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had an extremely, comedically terrible day today, so I drew a tiny little pissed off whirl.

he's gonna getcha!

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Watched Severance for the first time this weekend and I am AFFECTED by it holy cow. What a perfect show my ass drew this in 4 hours I loved it so much okay byeeeee

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https://instagram.com/p/6AiBQ2IMDO/

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I saw some pictures of rock hyraxes with their little tusks the other day - I thought they’d look cute as dragons and, lo, I was right.

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compiled my sketches of various fallout robots in two pages 🤖👍

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whos ready to be this lovely ladies lucky tenth wife/husband?

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Cats!

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I actually quite like this one unrendered

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Triassic palaeofauna of Miedary locality

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Walking around my neighborhood wearing my sick as fuck custom T-shirt that says "I STEAL EVERY FRIENDLY CAT I MEET WITH NO REMORSE I DO IT ALL THE TIME DON'T CALL IT A COMEBACK I BEEN HERE FOR YEARS KEEP THAT BEAST ENCLOSED LEST YE FACE MY LIGHTNING CAT GRASP" and smiling politely while my neighbors' indoor-outdoor cats gently trot down the sidewalk towards me as the neighbors themselves read my shirt with a growing sense of panic.

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Hercules Defeats the Hydra (1896)

Guido Philipp Schmitt

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In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.

SOMETHING GOOD [Alternate Version] (1898) Directed by William Selig

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Commission for @radawaycunt !

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