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[bookworm7412]

[bookworm7412]

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

Illegal Activity

Examining Mob Mentality

How Street Gangs Work

Domestic Abuse

Torture

Assault

Murder

Terrorism

Internet Fraud

Cyberwarfare

Computer Viruses

Corporate Crime

Political Corruption

Drug Trafficking

Human Trafficking

Sex Trafficking

Illegal Immigration

Contemporary Slavery 

Black Market Prices & Profits

AK-47 prices on the black market

Bribes

Computer Hackers and Online Fraud

Contract Killing

Exotic Animals

Fake Diplomas

Fake ID Cards, Passports and Other Identity Documents

Human Smuggling Fees

Human Traffickers Prices

Kidney and Organ Trafficking Prices

Prostitution Prices

Cocaine Prices

Ecstasy Pills Prices

Heroin Prices

Marijuana Prices

Meth Prices

Earnings From Illegal Jobs

Countries In Order Of Largest To Smallest Risk

Forensics

arson

Asphyxia

Blood Analysis

Book Review

Cause & Manner of Death

Chemistry/Physics

Computers/Cell Phones/Electronics

Cool & Odd-Mostly Odd

Corpse Identification

Corpse Location

Crime and Science Radio

crime lab

Crime Scene

Cults and Religions

DNA

Document Examination

Fingerprints/Patterned Evidence

Firearms Analysis

Forensic Anthropology

Forensic Art

Forensic Dentistry

Forensic History

Forensic Psychiatry

General Forensics

Guest Blogger

High Tech Forensics

Interesting Cases

Interesting Places

Interviews

Medical History

Medical Issues

Misc

Multiple Murderers

On This Day

Poisons & Drugs

Police Procedure

Q&A

serial killers

Space Program

Stupid Criminals

Theft

Time of Death

Toxicology

Trauma

[bookworm7412]

Writing a romance scene between friends-turned-lovers

1. Build Tension and Chemistry:

Start by creating a strong foundation of emotional connection and chemistry between the characters. Show the reader why these friends are perfect for each other.

2. Use Inner Monologue:

Reveal the characters' inner thoughts and feelings. Allow readers to see their internal struggle and realization that their friendship has transformed into something more.

3. Subtle Gestures and Glances:

Describe subtle physical cues such as lingering touches, longing glances, or an accidental brush of hands. These small actions can speak volumes about the characters' growing attraction.

4. Dialogue:

Develop natural and engaging dialogue that reflects the characters' personalities. Use humor, vulnerability, and sincerity in their conversations to convey the depth of their emotions.

5. Setting and Mood:

Choose an appropriate setting that complements the romantic mood. Consider factors like lighting, ambiance, and the time of day to enhance the atmosphere.

6. Build Anticipation:

Slowly escalate the tension and anticipation as the characters become aware of their changing feelings. Tease the readers by delaying the moment of confession or physical intimacy.

7. Show Vulnerability:

Let your characters open up to each other, sharing their fears and insecurities. Vulnerability can be a powerful tool in a romance scene, making the characters relatable and endearing.

8. Physical Descriptions:

Provide sensory details when describing the characters' physical appearances. Highlight what makes each character attractive in the eyes of the other.

9. Create Realistic Obstacles:

Introduce obstacles or doubts that challenge the characters' path from friendship to romance. Overcoming these obstacles can make the relationship feel more genuine.

10. Build to the Climax:

Slowly build the scene to its climax, whether it's a passionate kiss, a confession of love, or another significant moment. Make it emotionally charged and meaningful.

11. Emotional Impact:

Ensure that the scene evokes a strong emotional response from the readers. Let them feel the characters' joy, relief, and excitement as the friendship evolves into romance.

12. Aftermath:

Show the aftermath of the romantic scene. How do the characters feel afterward? What changes in their relationship? What are their hopes and fears for the future?

13. Consistency:

Maintain consistency with the characters' personalities and the development of their relationship. Ensure that their actions and words align with their established traits and the progression of their bond.

[bookworm7412]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[bookworm7412]

being a star wars fan is so funny because star wars sucks

[bookworm7412]

Stripping away Supports

                In classic outlining structure, the midpoint is where your MC loses all the advantages they’d relied on up until that point—allies, resources, powers, etc. In fact, this structure is used in so many films that the ‘characters fight at the midpoint’ is an easily found cliché throughout media.

                However, there are other ways of stripping away your MC’s supports to achieve the same effect.

They fight

Okay I know I just implied we might want to avoid this, but why fix what’s not broke? The important part about following the ‘characters fight at the midpoint’ trope is to ensure the fight doesn’t start at the midpoint, but rather starts from the very moment the characters are seen with each other/meet. The fight should be about something that’s been brewing underneath all of their interactions from the beginning—the one thing they should’ve talked about but didn’t. The ‘elephant in the room’.

                This fight is less of a fight but an unearthing of feelings, thoughts, and problems that have always been there, but have been ignored or avoided up until then. What’s the event that unearths these truths? Typically, something threatening or scary causes people to speak ‘out of turn’…

2. The protagonist chooses to go on alone

Something big happened, something so dangerous and scary that the protagonist intentionally pushes away their allies in order to protect them… Of course, later they might realize that they are stronger together anyway. This is also a bit of a cliché, but done thoughtfully can be very impactful.

3. The allies are in over their head

The reversal of the last trope, instead of the protagonist pushing their allies away, the allies decide this quest is far too dangerous and risky for them… The protagonist is abandoned by their allies. Later, these supports may return, their love for the protagonist stronger than their fear of the situation, but whatever happened must have spooked them bad enough to lead them to betrayal.

4. An integral piece they’ve been relying on has been destroyed

The hideout was found and torched, the old man’s journal was tossed into the sea, the leader/mentor/keeper of information has been kidnapped or killed. Maybe the allies and the protagonist are still together, but one important thing that’s been keeping them together or leading them has been lost, now they have to adapt and improvise on the fly if they wish to continue their quest.

5. An integral piece they’ve been relying on turned out to not be true or important

Similar to the last but with a bit of a twist. They’ve been following the wrong lead all along—where to go next now that the very foundation of their quest is crumbling beneath them?

          

What are some other ways of fulfilling the midpoint reversal?

[bookworm7412]

Some of my favorite words and phrases to describe a character in pain

coiling (up in a ball, in on themselves, against something, etc)

panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc)

keeling over (synonyms are words like collapsing, which is equally as good but overused in media)

trembling/shivering (additional adjectives could be violently, uncontrollably, etc)

sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”)

whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that)

clinging (to someone or something, maybe even to themselves or their own clothes)

writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone)

crying (not actual tears. cry as in a shrill, sudden shout)

dazed (usually after the pain has subsided, or when adrenaline is still flowing)

wincing (probably overused but i love this word. synonym could be grimacing)

doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves)

heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting)

gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold)

murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain)

hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in)

stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk)

staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!)

recoiling/shrinking away (from either the threat or someone trying to help)

pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop)

Feel free to add your favorites or most used in the comments/reblogs!

[bookworm7412]

Scene Transitions

                Transitioning between scenes is something that you’ll have to do a lot. A good scene transition blends seamlessly into the next so we hardly notice it occurring—or it stands out in order to heighten an emotional impact.

                I remember teachers saying, “transitions should blend seamlessly” to me in school without ever explaining how to do that, or what it looks like. The good news is, you’ve probably read so many books and consumed so much media that you’re already subconsciously transitioning your scenes. If you’re struggling, though, here’s what to watch out for:

1. The emotion ends off and begins at the same place.

This isn’t necessarily a hard rule, but it certainly helps maintain a sort of flow to the work, and asks a lot less from your readers than putting them through an emotional rollercoaster. This counts whether it’s transitioning from the same POV or different ones.

                For example, if your character is being chased by the police and the scene cuts off without knowing what happens to them, the next scene needs to begin in this heightened sense of urgency and anxiety.

                However, if your character is being chased by police and dives unnoticed into their hideout, the next scene should begin within this sense of relief. From here, you can take it wherever you want—just maintain a consistency between chapter cuts, POVs, or other time/place skips.

2. Finish what you start

Unless you’re intentionally keeping the audience in the dark about something (which would require at least some acknowledgement that there are answers, they just aren’t being revealed), you should finish what one scene starts.

Say your previous chapter ends off with the character finally reaching the end of the line for the super scary haunted house attraction. The next should probably begin with them getting to enter the house. If it begins the next day, we’ll be so caught up in the missing time and the obvious lack of answers surrounding the haunted house it’ll take us completely out of the scene and make a notable cut.

                An example of a story that does this notable cut really well is ‘A Face Like Glass’ by Frances Hardinge, in which nearing the end, Hardinge inserts a page that playfully acknowledges the complete jump in time and space without revealing anything to the readers about why it’s there, leaving them to discover later on what occurred in that space.

                I wish I could quote it exactly but I don’t have the book with me. If anyone does, please reblog this with the page! You’ll know the one I’m talking about.

3. Keep it the same

Don’t switch to a new POV in the middle of the story when you’ve never seen it before unless intentionally making a point. Do transition your scenes however you’d like, but maintain consistency throughout the story. That way, if you ever need to make a point, you can break all the rules you’ve followed to really hammer home the impact.

                Good luck!

[bookworm7412]

Do you have any tips on how to write a character who’s being manipulated?

Your blog has been very helpful to me! :) thanks a lot

Quick Tips for Writing Manipulative Characters

To convincingly write a character who is being manipulated, you must first understand how to write a believable manipulator. Often hidden in plain sight, manipulators pull the strings, guiding the actions of those who are often unaware that they're dancing to someone else's tune.

Let’s look at manipulators as puppet masters, exploring how they function and how their actions echo throughout your story. By understanding the manipulator, you'll better equip yourself to create realistic characters who are unwittingly under their sway.

How do they behave?

Play the victim to garner sympathy

Charming and persuasive

Twist and distort the truth to suit their agenda

Play mind games

Are silver-tongued

Passive-aggressive when confronted

Use guilt to control others

Don’t hesitate to lie or deceive

Demonstrate a sense of entitlement.

Project their feelings onto others

How do they interact?

Play different roles with different people

Prefer indirect communication to direct confrontation

Gaslight others, making them doubt their own perceptions

Shift the blame onto others

Exploit others' vulnerabilities

Use people’s secrets against them

Make others feel obligated or in debt to them

Use flattery to get their way

Create conflict between other characters

Deliberately create confusion and chaos

Describe their body language

Maintain intense eye contact

Use touch to seem friendly and intimate

Facial expressions often don't match their words

Use large, expressive gestures to dramatise

Have a confident and exaggerated posture

Soften expression to look more trustworthy

Smile artificially or excessively

Lean in close, invading personal space

Mirror others’ behaviours to seem more likeable

Mimic emotions they may not feel

Describe their attitudes

Believe they are always right

Feel entitled and superior

Lack empathy

Highly competitive

Often impatient and intolerant

Controlling and like to be in charge

Rarely apologize sincerely

Often play the martyr, acting self-sacrificing

Can be sceptical of others’ intentions

Kindness is often an act

Positive narrative effects

Paradoxically, manipulative characters can have a positive narrative effect on those they manipulate. These characters can act as a catalyst for change, pushing others to unlock hidden potential and indirectly teaching them to be more cautious. In the face of manipulation, characters can mature and grow resilience.

Manipulative characters can also reveal people’s true natures by tricking them into revelations or by fostering unity as others band together against them. Furthermore, their actions can create dramatic plot twists, make people question their own perceptions and realities, and add intrigue.

Negative narrative effects

Manipulators can cause emotional and psychological distress, breed distrust and insecurity, and disrupt relationships and friendships. These characters often lead others to make damaging decisions, creating a toxic environment.

By exploiting and exposing others' vulnerabilities, manipulators make individuals question their self-worth. The extent of their manipulation can even cause physical harm and lead to the downfall of other characters. Their lasting legacy? Emotional scars that define their victims long after the manipulator has exited the narrative.

[bookworm7412]

Scene Building: If you don't have anything interesting to say--don't say it.

                The basics of building a scene is this: it should have a reason to exist. However, “reason to exist” is a bit more specific than 'it exists to fulfill a purpose'. A scene in which two characters go to the store to get eggs for a cake technically fulfills this brief—the scene exists for a reason; the characters need eggs for their cake so they go get some.

                The problem here is that a scene in which two characters go to the store and get eggs and then go back home is… boring, or at least actually unnecessary.

                So really, your scene needs to fulfill a practical function (characters reach or fail their goal) and a secondary function—character dynamics or development is explored, background is revealed, arcs are furthered, friendships are formed or tested or broken, etc.

                If two characters are baking a cake but they need eggs and nothing new or interesting happens at the store, the scene can be skipped in a sentence or two:  

“given the unfortunate lack of eggs present in the fridge, John and Hector took a short trip to the corner store, gathering a carton of eggs for too much money before they headed home. 'Time to get cracking on this cake,' Hector said.”

                However, if there is something new or interesting to say at the shop—the clerk is John’s ex, all the town’s stores mysteriously closed at 2pm, Hector takes the walk alone to tell his friend something he’s been too scared to say—that makes it a scene worth your time.

                So really, the basics of building a scene is: if you don’t have anything interesting to say—don’t say it at all. Or otherwise, a scene should always be doing at least two things, goal and character, character and goal.

                What are some other rules for building scenes you’ve heard of?

[bookworm7412]

How do I describe a character when they’re angry and just “so done”? How would they act?

A Quick Guide to Writing Anger

It’s the hot-blooded, ever-challenging, angry character that often steals a scene and captivates readers’ hearts. From the brooding protagonist to the volatile villain, anger introduces a heightened element of emotive dynamism. Anger is a powerful emotion that can define a character's behaviour, interactions, body language, and attitude.

How Do They Behave?

Make impulsive decisions

Have a short fuse and react explosively

Hold grudges

Be physically aggressive

Be motivated by revenge

Exhibit self-destructive tendencies

Speak at an increased volume

Speak unexpectedly fast or slow

How Do They Interact?

Have issues with authority

Struggle to follow orders or instructions

Confrontational or verbally abusive

Overuse of swear words or insults

Struggle to focus or listen to others

Dominate conversations and interrupt often

Become isolationist

Short-tempered and accusatory

Describe Their Body Language

Clenched fists and tight jaw

Rigid and defensive posture

Maintained eye contact

Pacing or fidgeting

Aggressive movements

Increased muscle tension

Point and jab when speaking

Invade others’ personal space

Describe Their Attitude

A sense of dissatisfaction and frustration

Overly sceptical and distrustful of others

Impatient and easily annoyed

Confrontational and arrogant

Feelings of powerlessness

Motivated by vengeance or justice

Hostile and irritable

Blunt, direct, and stubborn

A lack of empathy

Positive Outcomes

Be a motivator for change

Inspire others with their passion for justice

Can be a motivator for personal growth

Learn to articulate their needs and set boundaries

Develop resilience and strength by managing their anger

Increased assertiveness

Experience catharsis and emotional release

Improved problem-solving skills

Negative Outcomes

Damaging to their relationship with others

Can lead to chronic stress or health issues

Become isolated, leading to loneliness and depression

Develop a reputation for being difficult or aggressive

Can cause legal troubles or social rejection

Lower self-esteem and sense of self-worth

Become violent or cause physical harm

Exhibit impaired judgement or decision-making

Useful synonyms

Furious

Enraged

Wrathful

Incensed

Infuriated

Livid

Raging

Fuming

Irate

Outraged

Vexed

Irritated

Resentful

Indignant

Seething

Mad

Hostile

Incensed

Cross

Huffy

[bookworm7412]

Common misfortunes for characters

Death of a loved one: This can be a profound and devastating experience for a character, leading to grief, guilt, and a sense of loss. It can also serve as a catalyst for character development and exploration of themes such as mortality, coping with loss, and the fragility of life.

Serious illness or injury: Physical or mental health challenges can test a character's resilience and force them to confront their limitations. It can also provide opportunities for exploring themes of perseverance, the importance of support systems, and the fragility of the human body.

Loss of a job or financial ruin: Financial struggles can lead to desperation, uncertainty, and a loss of identity for a character. It can also present opportunities for growth, reinvention, and exploring themes of resilience, resourcefulness, and the true value of material possessions.

Betrayal by a trusted friend or ally: Betrayal can shatter trust and lead to feelings of anger, betrayal, and a loss of faith in others. It can create complex moral dilemmas for the character and explore themes of loyalty, forgiveness, and the dark side of human nature.

Imprisonment or wrongful accusation: Being imprisoned or falsely accused can lead to feelings of powerlessness, injustice, and a struggle for redemption. It provides opportunities for exploring themes of justice, personal agency, and the lengths one will go to prove their innocence.

Natural disasters: Natural disasters can be catastrophic events that disrupt lives, challenge survival instincts, and test a character's resilience. They can explore themes of human vulnerability, the power of nature, and the strength of community in times of crisis.

War or conflict: War and conflict can have profound impacts on characters, leading to physical and emotional trauma, loss of loved ones, and moral dilemmas. They provide opportunities for exploring themes of heroism, sacrifice, the futility of violence, and the long-lasting effects of war.

Addiction or substance abuse: Characters grappling with addiction or substance abuse can experience a downward spiral, strained relationships, and a loss of control. It allows for exploration of themes such as self-destructive behavior, the road to recovery, and the impact of addiction on oneself and others.

Mental health issues: Characters dealing with mental health issues like depression or anxiety can face internal struggles, isolation, and difficulties in functioning. It provides an opportunity to delve into themes of stigma, self-discovery, and the importance of mental health support.

Loss of a child or miscarriage: The loss of a child or experiencing a miscarriage can be emotionally devastating for characters, leading to grief, guilt, and questioning of one's purpose or identity. It allows for exploration of themes of parental love, coping with loss, and the complexities of grief.

Failed relationships or divorce: Characters going through failed relationships or divorce can experience heartbreak, loneliness, and a sense of failure. It presents an opportunity to explore themes of love, forgiveness, personal growth, and the complexities of human relationships.

Alienation or social isolation: Characters who feel alienated or socially isolated can grapple with feelings of loneliness, rejection, and a sense of not belonging. It allows for exploration of themes of identity, acceptance, and the importance of human connection.

Identity theft or fraud: Characters who fall victim to identity theft or fraud can face financial ruin, loss of reputation, and a struggle to reclaim their identity. It provides opportunities to delve into themes of trust, deception, and the lengths one goes to protect their identity.

Accidental injury or disability: Characters experiencing accidental injury or acquiring a disability can face physical and emotional challenges, adjusting to a new way of life, and overcoming societal barriers. It allows for exploration of themes such as resilience, self-acceptance, and the meaning of true strength.

Loss of a treasured possession or heirloom: Losing a treasured possession or heirloom can evoke feelings of loss, nostalgia, and a connection to the past. It provides an opportunity to explore themes of materialism, attachment, and the value of intangible memories.

Being stranded or lost in a remote or dangerous location: Characters finding themselves stranded or lost in a remote or dangerous location can face survival challenges, fear, and the need to rely on their instincts. It allows for exploration of themes of resilience, self-discovery, and the inherent strength of the human spirit.

Struggling with poverty or homelessness: Characters experiencing poverty or homelessness can encounter hardships, discrimination, and a constant struggle for basic needs. It provides an opportunity to explore themes of social inequality, resilience, and the power of compassion and empathy.

Encounter with a dangerous or malicious antagonist: Characters facing a dangerous or malicious antagonist can be subjected to physical and psychological harm, manipulation, and a fight for their lives. It allows for exploration of themes of good versus evil, moral choices, and the strength of the human spirit in the face of adversity.

Political or social persecution: Characters experiencing political or social persecution can face oppression, injustice, and the fight for their rights and freedom. It provides an opportunity to explore themes of social change, courage, and the power of collective action.

Being framed for a crime they didn't commit: Characters who are framed for a crime they didn't commit can face wrongful accusation, a loss of trust, and the pursuit of justice. It allows for exploration of themes of innocence, perseverance, and the search for truth.

These misfortunes can be used individually or combined to create layered and complex narratives where characters face adversity, overcome challenges, and ultimately find strength and growth through their experiences. Remember to balance the misfortunes with moments of resilience, hope, and eventual triumph to create a compelling narrative.

If you want to read more posts about writing, please click here and give me a follow!

[bookworm7412]

How to Use Meal Scenes to Develop Characters, Relationships, and Your World

Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.

There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.

Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.

Keep reading

[bookworm7412]

Random Plot Points

A little about me as a writer, I love daydreaming about adventure stories. I usually know the general set up and larger plot points but oftentimes struggle with the how, how do characters get from point A to point B. 

So, I made a list of random challenges for my characters that I look at when I'm stuck.

Sharing in case helpful to others! (intended for adventure, sci-fi, fantasy stories) 

characters are delayed/blocked/experience a natural disaster (storm, fire, flood, avalanche, earthquake, epidemic, etc) (BONUS and forced to take a detour from the original path)

character(s) is trapped (quick sand, fall through ice, in room filling with poison, on sinking ship, in a trash compactor on the Death Star, etc) (BONUS- fall into hidden room and discover something) 

characters go to a festival/ball/party/political summit (where inevitably it all goes wrong)

character(s) overhears a secret (at bar, at party, from a whispered conversation below them in a stairway, etc) 

characters are attacked by an animal or mysterious force 

characters(s) caught in a mob/riot

character wins/loses something in a bet

character is brainwashed or possessed 

character is stranded/lost

character is poisoned 

character succumbs to injury or illness 

characters are chased/ attacked by antagonists 

character is captured or arrested (and needs to be rescued)

character is kidnapped and kidnappers make a demand for their release (financial ransom, exchange of information, prisoner exchange, etc) 

character(s) go undercover to retrieve information

characters decide to steal something they need for their quest (weapon, magical object, money, information, etc). (BONUS- time for a well-planned heist!) 

characters need to protect/ retrieve/ destroy something 

characters uncover a network of spies (up to you if they're unexpected allies or antagonists)  

characters discover hidden passageway, room, ruins etc that leads to an important clue

characters forced to hide from someone/something

characters need to escape 

characters lured into trap set by villain (BONUS if the villain doesn't even care who wins but only goaded them to learn how a magical object works, the extent of heroes powers, emergency response system of a government, etc) 

characters set trap for villain (BONUS- use someone or something important as bait) (if in Act 2, they fail) 

characters reveal critical information to villain in disguise 

a character is mistaken for someone else (and then is wrongfully arrested, receives information not intended for them, etc) 

characters receive help (hitch a ride, get help hiding from captors, get help escaping somewhere, etc) from an unlikely new ally 

characters forced to team up with an unlikely ally/ morally grey character, etc

characters learn something from simple library research (an oldie but a goodie)

characters just literally just stumble upon or witness something important (secret weapon, secret society etc) 

characters uncover a secret map/ coded message on the back of an old unassuming document (time for a classic treasure hunt!) 

someone escapes from prison (an old villain or an old ally) that changes the quest 

someone is being blackmailed (or otherwise forced to act against the protagonists)

someone is discredited (rumor, disinformation campaign etc) 

something stolen from your characters 

something (document, magical object, money) turns out to be fake

OR, something unassuming turns out to have special powers or meaning  

something is hacked (defense system, infrastructure, bank, private records, etc)

something critical is attacked (important bridge, port, bank/ financial system, safehouse, capitol building, character's familial home, etc.)

a computer virus is unleashed 

a biological weapon is unleashed 

a piece of information the characters believed was true, is false 

an ancient myth turns out to be true 

a secret is made public 

A law is changed or a vote on a critical piece of legislation loses/wins 

a political opponent wins an election/ a political ally loses an election 

character(s) help a passerby (from raiders, local tyrant, beast, mystical force, etc) 

characters "follow the money" and realize someone who was thought to be their ally is actually working for... (crime syndicate, villain, local tyrant etc) 

[bookworm7412]

43 character motivations for your fictional characters

To protect their loved ones.

To avenge the death of a loved one.

To save the world/town/community.

To find a lost loved one.

To solve a mystery.

To right a wrong.

To achieve a personal goal.

To gain power or influence.

To find their purpose in life.

To overcome a fear or obstacle.

To learn to trust again.

To forgive themselves or someone else.

To find love or companionship.

To start a new life.

To leave a legacy behind.

To make a difference in the world.

To simply survive.

To gain revenge.

To seek power.

To find redemption.

To follow their dreams.

To escape their past.

To find their true self.

To connect with something larger than themselves.

To understand the world around them.

To experience something new.

To simply have fun.

To make a mistake.

To learn from their mistakes.

To grow as a person.

To become the best version of themselves.

To help others.

To make a difference in the world.

To leave a legacy behind.

To be remembered.

To be loved.

To be happy.

To find peace.

To find hope.

To overcome despair.

To survive.

To thrive.

To live.

Copyright © 2023 by Ren T.

TheWriteAdviceForWriters 2023

[bookworm7412]

Reactions to grief

Denial and Disbelief: Initially, a character may struggle to accept the reality of their loss. They might refuse to believe that their loved one is gone, clinging to hope or desperately searching for any signs of their presence.

Emotional Turmoil: Grief often brings intense emotional upheaval. Characters may experience profound sadness, despair, anger, guilt, or a mix of conflicting emotions. Their moods may fluctuate drastically, leading to outbursts of tears, frustration, or numbness.

Withdrawal and Isolation: Some characters might withdraw from social interactions, seeking solitude to process their grief. They may isolate themselves from others, finding solace in their own thoughts and memories.

- Physical Symptoms: Grief can manifest in physical symptoms such as loss of appetite, insomnia, fatigue, headaches, or other psychosomatic manifestations. These physical reactions can reflect the toll that grief takes on the character's overall well-being.

Immersion in Memories: Characters may immerse themselves in memories of the person they've lost. They might seek comfort in looking at old photographs, listening to recordings, or visiting significant places that remind them of their loved one.

Guilt and Regret: Characters may grapple with guilt and regret over things left unsaid or unresolved issues with the deceased. They may blame themselves for not being able to prevent the loss or feel remorse for any negative actions or words in the past.

Seeking Closure: Characters might actively seek closure by investigating the circumstances surrounding the loss or searching for answers. This could involve conducting their own inquiries, talking to people connected to the situation, or even pursuing spiritual or metaphysical avenues.

Attempting to Fill the Void: Some characters may try to fill the void left by their loss by immersing themselves in work, hobbies, or other distractions. This can be a way to cope with the pain or to create a sense of purpose in the absence of their loved one.

Rediscovering Meaning: Over time, characters may go through a process of reevaluating their own life's purpose and finding new meaning or direction. This can involve pursuing new interests, engaging in charitable acts, or dedicating themselves to causes that honor the memory of the person they've lost.

Healing and Acceptance: Eventually, characters may find a sense of healing and acceptance. While the pain of the loss never fully disappears, they learn to live with their grief and carry the memory of their loved one with them. This can lead to a renewed sense of purpose or a deepened appreciation for life.

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[bookworm7412]

Here's a extensive list of character flaws/Addictions to consider for your storytelling:

1. Stubbornness

2. Impulsiveness

3. Jealousy

4. Indecisiveness

5. Arrogance

6. Insecurity

7. Impatience

8. Manipulativeness

9. Hot-tempered

10. Perfectionism

11. Distrust

12. Procrastination

13. Selfishness

14. Pessimism

15. Dishonesty

16. Greed

17. Cowardice

18. Lack of empathy

19. Overly competitive

20. Control freak

21. Lack of ambition

22. Oversensitivity

23. Laziness

24. Lack of self-discipline

25. Addiction

26. Closed-mindedness

27. Lack of assertiveness

28. Impulsivity

29. Materialistic

30. Lack of accountability

31. Inflexibility

32. Moody

33. Overly critical

34. Judgmental

35. Naivety

36. Attention-seeking

37. Suspiciousness

38. Overprotectiveness

39. Ingratitude

40. Vengefulness

41. Envy

42. Indulgence

43. Disloyalty

44. Self-centeredness

45. Negativity

46. Manipulative

47. Disorganized

48. Lack of self-awareness

49. Irresponsibility

50. Intolerance

51. Overthinking

52. Restlessness

53. Excessive need for control

54. Rigidity

55. Overly trusting

56. Recklessness

57. Narcissism

58. Escapism

59. Gullibility

60. Lack of ambition

61. Inability to forgive

62. Excessive need for validation

63. Attention-seeking behavior

64. People-pleasing

65. Overprotectiveness

66. Self-doubt

67. Passive-aggressiveness

68. Inability to handle criticism

69. Lack of boundaries

70. Superiority complex

Remember, a well-rounded character doesn't need to possess all of these flaws. Select a few that resonate with your character's personality, background, and story arc. Balancing flaws with strengths and vulnerabilities will help create multi-dimensional and relatable characters.

Happy writing!

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