call-me-brackets

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Stay safe, stay healthy.

Write if you’re bored, read if you’re bored.

But mostly of all, stay positive. We’ll be okay.

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We are still taking submissions!! We especially need artwork, but are also accepting poetry and prose.

Our theme is Call Me [Tomorrow] so think future-esque, experimental, new, and creative.

Submit to callmebrackets.net, callmebrackets@gmail.com, or submittable.

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Shout-out to the University of Memphis!

Thanks for your submissions, we cannot wait to read and (publish)!

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https://callmebrackets.net/song-for-the-unraveling-of-the-world/

Check out our editor Kaeley Deluca’s review of this collection, which she describes as a“kaleidoscopic collection of literary fiction, sci-fi, and horror.”

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CALL FOR SUBMISSIONS!

We are a literary magazine currently seeking submissions. Call Me [Brackets] is set to publish an online and print edition of our fourth literary journal this May. This edition will be titled Call Me [Tomorrow], and we need submissions! We cannot offer payment, but we will send a copy of the publication to our contributors if accepted, plus who doesn't love a little name recognition? 

 Following is our Call To Submissions: 

"If I shall exist eternally, how shall I exist tomorrow?" — Kafka

Everyone has a Hero, a Stranger, a Me, but no one has their Tomorrow. We are now accepting submissions for our Spring 2020 literary journal edition “Call me [Tomorrow].” Whatever tomorrow means to you, your journey, your new world, your aspirations, your fears—new or established, past or present—we’re calling for your work. Whether it’s a poem about the steaming, hazelnut coffee you will drink tomorrow morning, an essay about your hope for prison reform in a rural community, or a short story about an alien invasion in the year 2254—we want your musings, your scribbles, your cries into the void. We publish prose, poetry, and artwork (black & white is ideal, but color works great as well). We like imaginations of the future, but we also realize that every day we have lived was once a Tomorrow. Who were you yesterday? Who will you be Tomorrow? Will you be there at all?

We are especially looking for artwork. Submissions can be sent through Submittable, our Callmebrackets.net website, or sent directly to this email, callmebrackets@gmail.com

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Check out “What Could Be Saved” by Gregory Spatz, a brilliant author. See our review at https://callmebrackets.net/what-could-be-saved/ 

Striking, stirring, and cryptic. 

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https://callmebrackets.net/an-imperfect-rapture/

Check out our review of An Imperfect Rapture by Kelly J. Beard!!

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Submissions due by March 30th! Get to it!

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Call to Submissions!

Everyone has a Hero, a Stranger, a Me, but none yet has their Tomorrow. We are now accepting submissions for our Spring 2020 literary journal edition Call me [Tomorrow]. Whatever tomorrow means to you, your journey, your new world, your aspirations, your fears- new or previous, past or present- we want your work. Send us your prose, short stories, essays, poetry, artwork (preferably black&white), and creative nonfiction. Submit by March 30th or sooner. However you interpret your version of tomorrow, we want to hear about it.

Hope to see you [Tomorrow]!

!!! ESPECIALLY SEEKING ARTWORK AND ACCEPT IT YEAR-ROUND WITHOUT DEADLINE!!!

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Check out our newest edition, Call Me [Me], featuring local UA students as well as some of our past genius contributors. This edition is all about the interpersonal, the emotional, the individual. Sure to get you stirred. Find on our website Callmebrackets.net

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Check out “Call me [Stranger],” our second edition literary journal published in Spring 2019. Featuring work by returning contributors John Grey, Ben Nardolilli, and Dan Williams, and also featuring new contributors such as DS Maolalai, Yvonne Nguyen, Alejandra Vansant, Terrance Hannum, Alexa Massey, Josh and Nicole Gelb Dugat, among many talented others.

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Check out our first edition from Fall 2018, “Call Me [Hero].”  “Call Me [Hero]” is filled with pieces that skillfully explore the idea of a protagonist, combining effective language with exciting plot lines. Featuring works by Jonathan Trosclair, Dan Williams, Fred Pollack, Fabrice Poussin, Joseph S. Pete, John Grey, Galean Galloway, Ben Nordolilli, Brenden Barazza, Terry Barr, Gale Acuff, and Karine Leno Ancellin.