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Back in the 1960s, the U.S. started vaccinating kids for measles. As expected, children stopped getting measles.

But something else happened.

Childhood deaths from all infectious diseases plummeted. Even deaths from diseases like pneumonia and diarrhea were cut by half.

“So it’s really been a mystery — why do children stop dying at such high rates from all these different infections following introduction of the measles vaccine,” says Michael Mina, a postdoc in biology at Princeton University and a medical student at Emory University.

Scientists Crack A 50-Year-Old Mystery About The Measles Vaccine Photo credit: Photofusion/UIG via Getty Images

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The real test is this. Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one’s first feeling, “Thank God, even they aren’t quite so bad as that,’ or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally, we shall insist on seeing everything–God and our friends and ourselves included–as bad, and not able to stop doing it: we shall be fixed for ever in a universe of pure hatred.

- C. S. Lewis

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Jesus wasn't Palestinian you dumb heretic. Palestine didn't exist yet. The Palestinian people didn't exist yet. Read the fucking bible. Dumbass

(what anon's responding to)

This is going to sound sarcastic but i mean it genuinely: i love getting called a heretic by randos online. helps me know i'm doing some things right!

In honor of Jesus the Palestinian Jew, here's an excerpt from a sermon (which you can read / listen to in full over here) I wrote back in June on how Jesus's direct identification with those the world calls "least" in Matthew 25 empowers (and challenges) us to envision him as literally one with all who are denigrated, disenfranchised, executed by Empire — as Palestinians are today.

...In proclaiming himself not only kin with the world’s outcasts, but literally one with each and every one of them, Jesus empowers us to imagine him in ever newer, ever more expansive ways. He empowered Black theologian James Cone to declare that Christ is Black, and that every time a Black person is lynched, Christ is re-crucified with them. He empowered disability theologian Nancy Eiesland to declare that God is disabled – to envision the throne of God as a wheelchair, and to point out how the wounds with which Christ rose would have impaired his movement. He empowered gay artist Maxwell Lawton to paint Christ with AIDS lesions, and photographer Elisabeth Ohlson Wallin to depict Christ’s resurrection wounds as transgender top surgery scars. Though some have decried all these images of Christ as blasphemous, it was Jesus himself who told us that he is one with those whom the world denies food, safety, medical care, freedom, and love...

btw if anyone has other examples of theologians declaring Christ a member of a marginalized group it's my fave thing so please add on. Another great one is S. Yesu Suresh' declaration that Christ is Dalit (the "untouchable" class in India).

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Just started Every Heart A Doorway and I dont know if this intentional on the authors part, but the first impression I have is of the beginning of The Haunting of Hill House by Shirley Jackson…

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Worlds of Ursula K. Le Guin (2018), dir. Arwen Curry

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tis the season to remember Medjed aka The Smiter, an invisible egyptian deity with laser eyes and nonbinary swagger:

rotating them gently in my mind as they do a spiffy little dance number

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The existence of the winter solstice is a great thing in principle because misery really is easier to bear when you know for a fact that it won't last forever, but the fact that it's on a precise timetable makes it weird. Knowing that it's going to keep on getting steadily worse for exactly nine days and fourteen hours and not a moment longer creates some strange behavioural incentives, is what I mean to say.

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The videos referenced are the video essay about Blade Runner 2049 by @ladyknightthebrave and an interview between Adam Savage and Matt Parker about his book "Humble Pi: When Math Goes Wrong in the Real World"

go give them a watch they're super cool!

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Stuff kids on tumblr better relearn

1. You are responsible for your own media experience. 

2. There is such a thing as a healthy level of avoidance towards topics that make you feel unwell or even (in a real-life clinical definition of the term) trigger you - but you are the one to actively take care of what you view.

3. Avoiding does not mean policing others.

4. You have no right to tell artists to censor themselves - you may criticize what others do, you may dislike it, that’s fine - but actively asking for censorship when you could easily unfollow or block a person just makes you look incompetent in your use of the internet.

5. Do not give people on tumblr or /any/ website the responsibility for your emotional well-being. Because these people do not even know you so no, you have no right to ask them to take care of you.

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part of why i recognize little to no difference between so-called "recreational" vs "medical" drug use is because i recognize stress as a medical issue. mind-body dualism has us all convinced that stress is an ephemeral emotion that doesn't affect our bodies, but like daily stress, particularly if you're also disabled in some way, just Will Kill You. it can destroy your organs, overclock your brain, weaken your immune system... the effects of prolonged and consistent stress are underresearched (because then we'd have to question how we allocate labor. lmao), but they're there. if you use weed every day for no reason other than you need to force yourself to relax chemically so you can have fun and take your mind off stress, that is indistinguishable from medical use to me, having discarded mind-body dualism.

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Black Women writing SFF

The post about Octavia Butler also made me think about the injustice we do both Butler, SFF readers, and Black women SFF writers by holding her up as the one Black Woman Writing Sci-Fi. She occupies an important place in the genre, for her creativity, the beauty and impact of her writing, and her prolific work... but she's still just one writer, and no one writer works for everybody.

So whether you liked Octavia Butler's books or didn't, here are some of the (many!!! this list is just the authors I've read and liked, or been recommended and been wanting to read) other Black women writing speculative fiction aimed at adults, who might be writing something within your interest:

N. K. Jemisin - a prolific powerhouse of modern sff. Will probably have something you'll like. Won three Hugo awards in a row for her Broken Earth trilogy. I’ve only read her book of short stories, How Long ‘Til Black Future Month? and it is absolutely story after story of bangers. Creative, chilling, beautifully written, make you think. They’re so good and I highly recommend the collection. Several of her novels have spun out of premises she first explored through these short stories, most recently “The City Born Great” giving rise to her novel The City We Became. Leans more fantasy than sci-fi, but has a lot of both, in various permutations. 

Nisi Shawl - EDIT: I have been informed that Nisi Shawl identifies as genderfluid, not as a woman. They primarily write short stories that lean literary. Their one novel that I’ve read, Everfair, is an alternate-history 19th century that asks, what if the Congo had fought off European colonization and became a free and independent African state? Told in vignettes spanning decades of political organization, political movements, war tactics, and social development, among an ensemble of local African people, Black Americans coming to the new country, white and mixed-race Brits, and Chinese immigrants who came as British laborers.

Nnedi Okorafor - American-Nigerian writer of Africanfuturism, sci-fi stories emphasizing life in present, future, and alternate-magical Africa. She has range! From Binti, a trilogy of novellas about a teenage girl in Namibia encountering aliens and balancing her newfound connection to space with expectations of her family; to Akata Witch, a middle-grade series about a Nigerian-American girl moving to Nigeria and learning to use magic powers she didn’t know she had; to Who Fears Death, a brutal depiction of magical-realism in a futuristic, post-war Sudan; to short stories like "Africanfuturism 419", about that poor Nigerian prince who’s desperately sending out those emails looking for help (but with a sci-fi twist), and "Mother of Invention" about a smart house taking care of its human and her baby… she’s done a little bit of everything, but always emphasizes the future, the science, and the magic of (usually western) Africa.

Karen Lord - an Afro-Caribbean author.  I actually didn’t particularly like the one novel by her I’ve read, The Best of All Possible Worlds, but Martha Wells did, so. Lord has more novels set in this world—a Star Trek-esque multicultural, multispecies spacefuture set on a planet that has welcomed immigrants and refugees for a long time, and become a vibrant multicultural planet. I find her stories rooted in near-future Caribbean socio-climatic concerns like "Haven" and "Cities of the Sun" and her folktale-fantasy style Redemption in Indigo more compelling.  And more short stories here.

Bethany C. Morrow - only has one novella (short novel?) for adults, Mem, but it was creative and fascinating and good and I’d be remiss not to shout it out. In an alternate-history 1920s Toronto, scientists have discovered how to extract specific memories from a person—but then those memories are embodied as physical, cloned manifestations of the person at the moment the memory was made. The main character is one such “Mem,” struggling to determine who she is if she was created from and defined by one single traumatic memory that her original-self wanted to remove. It’s mostly quiet, contemplative, and very interesting.  (Morrow has some YA novels too. I read one of them and thought it was okay.)

Rebecca Roanhorse - Afro-Indigenous, Black and "Spanish Indian" and married into Diné (Navajo). I’ve read her ongoing post-apocalyptic fantasy series starting with Trail of Lightning, and am liking it a lot; after a climate catastrophe, the spirits and magic of the Diné awakened to protect Dinetah (the Navajo Nation) from the onslaught; and now magic and monsters are part of life in this fundamentally changed world. Coyote is there and he is only sometimes helpful. She also has a more traditional second-world epic high fantasy, Black Sun, an elaborate fantasy world with quests and prophecies and seafaring adventure that draws inspiration from Indigenous cultures of the US and Mexico rather than Europe. She also has bitingly satirical and very incisive short stories like “Welcome to Your Authentic Indian Experience” about virtual reality and cultural tourism, and the fantasy-horror "Harvest."

Micaiah Johnson - her multiverse-hopping novel The Space Between Worlds plays with alternate universes and alternate selves in a continuously creative and interesting way! The setup doesn’t take the easy premise that one universe is our own recognizable one that opens up onto strange alternate universes—even the main character’s home universe is wildly different in speculative ways, with the MC coming from a Mad Max-esque desert community abandoned to the elements, while working for the universe-travel company within the climate-controlled walled city where the rich and well-connected live and work. Also, it’s unabashedly gay. 

And if you like audiobooks and audio fiction (I listened to The Space Between Worlds as an audiobook, it’s good), then Jordan Cobb is someone you should check out. She does sci-fi/horror/thriller audio drama. Her works include Janus Descending, a lyrical and eerie sci-fi horror about a small research expedition to a distant planet and how it went so, so wrong; and Descendants, the sequel about its aftermath. She also has Primordial Deep, about a research expedition to the deep undersea, to investigate the apparent re-emergence of a lot of extinct prehistoric sea creatures. She’s a writer/producer I like, and always follow her new releases. Her detailed prose, minimal casts  (especially in Janus Descending), good audio quality, and full-series supercuts make these welcoming to audiobook fans. 

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Nalo Hopkinson - a writer who should be considered nearly as foundational as Octavia Butler, honestly. A novelist and short story writer with a wide variety of sci-fi, dystopian futures, fairy-tale horror, gods and epics, and space Carnival, drawing heavily from her Caribbean experiences and aesthetics.

Tananarive Due - fantastical/horror. Immortals, vampires, curses, altered reality, unnerving mystery. Also has written a lot of books.

Andrea Hairston - creative and otherworldly, weird and bisexual, with mindscapes and magic and aliens. 

Helen Oyeyemi - I haven’t read her work but she comes highly recommended by a friend. A novelist and short story writer, most of her work leans fairytale fantastical-horror. What Is Not Yours Is Not Yours is a collection of short fiction and recc’ed to me as her best work. White is for Witching is a well-regarded haunted house novel. 

Ashia Monet - indie author, writer of The Black Veins, pitched as “the no-love-interest, found family adventure you’ve been searching for.” Magic road trip! Possibly YA? I’m not positive. 

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This also doesn’t include Black non-binary sff authors I’ve read and liked like An Owomoyela, C. L. Polk, and Rivers Solomon. And this is specifically about adult sff books, so I didn’t include Black women YA sff authors like Kalynn Bayron, Tomi Adeyemi, Tracy Deonn, Justina Ireland, or Alechia Dow, though they’re writing fantasy and sci-fi in the YA world too.

And a lot of short stories are out there in the online magazine world, where so many up and coming authors get their start, and established ones explore offbeat and new ideas.  Pick up an issue (or a subscription!) of FIYAH magazine for the most current Black speculative writing.

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wheres seasons greasons

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Józef Chełmoński, Starry Night

oil on canvas, 1888

National Museum Krakow

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@ all artists, musical or otherwise: please provide some kind of no strings attached donation link on your website or in your bio or on your carrd or in your fucking email signature or somewhere so people can throw coins in your hat. it doesn't matter if you feel like you '''deserve''' it, or if it never gets used. it doesn't matter. it's not the point. just provide the means and let everyone else worry about the rest.

@ all enjoyers of art: stop driving yourself insane over finding a way to do ethical capitalism and just get in the habit of giving artists money for the cool shit you found by accident. it adds up.

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Late night thoughts

#kittycatandmanlyman