charlottehannahcasey

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Path Dependence, 2014

Susana Reisman

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Sophie Halart, The New York Graphic Workshop, 1964-70, in Wrinkle 1968 by Liliana Porter, Tate Research Publication, 2018

(image: Liliana Porter, To Be Wrinkled and Thrown Away, 1969. Tate, London. © Liliana Porter. Courtesy the artist)

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afterthought 091224

SET

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Lbf

I am conscious of cold

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Kurt Schwitters (1887–1948) [Germany] — ‘Merz Collage - Tell’, 1920. Cut, printed and painted papers, newsprint and transparent paper on card (40.5x36.5 cm).

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Janet Malcolm, Temperature of World Cities, 2011

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The Tragedy of Macbeth (2021) - dir. Joel Coen

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Alberto Giacometti

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“Lux” 6 X 6in, acrylic on canvas ©Cara Gonier 2016

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Pale violet from mussel shells. There is something beautiful about color when you know its origins - it was made in the ocean under the waves.

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Nasturtium - Jouni Pajavuori, 2023.

Finnish , b. 1969 -

Oil on canvas , 120 x 85cm. 

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Dora Budor, Male Molds, 2021. 

Male molds, dimensions variable.  

Kunsthaus Bregenz. Photo by Markus Tretter

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Audrey Marnay Vogue Italia (October 1997) ph. Peter Lindbergh

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Nyaduola Gabriel photographed by Jana Clevé for Numéro Netherlands

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Raw Beauty: Georgia O'Keeffe Home & Studio in Abiquiu - Aesthetics of the Everyday