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Traditional Dutch HairCut for Women 1947 Marken

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an longtime favorite of mine

“Some critics have read Ray’s gesture in Plank Piece as a similar comment on the dominance of minimalism in the 1960s (see, for example, Nittive and Ferguson 1994, p.17). As the geometric form pins the artist to the wall, physical restriction comes to represent aesthetic restraint. In this reading Plank Piece acts as a bodily intervention in minimalism.”