Charlie | They/Them | old enough to drink globally | the name is a Charlie the unicorn joke no I don't wanna talk about it | I don't do chain asks but thank you for thinking kindly of me
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If you want a good object lesson about what we can and can't know about the past, we don't know Ea-Nasir was a dishonest merchant selling shoddy goods.
What we know is we have found a cache of complaint tablets about him selling low quality copper as high quality, in a site that was probably his own residence. We know multiple people complained he was a cheat. It's entirely possible they were right. It's also entirely possible that he kept these complaint letters as records of people he would no longer do business with, because they had made accusations and threats in order to bully him into giving them free copper. That is an equally valid interpretation of the evidence.
My point is not that we have maligned Ea-Nasir, my point is that thousands of years later, we do not and cannot know.
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Preface, Tragedy: A Curious Art Form by Anne Carson, from Grief Lessons
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ab. 1725-1730 Charles Jervas - Lady Catherine Hyde, Duchess of Queensberry as a Milkmaid
(Petworth House)
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me: So then we take the liquified wood pulp, and dry it again, into these thin sheets. caveman: [confused, but trying to keep up] uh huh. me: And we take the graphite stick - it doesn't need to be wrapped in wood like this, but we like making them this way so you don't get graphite on your hands. And that's what we draw with. caveman: [eyes lighting up] Oohhh so you use the wood pulp sheets to paint on them, like hides? me: Exactly! And now, you could use this method to draw anything you can visualise with your mind's eye, but for the sake of this demonstration, let's draw a vision of a woman with features of an animal whose powers and traits she represents, and a figure that is stylised and exaggerated beyond what nature really allows. caveman: As wide as she is tall, with tits to match? me: Exactly. caveman: This is the only sensible use of this technology.
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I love that Jimmy Olsen is exactly the type of photographer Peter Parker pretends to be. Just bat-shit insane.
Whenever someone asks Peter how he took a picture he's like "Oh! I uh-, climmed a flagpole. Totally"
And very mortal, normal-human Jimmy is like "See, Clark, is not that weird"
I mean, look at this nutjob.

The world could be ending, lava on the streets and Jimmy would be out there photographing away. No powers, no sense of self preservation. Just khakis, a camera and a dream.
I like to imagine Peter meeting Jimmy and immediately being mortified about it.
Jimmy: –and so luckily I was able to take the picture before the building collapsed on me... Superman was super pissed at me but, photographer to photographer, it was totally worth it.
Peter: Right, no– See, this is actually my first time hearing how fucking insane that sounds. No wonder people at work look at me weird.
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Just got out of acupuncture where I actually fell asleep on the table for a bit, and turned my phone back on to a notification from TikTok, of all places, that said “Bruce Wayne posted a new video.”
And my first thought was how hard did I fall asleep.
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So sick of dog motif what about cat motif.
I love you but we don't love the same. I can't be near you when you want me to be. Your love is smothering and your need to keep me safe is trapping me. I'm my own person but I don't know how to show you that. I lash out and hurt you even though I don't mean to. I need you to move slowly around me or I'll bolt. I love you, even though I don't say it. If you stay still I'll sit next to you, and even though we don't understand each other we can be together like that.
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imagination (1963) - harold ordway rugg
"chekhovs cat / schrödingers razor / occams gun"
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if I have to see one more AI image being purposefully reblogged on my dash because 'it's a meme' or 'it's funny' or 'well in THIS CASE it's okay!!!!' idc idcccccc what your reasons are I'm unfollowing you girl bye
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INDEED.COM IS A BASTION OF DECEPTION AND DEVILRY
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