bludye

[bludye]

PROMPTS FOR GESTURES AND MOVEMENT *  a bunch of wordless gestures with many different meanings and associations. these can be up close, across a room, or in any other circumstance you want to specify, or if i've specified a situation, feel free to change it up to suit your needs. adjust as necessary, send 'reverse' for the reversal of the prompt

[ middle ] sender sticks their middle finger up at receiver

[ wave ] sender waves at receiver

[ come here ] sender gestures towards themselves, requesting receiver approach them

[ point ] sender points at receiver across a crowded room

[ cut it out ] sender makes a slashing motion across their throat with their hand, asking receiver to stop what they're doing

[ cross ] sender shows receiver their crossed fingers for good luck

[ nod ] sender nods at receiver to cue them into action

[ shake ] sender shakes their head at receiver to dissuade them from continuing an action

[ silence ] sender places their pointer finger over their lips, telling receiver to be quiet

[ direction ] sender points to another room/location, telling receiver to go there

[ both hands ] sender holds up both hands, palms facing receiver, to make them stop

[ chin ] sender flicks their hand under their chin at receiver in an offensive manner

[ pity wave ] sender gives receiver a pitiful wave

[ blow a kiss ] sender blows a kiss at receiver from a far distance

[ wink ] sender winks suggestively at receiver

[ key ] sender slides their pinched pointer and thumb fingers across their lips and "throws away the key" to show receiver they're keeping a secret

[ pray ] sender puts their hands together in a praying gesture as they silently plead with receiver

[ wipe ] sender wipes their brow in a gesture of relief after watching receiver do something risky

[ ear ] sender taps their ear, indicating they cannot hear what receiver is saying

[ watch ] sender taps their watch (or their watch wrist) indicating receiver is late

[ shrug ] sender overexaggerates a shrug to show receiver they don't know what's going on

[ salute ] sender salutes receiver

[ wave off ] sender frantically waves off receiver to tell them to go away or hide

[ thumbs up ] sender gives receiver a confident thumbs up

[ cover ] sender covers their own mouth with their hand and shows receiver - indicating something is wrong

[ thirsty ] sender pantomimes sipping on a drink, asking for receiver to get them something to drink

[ hungry ] sender pantomimes eating something, asking for receiver to get them something to eat

[ sleepy ] sender pantomimes sleeping on their hands, indicating they are tired

[ phone ] sender holds their hand up to their ear like a phone, asking receiver to answer their calls or look at their phone

[ write ] sender pantomimes writing something on their hand

[ item ] receiver has an item that sender wants, so sender pantomimes the object / acts it out to request the item from them

[bludye]

┊ jinx and isha ♡.

[bludye]

Arcanegifs' Arcane Season 2 (2024) Character Poll: Isha ↳ “Ever since you dropped into my life, it's like I put on glasses. Except I can't tell whether everything's blurry or clear.”

[bludye]

REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )

listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.

[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.

[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.

[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.

[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.

[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)

[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.

[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.

[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.

[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.

[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.

[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.

[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.

[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.

[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.

[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.

[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.

[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.

[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.

[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.

[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.

[ FURTHER ]: sender, during an increasingly passionate make-out session with the receiver, suddenly takes them in their arms and carries them towards the bedroom to continue their evening in private.

[bludye]

THE HANDS THAT CRADLED YOUR FACE AND TILTED IT UPWARDS TO KISS YOUR FOREHEAD ARE SOAKED IN UNFATHOMABLE QUANTITIES OF BLOOD. BUT THEY CRADLED ME, YES?

independent isha from arcane. by mak / kai. credit: briarph. <3

[bludye]

NOT THE ISHA MUSE RETURNING TO ME LIKE A PUNCH IN THE FACE

[bludye]

i feel so bad because i've been hyperfocusing on maddie and have not been here but i need everyone to know i just an isha edit to "stay alive (reprise)" from hamilton and im. distressed

[bludye]

crying because i just realized the reason isha couldn't get out of the cell in episode 4 was because she was pulling on the door when you have to slide it open.

[bludye]

rpmemesstash:

pick my muse up!

* how it works: person who sends it is the one doing the picking up. add on a little “+“ to reverse! click on the “x” for reference photos! bonus: explain why.

💪 - over the shoulder. ❂ - piggyback. 💬 - on the shoulders. ▤ - head on shoulder. ( x. ) ☂ - bridal style.

[bludye]

my brain has fully locked in on maddie but i shall be here later to do things!!

[bludye]

Can someone write a fic abt their life before the timeskip

[bludye]

THE HANDS THAT CRADLED YOUR FACE AND TILTED IT UPWARDS TO KISS YOUR FOREHEAD ARE SOAKED IN UNFATHOMABLE QUANTITIES OF BLOOD. BUT THEY CRADLED ME, YES?

independent isha from arcane. by mak / kai. credit: bludgfx. <3

[bludye]

ㅤㅤㅤWHY IS PEACE ALWAYS THE JUSTIFICATION FOR VIOLENCE?ㅤㅤㅤ—ㅤㅤㅤindependent, private, selective & sporadic activity caitlyn kiramman of netflix's arcane, with a big focus on crossover verses & aus. loved by west, thirty3, gmt.

[bludye]

MULAN (1998) PROMPTS *  assorted dialogue from the film, adjust as necessary

would you like to stay for dinner?

i never want to see a naked man again.

hey, don't look at me.

does this dress make me look fat?

you owe me a new pair of slippers!

i think the question is who are you?

there's no time for stupid questions!

you shouldn't have to go.

i will die doing what's right.

i know my place. it is time you learned yours.

if you're so worried, go stand watch.

you took away my victory!

i ain't biting no more butts.

i need firepower.

who are you?

we're doomed!

i don't do that tongue thing.

i'm travel size for your convenience.

rise and shine!

i'm gonna hit you so hard, it'll make your ancestors dizzy.

you fight good.

they popped out of the snow! like daisies!

you are the craziest man i've ever met, and for that, i owe you my life.

from now on, you have my trust.

it looks like you're out of ideas.

you're the saddest bunch i've ever met.

i'll make a man out of you.

you have a tissue?

i don't need anyone causing trouble in my camp.

you might wanna light that right about now.

you missed! how could you miss? he was three feet from you!

you just say the word and i'm there.

you ain't worth my time, chicken boy.

no one will listen to me.

i'm sorry, did you say something?

would you like to stay forever?

the flower that blooms in adversity is the most rare and beautiful of all.

i've heard a great deal about you.

you have saved us all.

my little baby, off to destroy people.

great. she brings home a sword. if you ask me, she should've brought home a man.

sign me up for the next war!

my children never caused such trouble.

the truth is, we're both frauds.

they don't even like me.

you risked your life to help people you love.

i risked your life to help myself.

at least you had good intentions.

what do you mean you're not lucky?

my powers are beyond your mortal imagination.

my eyes can see straight through your armor.

make a note of this.

stop, i'm sorry. i'm just nervous.

i've never done this before.

you're gonna have to trust me.

let's get this show on the road!

no matter how the wind howls, the mountain cannot bow to it.

you don't belong here. go home.

you have to believe me!

why else would i come back?

rise and shine, sleeping beauty!

get your clothes on! get ready!

no time to talk.

now remember, it's your first day of training, so listen to your teacher and no fighting.

i don't wanna kick the other kid's butt.

don't talk with your mouth full.

let's see your war face.

i think my bunny slippers just ran for cover.

that's what i'm talking about! that's my tough-looking warrior girl!

now go out there and make me proud!

that was vile. you owe me big.

i think i've been away from home long enough.

a single grain of rice can tip the scale.

one man may be the difference between victory and defeat.

who are you?

i'm never gonna catch my breath.

how lucky can they be? they're dead.

this is your chance to prove yourself.

i didn't know you were here.

we could just... close our eyes... and swim around.

we must send the most powerful of all.

just because i look like a man doesn't mean i have to smell like one.

you must go after her.

we're gonna die!

i was this close.

this tattoo will protect me from harm.

we have to work on your people skills.

a life for a life. my debt is repaid.

get off the roof!

they're disgusting.

oh. you made a friend.

[bludye]

ARCANE LEAGUE OF LEGENDS: 2x06 - “The Message Hidden Within the Pattern”

[bludye]

THE HANDS THAT CRADLED YOUR FACE AND TILTED IT UPWARDS TO KISS YOUR FOREHEAD ARE SOAKED IN UNFATHOMABLE QUANTITIES OF BLOOD. BUT THEY CRADLED ME, YES?

independent isha from arcane. by mak / kai. credit: bludgfx. <3

[bludye]

gang we are moving