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“The incredible pain returns again and again and again.”

— Susan Sontag, from As Consciousness Is Harnessed to Flesh: Journals and Notebooks 1964-1980

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Aunt Ruth, Greer Lankton, 1982

A story Greer would often tell me “just after dinner and pre pumpkin pie my 19 year old cousin announced to the table that he was a homosexual. The room fell silent as my Aunt Ruth excused herself and went upstairs to her bedroom. A few moments later we heard a loud thump Aunt Ruth had fallen to the floor after carving a crucifix in her chest!” This event had a tremendous impact on 13 year old Greer and the bleeding cross becomes an ICON of her work.

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We see you.

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tori amos caught a lite sneeze (1996)

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my hearing has been aided and holy shit is this how you guys hear all the time

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She tried to say something, but there was only enough air for her to breathe. He laid her down beside him to help her, he put out the light and the room was in the shadow of the rose.

– Gabriel García Márquez, from “Death Constant Beyond Love,” Collected Stories (Perennial Classics, 1999)

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Recordadme como alguien que no supo estar.

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“Under this mask, another mask. I will never be finished removing all these faces.”

— Claude Cahun, Disavowals. (via speciesbarocus)

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“I couldn’t push the story out, my mouth was filled with blood”

— Jeannine Hall Gailey, from “Remembering Philomel,” Becoming the Villainess

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“I was calm, no one wants the kind of calm I was.”

— Stephen Dunn, from New and Selected Poems, 1974-1994; “The Waiting,”

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Peter Basch, Lesbian Pulp Fiction Novel Covers, 1950s

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John Baldessari - Films Transferred to Video 1972-1977

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‘TRES POESÍAS’ (Nicanor Parra). Interviniendo fotos familiares viejitas.

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Primera parte de la última página de un cómic que hice hace poco. 🌱🌙🌱

IG: @gatoenbus

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the comedy in hannibal is unparalleled:

The Lacrimosa (Latin for “weeping/tearful”), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass.