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We looked inside some of the posts by bxlbrusselsbubble-blog and here's what we found interesting.
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Last Seen Tumblr Blogs
Fun Fact
The “We are the 99%” Tumblr blog became the slogan for the Occupy Wall Street movement.
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Veel volk op vernissage in BAM. #Mons #Signesdestemps
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RIP Annik Honoré
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Looking back at Batucada
May 2014. Marcelo Evelin creates 'Batucada' for the Kunstenfestivaldesarts, in the heart of Brussels, the capital of Europe struggling with an economic crisis.
The performances take place exactly in the week of European elections. Anti-European parties will win 143 seats out of 751 parliamentary seats in total, some of these parties are outspokenly racist.
A few weeks later FIFA will broadcast commercial world cup images from Brasil around the world. Mainstream-media are hardly reporting about the social protest in the streets of the big cities and even less about the violent repression against these protests.
Marcelo Evelin brings his dream team for 'Batucada' together in this context. A motley crew of performers, dancers, musicians and other creative people of different ages and from about 30 countries.
Latin-America, Europe, Africa and Asia are represented. The macro-economic constitution of the world is physically present in the bodies and personalities of the performers. The world in a condensed, miniature format. Each participant brings his background, prejudices and ideals. This results in an unexpectedly intense roller-coaster ride of interpersonal confrontations, conflicts and meeting minds.
Those confrontations, discussions and conflicts are not only part of the anecdotes around this project. Once in a while they touch the core of what 'Batucada' is about. The creation of a new way of collaborating and living together.
During the rehearsals simple tasks are often repeated: follow another person, get into the other person, adapt to the other person’s movements and rhythms. Leadership is not accepted within the group. Everybody is free to do and act how she or he feels. Everybody is invited to strip off all clothes and attitudes, to put on the same mask in search of equality.
Tasks and improvisations are the foundations for a collective set of movements and references, for the construction of a group or community.
A set of typically Brazilian references is added when the group enters the old, abandonned movietheater Marivaux. The mask, CATIRINA, refers to the myth of Bumba-meu-boi and it traditionally plays with the gender issues of male and female. In addition the batucada, also the concepts of samba and arrastão are introduced.
Arrastão is a phenomenon from the beaches of Rio. Groups of poor people rob the beach population from all their most expensive accessories in a fast collective wave resulting in confusion and agression on the beach.
Confusion and aggression are experiences some people of the public relate to 'Batucada'. Even though the performers have worked hard during rehearsals to drop aggression and try to influence people to move or go with the flow just by a concentrated physical presence.
Confusion, the feeling of being aggressed and missing out on something are intimate, personal experiences and emotions. Each person has his or her personal experience. The volume of the performance space, the number of performers and spectator add to the sense of loss of control and direction. The mass and being soaked up by the masses are basic ingredients of the 'Batucada'-experience in Brussels. If you have missed it, here is a video report from Brussels and Frankfurt.
What does this 'Batucada' mean as a happening or performance in the end?
A hand out from Kunstenfestivaldesarts refers to Belgian painters Pieter Breughel the elder and Hieronymus Bosch. It is striking that people turn to painters to describe Marcelo Evelin's work, so let's add to this comparing Marcelo Evelin to another Belgian painter.
In front of some paintings by James Ensor in the 'Fin de Siècle museum' in Brussels, a revelation struck me.
While exploring the way the Getty Center in Los Angeles promotes their current Ensor-exhibition , The Scandalous Art of James Ensor, June 10 – September 7, 2014, the resemblances become really strong.
What they write about Ensor could work as a reflection on Marcelo Evelin's 'Batucada' too:
“He was irrepressibly inventive, probing the fantastic, bizarre, grotesque, caricatural, and satirical in a subversive, take-no-prisoners kind of way. Ensor took on all manner of social, cultural, and political hierarchies, ideologies,and pieties, not just with withering sarcasm and irony, but also with a kind of joyful ebullience that shares in the topsy-turvy spirit of Carnival.
His art invites us to escape, if only imaginatively, from the status quo.”
Could 'Batucada' be seen as an update of Ensor's painting 'Christ's Entry into Brussels in 1889 '? The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political foment in his native Belgium. Huge in scale, complex in design and execution, and brimming with social commentary, the startling canvas presents a scene filled with clowns, masked figures, and—barely visible amid the swirling crowds—the tiny figure of Christ on a donkey entering the city of Brussels.
'Batucada' offers similar collapsing perspectives and multiple viewpoints. A mob, threatening to trample the viewer. A swirling parade, but here the leadershipfigure is completely missing. Only at the end the parade is succesful to break out from the old, abandonned cinema into a backstreet of Brussels. Nobody holds pamflets, flags nor slogans. We can see lots of people, some wear masks, some people are not masked.
Performers from Latin-America, Europe, Africa and Asia manifest with their movements, rythms, pots, sticks and their interaction with the audience how people in Brussels, Europe and worldwide relate to each other.
It invites us to escape, if only imaginatively, from the status quo.
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Walter Van Beirendonck Day
Read the dA-Zed guide to Walter Van Beirendonck.
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Art Brussels 2014: our 3 favourites
Art Brussels offers an interesting selection of galleries this year. Galleries from India, Abu Dabi, Cuba and Turkey offer a different approach to art and opens the event truly to the rest of the world.
Our favorite does the same:
1. Galerie Anita Beckers – 3D-27
Katya Bonnenfant has joined The Old Boy's club, which offers you the posibility to share — to copy, distribute and transmit the work / to Remix — to adapt the work. At the fair the club offers a playful mix of media, projections and drawings.
2. The introduction of the “Curator's view” gives a much appreciated original spin to the traditional fairbooth at mariondecannière – 3A – 44 – Public Intimacy – Curated by Simon DelobelDiscover more about this project here.
3. Thank you Axel Vervoordt Gallery 1C-39 for offering, From Here to Elsewhere – curated by Joël Benzakina, a true white cube which offers an escape from the crowdy fair, almost a space for meditation..
Go and make up you own mind until Sunday: http://www.artbrussels.com
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Uitgelezen: 'De vrouw die de honden eten gaf' – Kristien Hemmerechts
België, sorry, Vlaanderen, was te klein om volwassen om te gaan met de recentste roman van Kristien Hemmerechts.
Het boek is snedig en vlotgeschreven, maar laat je als lezer onvermijdelijk op je honger.
Dat is wellicht een sterkte van het boek.
Dit is geen voer voor wie op sensatie belust is, geen kant-en-klare pyschologische analyse, geen literair spel tussen feit en fictie.
Opvallend is de benadering van geloof en spiritualiteit in het boek. Binnen een dolgedraaid circus brengen enkel de getuigen van Jehova en enkele gastvrije kloosterzusters hoop, houvast en rust.
Het is een trip doorheen de gedachtenstroom van een vrouw die feiten, zaken en gevoelens niet op een rijtje krijgt.
Het doet me bij flitsen denken aan John Cassavetes:
A woman under the influence:
https://www.youtube.com/watch?v=Dob7CiyAK2g
Shadows:
https://www.youtube.com/watch?v=_JMuLsGPp-k
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This old blogpost could use some secondary updating, although the main problem is not solved yet. Maybe by the end of the century?
Some ten years ago, during a seminar at Université Libre de Bruxelles comparing the evolution of American avant-garde painting to Miles Davis’ musical evolution from bebop to cool jazz, art historian Michel Draguet spoke his heart out about the state of the Brussels’ Museum of Modern...
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Brussels taking a creative turn - great report on Brussels and David Helbich artistisc vision on it.
Check also https://www.facebook.com/Belgiansolutions?fref=ts
There is also a book coming up. The BELGIAN SOLUTION BOOK which will be launched on the 5th of October at MER Paper Kunsthalle.
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“S(a)int Gilles”
Illustration of Porte de Hal / Hallepoort, Brussels, Belgium. Assisting in a student project.
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