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Announcement, Community Pool series, 2020. Digital collage. 

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Rooftop, Community Pool series, 2020. Digital collage.

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Crouched, Community Pool series, 2020. Digital collage. 

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Community Pool (overview), 2020. 3D model, digital collage. 

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Utility House, 2020. In Progress.

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Utility House, 2020. In Progress.

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Utile Sketch. Pen and pencil crayon on paper. 2020. 

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3 Legged Race Contestant, 2020. Hand-knit sock monkey arms and leg, sewn to Nickelodeon’s stuffed doll heads from children’s slippers, polystyrene stuffing & coat hanger.

3-Legged Race Contestant is both playful and perverse. A comfort toy, that is sure to bring discomfort and joy. From the side view, it looks like a reclining nude. It is a bit offensive, but that is not entirely my fault. Leaves you guessing: who are the other contestants?

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Whipped, Topsy & Settle The Fog - Not So Serial 1, 2 & 3 - Digitally altered drawings, paintings & photos with 3D models - 

Nov 2, 2020

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Smart, Bonnie. Bringing Home The Bacon (1 & 2), Pencil, charcoal, chalk & oil pastel on paper. 2013. 

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A post shared by Bonnie Smar (@bontricia)

This video is one I had a lot of fun making and editing. I finally got caught up a bit on my schoolwork, and I felt the need to reward myself. I included this post because dancing feels like an essential way for me to express myself. It helps me feel more balanced and creative, and reminds me that I need to take care of myself if I want to do the things I love. 

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A post shared by Bonnie Smar (@bontricia)

Speaking of family heirlooms - the photo behind me that I knock over (and readjust) was taken about 6 years before my parents separated. Neither of them wanted the photo anymore, but I kept it because I love all those people - even if my parent’s marriage didn’t work out. It does need to be reframed, and I feel a sort of duty to it. 

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Abramovic, Marina. Rhythym 5. Performance, 1.5 hrs. Student Cultural Center, Belgrade. 

“After setting fire to it, Abramović ceremoniously paced in a crucifixion pose, around the burning star. She then proceeded to cut her hair, and as she paced repeatedly around the burning altar, she fed bunches of it to each point of the star like a sacrificial offering.” 

[Sourced] Rhythym Series 1973 -1974 

https://blogs.uoregon.edu/marinaabramovic/2015/02/10/rhythm-series-1973-74-2/

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Muehl, Otto. Mama and Papa (1 & 7). Performance (”Vienna Actionism”). 1964.

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The Cult Education Institute recognizes abusive and controlling relationships as a form of cult. 

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Universal Life Church’s How to Perform a Baptism