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boy--witch · 8 years
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Rug #94
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boy--witch · 8 years
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Clio Peppiatt AW17 Lookbook, London, UK, 2017.
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boy--witch · 8 years
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boy--witch · 8 years
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https://instagram.com/p/BGs71P4JsqY/
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boy--witch · 8 years
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#resurrectionplant showing both coming to life and going dormant
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boy--witch · 8 years
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boy--witch · 8 years
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Domenico Gatti - Purità ( 1915-16)
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boy--witch · 8 years
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Gerald Brockhurst (English, 1890-1978), Nadia, probably early 1920s. Oil on panel, 24 x 18 ½ in.
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boy--witch · 8 years
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boy--witch · 8 years
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me and andrés by sebastian faena for c☆ndy 10 this editorial came from the realization that i’d never seen images of trans women (with men) that were erotic but also romantic and tender
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boy--witch · 8 years
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Shelley Duvall on the set of Brewster McCloud, 1970
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boy--witch · 8 years
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Takato Yamamoto.
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boy--witch · 8 years
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By Ute und Rüdiger
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boy--witch · 8 years
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boy--witch · 8 years
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boy--witch · 8 years
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Paolo Roversi & Devon Aoki
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boy--witch · 8 years
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Gustave Courbet, Le Sommeil,1866.
Le Sommeil [The Sleepers], which depicts two women entwined in a post-coital embrace, caused a stir when it was first shown in the 1870s. The police were called in, and the painting was not shown again until the 1980s. But its brief showing had an influence on a number of contemporary artists, and helped challenge the taboos associated with lesbian relationships. For modern audiences it’s a good reminder that people in the 19th century were not ignorant of lesbian relationships, as we tend to believe. And it’s pretty damn sexy, don’t you think?
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