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The sick reality is that many of the renowned academics and writers among Gaza's thousands of martyrs will, in twenty years time, be quoted and memorialised by the same universities and institutions that have denigrated them and enabled their slaughter.
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léa julian
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If you persevere, in time you will have an entirely different problem – not that life is meaningless, but rather that life has almost too much meaning. As the scales fall from your eyes the world rushes into focus, presenting itself with a kind of vibrational eloquence that can, at first, be almost overwhelming. Everything shimmers, everything clarifies, everything wrestles for your attention. Trees feel super-real, their roots plunged into the earth, their branches stretching to the sky, birds are flesh and blood souls, fragile with life, the sky unfolds and rolls, the ocean crashes, people fascinate, books are beautiful, children are whirling dynamos of chaos, dogs bark and cats meow, flowers shout, your neighbour glows, and God runs like a helix through all things. The world awaits you, humming with meaning. You are alive with potential. You are not dead.
— Nick Cave on getting clean, Red Hand Files #258
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Wind sculpture, Daniel Graffin
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heightened sense ‘2nd skin porcelain’ pant
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Shape-shifting is one of fairy tale’s dominant and characteristic wonders: hands are cut off, found and reattached, babies’ throats are slit, but they are later restored to life, a rusty lamp turns into an all-powerful talisman, a humble pestle and mortar becomes the winged vehicle of the fairy enchantress Baba Yaga, the beggar changes into the powerful enchantress and the slattern in the filthy donkeyskin into a golden-haired princess. More so than the presence of fairies, the moral function, the imagined antiquity and oral anonymity of the ultimate source, and the happy ending (though all these factors help towards a definition of the genre), metamorphosis defines the fairy tale.
—Marina Warner, From the Beast to the Blonde: On Fairy Tales and Their Tellers
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Custom ruffle collar - vintage assort buttons
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jadwiga und jerzy zaremsky in schmuck der moderne: 1960-1998 modern jewellery - fritz falk + cornelie holzach (1999)
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