I will tell revealing information about me. Do people read this? without tags. Someone interested in anki klc 1-23 dm me. My inbox is still glitched lmao(send help). My head hurts
I used to work for a trade book reviewer where I got payed to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.
So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."
I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?
It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.
Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.
So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.
The worst thing in the entire world is when you’re sweeping a big pile of dirt into a dustpan and it leaves that little coke line of grit behind. No matter how you position your pan or your broom and no matter how many times you sweep over it your outcome cannot change. As immovable as fate. I hate it so
We had a patient last night who was a textbook case of electrolytes imbalance as a result of nausea and vomiting. And I didn’t say this to the patient because I didn’t think they’d appreciate it, but it’s kinda great when the way you are so so sick is like exactly like the textbooks say it’ll be. Like not good that you’re having sudden new onset muscle weakness and tingling, but buddy this is gonna get sorted out with an efficiency you won’t believe. We fixed like 85% of the stuff wrong with this patient by midnight and we marveled the whole time about how this patient was seemingly concocted in a lab so I could walk my trainee through a highly manageable crisis
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