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Josh Kline: Antibodies,” 2020

Fearnley Museet, Oslo)

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Mona Hatoum, Exodus, 2001, Cardboard, metal, human hair, wax, 49.60 x 75.50 x 80.00 cm

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Doris Salcedo, Untitled, 1998.

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tonyoursler.com

Tony Oursler

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Tony Oursler. https://www.pinterest.es/pin/29836416265572436/

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tonyoursler.com

Tony Oursler / gallery https://tonyoursler.com/agr_3-madrid

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IRENE STRENE

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“Sculpture is for the touch, painting is for the eye. I wanted to make a sculpture for the eye and a painting for the touch.”

— Richard Artschwager

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Louise Bourgeois, The Hidden Past, 2004 Hauser & Wirth

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View this post on Instagram

A post shared by Nico Kok (Dutch, b.1954) (@nicokokartinspiration)

Trudy Moore

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bruce nauman, “being is nothing”, 1993

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Heavenly Bodies: Cult Treasures and Spectacular Saints from the Catacombs

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Ana Mendieta, Untitled (Black Ixchell, Candle Ixchell), 1977, Vintage colour photograph, 20.3 x 25.4 cm

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Final Index

Structuring the Body and Bodily Structures: Line, Circle, Line

Structuring the Body and Bodily Structures: Frame and Structure

Structuring the Body and Bodily Structures: Research

Idea 1

Idea 2

Structuring the Body and Bodily Structures: Process

Structuring the Body and Bodily Structures: Final

Phantom Bodies: Test Cast

Phantom Bodies: Research

Idea 1

Idea 2

Idea 3

Phantom Bodies: Process

Phantom Bodies: Final

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test casts

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Matthew Stander,

Building blocks, 2023

Wood, Monofilament, Artifacts

“Building blocks is a dive into the objects of my childhood. By suspending them inside the wooden frames, I’ve archived them in the way in which they are protected. Having my adult hands suspended along with these childhood artifacts, I show how I am tightly holding onto my childhood. The closed fists show that these are items I am not ready or willing to let go of. The monofilament used to suspend the objects creates a web system coming from the wooden frames; this is to show the connection between these items. These objects were part of the building blocks of who I am today.”