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bleulone · 15 days
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ANTHONY BOYLE in MANHUNT (2024)
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bleulone · 22 days
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all my "i can fix him" energy comes from being the quiet girl all the teachers would sit bad boys next to in class.
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bleulone · 1 month
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HARRY RICHARDSON as LARRY RUSSELL in THE GILDED AGE (2022—)
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bleulone · 1 month
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My orders are simple. I'm to find a man with birth, position, and money.
THE GILDED AGE (2022- ) | 2x01 "Some Sort of Trick"
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bleulone · 2 months
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Josh Whitehouse as Hugh Armitage · Poldark 3.05,06,07
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bleulone · 2 months
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This year’s Super Bowl was a weapon of mass distraction. If there’s any justice, future generations will remember the game not for Patrick Mahomes, Travis Kelce, or Taylor Swift but for the US-funded attacks on Palestinian civilians that occurred while so many Americans were glued to their TVs. During the game, watched by well over 100 million people in the United States, Israel launched a bombing raid of Rafah in the Gaza Strip, the most densely populated area on earth. More than 1 million people had fled now-leveled Gaza City to the refugee camps in Rafah and surrounding areas. Palestinians who have survived previous Israeli strikes are now staving off disease, destitution, and fear.
Meanwhile, CBS granted the Israeli government space for an ad about the 130 hostages left in Gaza. This ad, meant to build public support and justify the slaughter of nearly 30,000 civilians in Gaza, spurred 10,000 people to register complaints with the FCC, because the commercial did not disclose that a foreign government had paid for it. Coupled with the Rafah raid, this looks more like military synergy than happenstance. 
New England Patriots owner Robert Kraft also spent $7 million on an ad from his organization Foundation to Combat Anti-Semitism. It features Clarence Jones, a 93-year-old former speech writer for Dr. Martin Luther King Jr. Kraft and other pro-war billionaires use the memory of King so much, they should be paying his family indulgences for slandering his name. The ad failed to mention that Kraft has given $1 million to pro-war AIPAC and donated $1 million in 2016 to Donald Trump’s inauguration. Given that Kraft says that the Nazi march in Charlottesville was his motivation to start his foundation (Charlottesville was the one with “good people on both sides,” according to Trump), his hypocrisy is insidious.
Kraft and Israel want the same thing: a blank check to uproot Palestinians from Gaza and build settlements. One can also only imagine if a peace organization tried to buy an ad asking Israel and the United States the question: “How many dead children will be enough?” I suspect it would be denied faster than a public-service announcement about concussions.
(continue reading)
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bleulone · 2 months
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favorite Angus Tully's quotes, The Holdovers (2023) dir. Alexander Payne
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bleulone · 2 months
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harry crosby as tumblr text posts
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bleulone · 3 months
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ANTHONY BOYLE as HARRY CROSBY in MASTERS OF THE AIR (2024)
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bleulone · 3 months
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Enzo Vogrincic at the San Sebastian Film Festival screening of "La sociedad de la nieve / Society of the Snow'', September 2023
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bleulone · 3 months
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ANTHONY BOYLE as HARRY CROSBY Masters of The Air — part 1
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bleulone · 3 months
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hot girls like new actors who have had their debut film nominated for an oscar
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bleulone · 3 months
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sometimes a babygirl is a uruguayan man in his 30s
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bleulone · 3 months
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The US and UK are now bombing Yemen because the country had the courage to fight for Palestine and stop the genocide by targeting the ships on the sea that provides weapons to Israel. The cruelty of the US is immeasurably evil and petty because this is also the same empire that backed the UAE/KSA coalition that bombarded Yemen and starved the people forcing the children to suffer from malnutrition for years and now decides to bomb the same country again so Israel can continue unabated in committing genocide and ethnic cleansing.
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bleulone · 3 months
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bleulone · 3 months
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BEGOÑA VARGAS as CAMERON in BERLÍN (2023-)
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bleulone · 3 months
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Roi's captivating journey in Berlín: on defying authority, seeking approval and exploring his desire…
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Or a long meta nobody asked for in which I delve into why he’s the best character in this spinoff and why his "romance" with Cameron unfortunately didn’t really make sense.
Foreword : I'm a sucker for nerdy male fictional characters with a hidden hint of confidence, a dark/tragic backstory, who wear the slutty glasses™ and look like they never felt the touch of a woman—of course when Roi was firstly introduced, I knew from the start that he's going to live in my mind rent free for the upcoming months.
˚ · • . ° . ׂׂૢ་༘࿐˚ · • . ° .
From the very first episode, it becomes clear that Berlín unravels as a tale centered around love. Nevertheless, it extends beyond romantic love, notwithstanding the musings of our chaotic, narcissistic dandy of a professional thief who philosophizes about the tantalizingly addictive energy of courtship, chase, and a lust he fervently desires. Although romantic love is prominently depicted as the main thread in the series, it is the comprehensive concept of Love that undergoes demystification, discussion, challenge, embrace, repulsion, and yearning.
The prevailing narrative of the entire season seemed to orbit a distinctive framework: romantic/carnal love, familial love, and self-love, stretching from birth to zenith and eventual demise. What particularly resonated with me was how the creators delved into the exploration of how these love forms can serve as both sources of freedom and imprisonment for the characters. It adds a poetic and meta layer when considering that this entire discussion unfolds against the backdrop of the Parisian landscape.
Within the fragrance that permeated this spinoff, Roi's storyline unquestionably stood out as the most intriguing among the banda. Despite its imperfections, particularly in the romantic aspect (which we'll talk about later), his evolution throughout the season seemed the most logical. To arrive at this conclusion, I believe it's essential to revisit storytelling basics and comprehend why, in my perspective, his arc made the most sense.
For a hero's journey to unfold successfully, it typically follows eight steps, and Roi's arc approximately adheres to these stages, employing a significant amount of telling and a bit of showing:
1. The Call: Running away from home at 13 and engaging in petty crimes. 2. The Threshold: Encountering Berlin at 17 and finally getting out of juvie. 3. + 4. The Challenges and The Abyss: Following the Boss's orders—retrieving the calice, "babysitting" Cameron, and maintaining a distance from her. 5. The Transformation: Failing to comply with orders and defying lover!Berlin. 6. The Revelation: Disclosing the truth to Berlin about the lost necklace during the night at the race, leading to approval and apology. 7. The Atonement: Evading the police, and Roi expressing gratitude for Berlin's guidance and lessons in self-control. 8. The Return (with a Gift): Successfully reaching Madrid, leaving the narrative with a seemingly happy ending, though the final details remain unknown.
Having observed a portion of his journey, Roi's character possesses a distinctive charm, largely stemming from the preconceived notions we harbor about him—"the youngster," "the naive and charming boy who simply follows instructions." I am inclined to think that the most notable feature of his arc this season is its "coming-of-age" essence that resonates with many. He strives to liberate himself from the constraints of unquestioning obedience to Berlin, opting instead to be guided by instinct, explore desire, embrace his identity, and assert his free will.
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I truly enjoyed the universal elements in his relationship with Berlin: the admiration, care, the vulnerability and pride. I couldn't get enough of their scenes and wished for more. I was particularly intrigued to know a bit more about Berlin's perspective on education and how he imparted his principles to Roi. Surprisingly, it's refreshing to witness how the young man, contrary to expectations, isn't a Berlin Jr., but rather a wiser, more innocent, and stern version of himself.
Roi's evolution from a runaway orphan misfit to a disciplined young man was truly captivating, primarily because it allowed us to connect with him emotionally. He became the only character who shared such a precious and intimate piece of himself, giving us insight into why Berlin holds such significance for him. This added layer of vulnerability only serves to enhance his endearing personality.
On that note, I admire the way his naivety, which parallels Rio in La Casa de Papel, contrasts with his playfulness and extroversion. Roi's serious demeanor is understandable, considering his challenging upbringing both at home and in juvenile detention; he had to be self-reliant and fight his way through life. His skill in unlocking doors provided a glimpse of his delicacy and patience, making him genuinely distinctive. Indeed, the calmness, uncertainty, and darkness were further echoed in his casual attire and color palette—comprising blue, grey, and black.
I could extensively discuss Roi's incredible personality and his son/father relationship he has with Andres, but unfortunately, I just have to talk about the bad. Yes, Roi's story arc has some limitations that left me a bit disappointed, considering the amazing potential within his character. While he ended up demonstrating maturity and professionalism throughout the series, there was a certain immaturity when it came to matters of "love".
I guess that now is a good time to address the elephant in the room: his (quite underwhelming) "romantic" relationship with Cameron. I find myself somewhat blaming the trailer, as it led me to believe I was in for a compelling love story with a unique approach to the "bad girl/good boy trope" (which I adore). I was particularly displeased with how misleading the "lock picking" and the "No me mires" tattoo scenes in the pilot were, as they seemed to be included solely to inject a bit of sexiness into the show.
Listen, I'm a big fan of romance, and one thing that most romance enthusiast tend to do is approaching love stories in two distinct parts: 1) understanding the characters before the relationship, how they function individually, and 2) how the relationship will shape their individual growth and their growth together.
This is often observed through well-known romantic tropes that typically bring characters together and facilitate both physical and emotional connections. So, let's examine which tropes influenced their interactions: work colleagues, forced proximity, tending wounds (and the somewhat cliché "insta love"). This description may seem fitting at first glance, innit? But did these tropes truly work for them?
One crucial factor to consider is time: I strongly believe that a majority of love stories are slow burns that unfold over different spans. And sorry, chief, but timing wasn't on their side.
Apologies to all the Cameroi shippers out there, but I found it difficult to believe in their relationship, and it felt underwhelming for both characters. After finishing Season 1, opting for a platonic relationship might have been the better choice for them. Let me elaborate on why.
If Pina and Martínez Lobato truly intended to highlight romance (which was a bit overwhelming because literally, everyone had a romantic arc—like babe, it’s too much), especially a romance that made sense for the characters, they should have incorporated more angst and a slow burn. Why? Because, in this season, neither of Roi and Cameron are in the right place to fall in love.
On one hand, Roi's (scarce) romantic history reveals his naivety and idealized perception of love. To be frank, I would even go so far as to say his experience is practically nonexistent. His feelings seemed more like infatuation than genuine love, which requires a deeper connection that they didn't really have time to develop.
A part of me thinks Berlin's "strict" teachings about women played a role. The scene in 1.01 in the bathroom somewhat confirmed that Berlin might have admonished Roi in the past, likely instructing him on managing his hormones. Additionally, when our sweet summer child assured Berlin that he didn't initiate or encourage such behavior with Cameron, it became evident that being prudish was a lesson he had clearly absorbed.
Being a reserved young gentleman who wouldn't dare to meet the eyes of a woman he fancies, in contrast to the charismatic lover Berlin, I'm inclined to think he still has his V card—I can't interfere; it's a canon event.
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If Roi seriously lacks experience with women, despite his first and only teenage romantic involvement during juvenile detention, it's only natural that he would stumble. This is evident in his interactions with Cameron. His steps are endearing and pure, but also somewhat messy and oddly quick. For someone who hates being seen as an obedient puppy, he swiftly follows Cameron's suggestion about the glasses, removing them instantly. I found this moment quite intriguing. It would have made more sense in 1.04, right after the quarrel at Polignac house. Removing them on that same night would have heightened the scene's impact and symbolically marked the transition from the old to the new Roi. Then again, taking time is crucial. It could have mirrored the fear of crossing boundaries and played with the symbolic idea that desire mirrors fear.
(**internal screaming** The creators missed an opportunity to delve deeper into the use of mirror imagery and internal conflict.)
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That's why his “love” confession to Cameron in 1.07 appeared laughable, rushed and childish. Indeed, as she aptly said, he has "no idea if they'd still be together if Jimmy wasn't part of the equation." How dare he? I feel like this scene was pivotal, opening the door for Roi to reflect on his advances and avoid rushing into things, making him more cautious about the "lines you cannot cross in love" that dad!Berlin warned him about.
Yes, in the lights of his "romantic" arc, Roi had an illusion of love. Were there emotions involved? Certainly, especially since she helped him discuss his past. Lust? Absolutely.
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As for Cameron, she's still grappling with trauma from her last relationship (to be honest, given all the suspense, her backstory was quite disappointing). It would have been in line with her character to step back from love and take some time to focus on herself before engaging in anything new. If the creators really wanted to push the romance, they could have only focused on subtle gestures like handholding and meaningful gazes to build the romantic tension, and not just sexual tension.
I didn't appreciate how they were quickly and overly physical with each other. The emphasis on physical touch didn't enhance the pseudo-emotional intimacy. In fact, I don't believe Cameron fell in love or became very infatuated with Roi. I would have preferred her to embody the femme fatale vibe Esther and Alex gave her and maintain a more casual relationship. Yielding to Roi's advances in the end seemed out of character because she should have been triggered, wary of falling deeply in love again and hurting our sweet baby boy Roi.
This is why their kiss felt unnecessarily desperate and passionate. A simple hug would have sufficed. I understand the fear of not seeing each other for three days, but the purpose of Cameron's words in between kisses, like "promise me" and "I can't myself," left me confused and mainly with unanswered questions. It's even more frustrating when we overlook her role in the heist and the unique talent that makes her authentic in the crew.
To wrap up, I believe both of these characters should have been individually explored. Consider the Octopus and the No me mires tattoos, for instance. Why introduce his through Cameron? Why didn't Roi ask about the meaning behind hers? Exploring this could have provided intriguing clues about her past. We could have witnessed a compelling scene of Roi changing, letting the audience notice the tattoos and prompting questions about their significance. Am I surprised that an entire episode is named after his tattoo, yet its origin remains undisclosed? Not at this point. Consequently, I found it difficult to connect with their bonding over the tattoos.
Despite being 23, their story really felt like a teenage love affair. I suppose I'll let fanfiction fill the void left (or do it myself with missing scenes and an eventual ofc, considering Roi is such fanfiction material).
All in all, Roi was undoubtedly the most captivating character. Performed by a wonderful Julio Peña, he skillfully broke the rules and awkwardly embraced his desires, ultimately earning the approval of his second father figure. I'm uncertain about what to expect in a potential Season 2, but one thing I absolutely need more than ever is flashbacks and explanations, especially given it's fucking Berlin's golden age.
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What about you? What's your take on Roi? Did you enjoy his character arc and his "romance"? If you made it to the end, thank you ! Thank you very much for taking the time to read all this ramble of mine. I'm genuinely curious to hear your thoughts within the niche fandom here on Tumblr :)
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