bornbreathless-archive - Tumblr blog

[bornbreathless-archive]

On the 12th hour of the first day of October 1989, 43 women around the world gave birth.

Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.

He didn’t get this one.

Indie original character, TUA-based OC/AU/crossover friendly Established 03/04/19, Moved 18/05/2024 Loved by Goose

[bornbreathless-archive]

On the 12th hour of the first day of October 1989, 43 women around the world gave birth.

Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.

He didn’t get this one.

Indie original character, TUA-based OC/AU/crossover friendly Established 03/04/19, Moved 18/05/2024 Loved by Goose

[bornbreathless-archive]

On the 12th hour of the first day of October 1989, 43 women around the world gave birth.

Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.

He didn’t get this one.

Indie original character, TUA-based OC/AU/crossover friendly Established 03/04/19, Moved 18/05/2024 Loved by Goose

[bornbreathless-archive]

On the 12th hour of the first day of October 1989, 43 women around the world gave birth.

Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.

He didn’t get this one.

Indie original character, TUA-based OC/AU/crossover friendly Established 03/04/19, Moved 18/05/2024 Loved by Goose

[bornbreathless-archive]

On the 12th hour of the first day of October 1989, 43 women around the world gave birth.

Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.

He didn’t get this one.

Indie original character, TUA-based OC/AU/crossover friendly Established 03/04/19, Moved 18/05/2024 Loved by Goose

[bornbreathless-archive]

On the 12th hour of the first day of October 1989, 43 women around the world gave birth.

Sir Reginald Hargreeves, eccentric billionaire and adventurer, resolved to locate and adopt as many of the children as possible.

He didn’t get this one.

Indie original character, TUA-based OC/AU/crossover friendly Established 03/04/19, Moved 18/05/2024 Loved by Goose

[bornbreathless-archive]

My headphones just died with 40 minutes to go to get home, why this

[bornbreathless-archive]

Heads up that I am slowly in the process of setting up a new blog, I'm dropping a load of really old threads and mainly just moving current stuff over there (with a few exceptions). Not going to officially make the move until I finish editing my carrd, but hopefully by this weekend we'll be up and running

[bornbreathless-archive]

Heads up that I am slowly in the process of setting up a new blog, I'm dropping a load of really old threads and mainly just moving current stuff over there (with a few exceptions). Not going to officially make the move until I finish editing my carrd, but hopefully by this weekend we'll be up and running

[bornbreathless-archive]

Heads up that I am slowly in the process of setting up a new blog, I'm dropping a load of really old threads and mainly just moving current stuff over there (with a few exceptions). Not going to officially make the move until I finish editing my carrd, but hopefully by this weekend we'll be up and running

[bornbreathless-archive]

Character solidifying!

[bornbreathless-archive]

Also thinking about how Hargreeves can 100% do the marylin thing where when she's Char Morris she's just a regular person, but she can flip the switch and Become™️ Charity Hargreeves™️. Because everything we see in the show surrounding the siblings as these celebrity superhero kids, they have the masks; it was always Char underneath the mask, but there was a persona when she was being this child star out on press junkets and photo shoots and tween magazine interviews, and she can still wield that persona like a weapon. She learned how to be sweet as pie or a spoiled brat and everything in-between to fit into what people expected of her in all these different places. And sure, she doesn't wear the physical mask any more, but those personas are always there waiting to be worn.

[bornbreathless-archive]

It's just gone 8am and it's STILL 14° and I'm STILL dying and it's set to go up to 22° please I am not built for summer

It's just gone midnight and it's 14° and I'm DYING I am too british for this kind of heat

[bornbreathless-archive]

It's just gone midnight and it's 14° and I'm DYING I am too british for this kind of heat

[bornbreathless-archive]

𝐏𝐑𝐎𝐌𝐏𝐓𝐒 𝐓𝐇𝐀𝐓 𝐌𝐀𝐊𝐄 𝐌𝐄 𝐆𝐎 👀.

okay so i got like, three books delivered this week, and in anticipation i reread another book that i had, and lads, let me tell ye, it was like quicksand. so now i have a list, some from my head, many from my wonderful friends’ heads, of prompts that basically made us all very soft or very “pleasantly scandalized rich lady from the sixties who just found out a juicy bit of goss about the new neighbor”. i hope ye like them! (DO NOT ADD TO THE LIST. I WILL MAKE A PART TWO. AND THREE. AND FOUR. MANY MANY PARTS. EVENTUALLY. )

[ HAIR ]:          sender slowly reaches out to catch a loose strand of the receiver’s hair and tuck it gently and securely back behind their ear, letting their touch linger afterwards. (if the receiver has short hair, then the sender reaches out and gently runs their fingers through their hair to smooth it back.)

[ CLOSE ]:          while standing remarkably close to one another, the sender is unable to stop themselves from running their gaze across the receiver’s body, lingering for a moment on their lips, before returning to initiate prolonged, intense eye contact.

[ CHIN ]:          as they stand close to one another, the sender hooks a finger and tenderly lifts the receiver’s chin, tilting it up so that they can look at one another, and running a thumb across their skin lightly.

[ THUMB ]:          while cupping the receiver’s cheek in their hand, the sender slowly glides their thumb across their cheekbone in a tender, sweeping caress.

[ WOUND ]:          upon noticing a recent injury on the receiver’s person, the sender carefully moves closer, running a thumb (or hand) across the wound in a gentle, troubled manner.

[ INHALE ]:          while standing in very close quarters to the receiver, the sender shakily inhales with desire/anticipation as they realize how intimately close they are to one another.

[ DANCE ]:          when alone together (e.g. the bedroom, the kitchen, literally anywhere once they’re alone) the sender takes the receiver’s hand, and pulls them into a graceful yet intimate dance as a spontaneous act.

[ BARE ]:          as they get undressed, the sender gently places a soft, tender kiss against the receiver’s bare shoulder.

[ SCAR ]:          noticing a scar on the receiver’s skin, the sender tentatively stops them from covering it up, and rests a gentle, soft kiss over it.

[ FOREHEAD ]:          placing a hand on the back of the receiver’s neck, the sender guides them close and rests their foreheads together.

[ PALM ]:          taking the receiver’s hand, the sender brings it to their mouth, and places a tender kiss against the receiver’s palm.

[ LINGER ]:          taking the receiver’s hand, the sender lifts it to their lips, and gently kisses their knuckles, lingering for a moment before withdrawing.

[ BEHIND ]:         upon entering the same room as the receiver, the sender steps behind them, and winds their arms around the receiver’s waist, drawing them close against them.

[ WAIT ]:          realizing the receiver is about to leave the room, the sender hastily reaches out and catches their wrist, preventing them from continuing their departure.

[ ARM ]:          after holding their hand, the sender releases the receiver, but slowly glides their hand up the full length of their arm, lingering on the upper arm, then the shoulder, then resting their touch against the side of their neck.

[ HOLD ]:          while close to the receiver, the sender wordlessly takes a hold of their hand, for no other purpose than to be holding it.

[ PLAY ]:          while sitting together, the sender absently lifts the receiver’s hand, idly running their fingertips across the lines of their palms, mapping out every inch of their hand with slow, lazy touches.

[ GUIDE ]:          in the process of guiding the receiver through a crowded place, the sender’s hand protectively grazes against the small of their back

[ TOUCH ]:          while touching the receiver’s waist, the sender’s hand briefly dips beneath the hem of their shirt, skimming briefly across the bare skin of their waist.

[ CUP ]:           bringing both hands up to cup the receiver’s face, the sender draws them in closer to them in order to get a better look at their face.

[ TUG ]:          the sender tugs the receiver close against them by resting a hand against the small of their back, pulling them flush against their body.

[ HUSH ]:          while standing close to one another and hiding from pursuers, the sender reaches up and places a finger against the receiver’s lips to prevent them from speaking and revealing their location.

[ WRAP ]: when sitting astride a horse/motorcycle/etc. together, the sender reaches back, takes the receiver’s wrists, and gently pulls their arms around the sender’s waist in an embrace designed to keep the receiver safe, despite feeling remarkably intimate.

[bornbreathless-archive]

Aubrey Plaza as Harper Spiller – The White Lotus (2021) costume designer Alex Bovaird