Main altar with image of Virgin of Guadalupe, plaster angels, and candlesticks, in parish church of El Pichón, near Tepic, Nayarit.
From ‘Mexican Churches’
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Francisco de Zurbarán, Allegory of Charity (detail)
c.1655
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John Singer Sargent, Orestes Pursued by the Furies, 1921.
“Nothing forces us to know
What we do not want to know
Except pain”
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Cafe, Tsuguharu Foujita. 1949.
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By 505ph.tumblr.com again
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Portrait of myself ; By http://505ph.tumblr.com
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Balthus, Roi des chats, 1935.
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INDIA: PHOTOGRAPHY: KAREN KNORR
"When I first came across Karen Knorr’s photography…I was struck by the beauty, blissfully unaware of the conflicting story underlying the series’ architecture. Knorr took to the Mughal and Rajput palaces, havelis and mausoleums to capture the relationship between the upper caste and ‘the other’ through large format analogue photography. The series highlights ‘men’s space (mardana) and women’s space (zanana)’ through the consideration of ‘caste, femininity and its relationship to the animal world.’ The digitally placed animals serve to represent the transmigration of historic female characters, such as Sita and Amrita, now challenging the modern male hierarchy.”
This is a guest post done by Mango Popsicle for Kyoorius. To see more of the series, visit the original post here.
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