What kind of voice, accent, tones, inflections, volume, phrases and slang, and manner of speaking do they use? 12. How are they bodily expressive? How do they use nonverbal cues such as their posture, stance, eyes, eyebrows, mouths, and hands? DISPOSITION AND TEMPERAMENT. 13. How do they greet the world — what is their typical attitude towards life? How does it differ in different circumstances, or towards different subjects? Why do they take these attitudes, and why do they change? How do these tend to be expressed? 14. What do they care deeply about? What kind of loyalties, commitments, moral codes, life philosophies, passions, callings, or spirituality and faith do they have? How do these tend to be expressed? 15. What kind of inner life do they have — rich and imaginative? Calculating and practical? Full of doubts and fears? Does it find any sort of outlet in their lives? 16. Do they dream? What are those dreams like? 17. Are they more shaped by nature or nurture — who they are, or what has happened to them? How have these shaped who they’ve become as a person? 18. What kind of person could they become in the future? What are some developmental paths that they could take, (best, worst, most likely?) what would cause them to come to pass, and what consequences might they have? What paths would you especially like to see, and why? CONNECTIONS WITH OTHERS. 19. How do they behave within a group? What role(s) do they take? Does this differ if they know and trust the group, versus finding themselves in a group of strangers? Why? 20. What kind of individual relationships do they have with others, and how do they behave in them? How are they different between intimate relationships like friends, family, and lovers versus more impersonal relationships? 21. What kind of relationships do they tend to intentionally seek out versus actually cultivate? What kind of social contact do they prefer, and why? 22. How do people respond to them, and why might these responses differ? 23. How do they respond to difficult social moments? What makes them consider a social situation difficult? 24. How do they present themselves socially? What distinguishes their “persona” from their “true self”, and what causes that difference? 25. What do they need and want out of relationships, and how do they go about getting it? 26. How do they view and feel about relationships, and how might this manifest in how they handle them, if it does? ACTIVITIES AND PREFERENCES. 27. What do they strongly like and dislike, in any category? Why? 28. What are they likely to do if they have the opportunity, resources, and time to accomplish it? Why? 29. What kind of activities, interests, and hobbies do they have? What significance and impact do these have in their lives, both positive and negative? 30. What is their preferred level of activity and stimulation? How do they cope if they get either too little or too much? 31. Is there anything that counts as a “dealbreaker” for them, positively or negatively? What makes things go smoothly, and what spoils an activity or ruins their day? Why? 32. Do they have any “props” that are a significant part of their life, identity, activities, or self-presentation somehow? What are they, how are they used, and why are they so significant? How would these props’ absence impact them, how would they compensate, and why? THINKING AND LEARNING. 33. How do they learn about the world–what is their preferred learning style? Hands-on learning with trial and error? Research, reading, and note-taking? Observation or rote memorization? Inductive or deductive reasoning? Seeking patterns and organization? Taking things apart and putting them back together? Creative processing via discussing, writing about, or dramatizing things? 34. How do they understand the world–what kind of worldview and thought processes do they have? Why? 35. How and why do they internalize knowledge? What effect has that had on them? 36. How much do they rely on their minds and intellect, versus other approaches like relying on instinct, intuition, faith and spirituality, or emotions? What is their opinion on this? 37. Have they had any special education or training that colors their means of learning about or understanding the world? Conversely, do they lack some kind of education considered essential in their world? What kind of impact has this addition or lack had on them? 38. Is there anything they wish they could change about their worldview or thought processes? What, and why? 39. What sort of questions or thoughts recur in their lives, either specifically or as a theme? Why are these never answered, or answered permanently to their satisfaction? 40. What do they wonder about? What sparks their curiosity and imagination, and why? How is this expressed, if it is? FREE FOR ALL. 41. What associations do they bring to mind? Words or phrases, images, metaphors or motifs? Why? 42. I have a question of my own!
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bleiddyd · 5 years ago
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STARTER   CALL   !   to   be   done   at   /   after   work   tomorrow   .   one   to   two   paragraphs   .   mutuals   only   .
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bleiddyd · 5 years ago
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tell me everything that happened   /   tell me everything you saw   .   they had lights inside their eyes   !   did you see the closing window   ?   did you hear the slamming door   ?   they moved forward   —   &   my heart died   .   please, please tell me what they looked like   !   did they seem afraid of you   ?   they were kids that I once knew   . . .     /     highly selective   &   private DIMITRI ALEXANDRE BLAIDDYD from FIRE EMBLEM THREE HOUSES held gently by FAWN
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