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[bm-american-art]

[Untitled] (Wolf Watching), William Steig, Brooklyn Museum: American Art

© Estate of William Steig

https://www.brooklynmuseum.org/opencollection/objects/194198

[bm-american-art]

The Creation of the Universe (L'Univers est crée), Paul Gauguin, carved winter 1893-1894; printed 1921, Brooklyn Museum: European Art

Size: Sheet: 10 11/16 x 16 9/16 in. (27.1 x 42.1 cm) Image: 8 x 13 7/8 in. (20.3 x 35.2 cm) Medium: Woodcut on China paper

https://www.brooklynmuseum.org/opencollection/objects/23844

[bm-american-art]

Fire Engine, Ron Kleeman, 1976, Minneapolis Institute of Art: Prints and Drawings

Size: 35 3/8 x 38 ½ in. (89.85 x 97.79 cm) (image) Medium: Color screenprint

https://collections.artsmia.org/art/67575/

[bm-american-art]

Nude Figures Seated, or Three Nudes, George Biddle, 1921, Brooklyn Museum: American Art

© Estate of George Biddle Size: 8 1/4 x 10 3/8 in. (21 x 26.4 cm) Medium: Lithograph

https://www.brooklynmuseum.org/opencollection/objects/92791

[bm-american-art]

Head Study, Arthur William Heintzelman, Brooklyn Museum: American Art

Size: Sheet: 10 7/8 x 7 11/16 in. (27.6 x 19.6 cm) Image: 7 15/16 x 5 1/16 in. (20.1 x 12.9 cm) Medium: Drypoint

https://www.brooklynmuseum.org/opencollection/objects/84675

[bm-american-art]

Artist’s Studio “The Dance”, Roy Lichtenstein, 1974, MoMA: Painting and Sculpture

Gift of Mr. and Mrs. S. I. Newhouse, Jr. Size: 8’ 1/8" x 10’ 8 1/8" (244.3 x 325.5 cm) Medium: Oil and magna on canvas

http://www.moma.org/collection/works/79538

[bm-american-art]

The Adam and Eve, Old Chelsea, James Abbott McNeill Whistler, 1879, Brooklyn Museum: American Art

Size: Sheet: 9 3/4 x 13 5/16 in. (24.8 x 33.8 cm) Image: 6 7/8 x 11 7/8 in. (17.5 x 30.2 cm) Medium: Etching

https://www.brooklynmuseum.org/opencollection/objects/80577

[bm-american-art]

Birth of a Personage, Emilio Rodríguez Larraín, 1965, MoMA: Painting and Sculpture

Given anonymously Size: 6’ 6 ¾" x 56" (200 x 142 cm) Medium: Oil and tempera on board

http://www.moma.org/collection/works/79125

[bm-american-art]

[Untitled] (A Working Male), James Brooks, n.d., Brooklyn Museum: American Art

Size: Sheet: 17 15/16 x 23 7/8 in. (45.6 x 60.6 cm) Medium: Charcoal on paper

https://www.brooklynmuseum.org/opencollection/objects/155061

[bm-american-art]

Girl with Dog, Morris Hirshfield, 1940, Brooklyn Museum: American Art

Size: 34 x 26 1/4 in. (86.4 x 66.7 cm) Frame: 38 3/4 x 30 3/4 x 2 1/4 in. (98.4 x 78.1 x 5.7 cm) Medium: Oil on canvas

https://www.brooklynmuseum.org/opencollection/objects/1124

[bm-american-art]

A Cosey Corner, Frank Millet, 1884, American Paintings and Sculpture

Gift of George I. Seney, 1887 Size: 36 ¼ x 24 ¼ in. (92.1 x 61.6 cm) Medium: Oil on canvas

https://www.metmuseum.org/art/collection/search/11583

[bm-american-art]

The Eclogues of Virgil, Aristide Maillol, 1926, Minneapolis Institute of Art: Prints and Drawings

Bound in full black morocco with decorative ceramic plaque inset on front cover Captivated by the books that William Morris (1834-96) was making at his Kelmscott Press in England and the success of French publisher Ambroise Vollard’s artist’s books, Count Harry Kessler (1868-1937) started his own private Cranach Press in Weimar, Germany, in 1913. One of its first goals was to turn Virgil’s Eclogues into the perfect book. Kessler spared little, commissioning woodcuts from Maillol and a new translation from Marc Lafargue. To add a Renaissance flavor, Kessler chose a fifteenth-century Venetian typeface by Nicolas Jenson and hired Morris’s colleague Emery Walker to supervise the cutting of new type. Kessler rhapsodized that the font “was winged with inner tension, and it gleamed with tender light.” Ever conscious of unity, Maillol designed his 43 woodcuts-here depicting Tityrus-to be equally important to the type, actually referring to his illustrations as “typography.” Size: 13 1/8 x 10 1/8in. (33.3 x 25.7cm) Medium: Woodcuts, letterpress; bound volume

https://collections.artsmia.org/art/32638/

[bm-american-art]

The Sisters (Eleanor and Rosalba Peale), Rembrandt Peale, 1826, Brooklyn Museum: American Art

Size: 42 1/8 x 32 11/16 in. (107 x 83 cm) frame: 54 5/8 x 45 3/16 x 5 in. (138.7 x 114.8 x 12.7 cm) Medium: Oil on canvas

https://www.brooklynmuseum.org/opencollection/objects/1357

[bm-american-art]

Christ of the earthquakes with Our Lady of Sorrows on the Altar, Unknown, Brooklyn Museum: American Art

Size: reduced, 25 x 30 3/8 in. Medium: Oil on canvas

https://www.brooklynmuseum.org/opencollection/objects/53201

[bm-american-art]

Sophie Guillemette, Grand Duchess of Baden (1801-1865), Franz Xaver Winterhalter , 1831, Cleveland Museum of Art: Modern European Painting and Sculpture

Sophie Guillemette (1801-1865), daughter of Gustavus IV Adolphus of Sweden, was the wife of Grand Duke Leopold of Baden. Winterhalter was her drawing instructor and made several portraits of both the duke and the duchess before leaving for London to become the most celebrated portrait painter of his time. Size: Framed: 57.5 x 46.5 x 10 cm (22 5/8 x 18 5/16 x 3 15/16 in.); Unframed: 39.1 x 28.5 cm (15 3/8 x 11 ¼ in.) Medium: oil on fabric

https://clevelandart.org/art/1979.43

[bm-american-art]

(Abstract Design - Gold, Blue, Black on Mauve Background), Marguerite Thompson Zorach, 20th century, Brooklyn Museum: American Art

© Estate of Marguerite Thompson Zorach Size: Sheet (watercolor): 11 7/16 x 8 in. (29.1 x 20.3 cm) Sheet (tan paper): 11 15/16 x 8 5/8 in. (30.3 x 21.9 cm) Sheet (paperboard): 12 7/16 x 9 1/8 in. (31.6 x 23.2 cm) Medium: Watercolor on paper mounted to tan paper and then mounted to paperboard

https://www.brooklynmuseum.org/opencollection/objects/96259

[bm-american-art]

Calm Before a Storm, Newport, William Trost Richards, ca. 1874, Brooklyn Museum: American Art

Size: 8 13/16 x 13 9/16 in. (22.4 x 34.4 cm) Frame: 16 3/8 x 21 1/4 x 1 1/2 in. (41.6 x 54 x 3.8 cm) Medium: Transparent and opaque watercolor on cream, moderately thick, moderately textured wove paper

https://www.brooklynmuseum.org/opencollection/objects/1511