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cherry-angel-high · 3 hours
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vera i love u so much vera hi vera
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cherry-angel-high · 8 days
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some dgs sillies
originals under the cut
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cherry-angel-high · 8 days
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my piece for @desire-asoryuu-zine!!!!! loved drawing them as always,,, sleepygirl asogi will forever be the best asogi 🤞
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cherry-angel-high · 8 days
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rainy days
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cherry-angel-high · 8 days
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princess mononoke scene as asoryuu... yeah this is how their reunion went
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cherry-angel-high · 8 days
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Asoryuu week - Day 2 Ballroom
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cherry-angel-high · 8 days
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he eated it....
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cherry-angel-high · 8 days
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My line of sight
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cherry-angel-high · 8 days
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look over me, kazuma
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cherry-angel-high · 8 days
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can you feel the wind too?
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cherry-angel-high · 8 days
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here are the full ace attorney pieces i got to draw for zinedenuit's sun and moon zine ◡̈
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cherry-angel-high · 8 days
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cherry-angel-high · 8 days
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Happy Valentines Day 💕
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cherry-angel-high · 8 days
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we’ll tear up the streets of london 💥
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cherry-angel-high · 8 days
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poneys...
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cherry-angel-high · 9 days
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have been collecting these for a while
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cherry-angel-high · 9 days
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the significance of music and sound in aa4 is something that means so much to me. phoenix's horrible piano playing, apollo's loud screech and klavier's tasteless music all blend together perfectly into a melody that makes kristoph gavin's ears bleed: irritating, second-grade, something that soils the silence of the court in which he is the only one standing, the only one talking, him and the law, only his voice deciding the outcome of the trial. they displease him greatly: he makes rude remarks about phoenix's skills and insults apollo's voice, and i can't imagine he approves much of klavier's music. they threaten him, ruin that little violin tune of his. phoenix, apollo and klavier are the three who dare to make some noise, to speak up, to cut through the uncaring silence.
and music is a form of art that only becomes this significant by the fourth game: before, the main one was paintings (hund in the lobby, sketched by larry, critiqued by phoenix, photos, posters, visuals visuals visuals), but we can't trust what we see anymore by aa4, can we? we see an innocent girl and a diary page and think nothing is wrong with the picture. thank god for ema skye - now we can take those paintings drew misham made and look underneath, layer by layer, because we can't afford to trust the surface anymore, can't afford to trust our own eyes. phoenix decides we couldn't, anyway - what use is it to tell people to open their eyes when all they will see is the darkness of the law. what use is it when the lights in the courtroom are off and what remains is the merciless knock of the gavel. our eyes deceive us, everything is fake - forged pages, forged letters, forged paintings, forged cards, forged identities; all tricks, tricks, tricks, a magician with a shiny prop, a performance.
so what we are left with in the dark age of the law is the power to speak up, to paint pictures with music instead, like lamoir does: because music speaks to people's souls. music is not clear, music is emotion, music is something that touches your heart and makes you think. phoenix asks the court of they would even hear him out of he spoke up after he presents the forged page. the court says no. it takes seven years for him to get his voice back and scream "objection".
so when the only impact kristoph gavin can make is laughter, the only sound he can make, he makes sure it rings in the court for as long as it can.
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