classicgirlatheart
Classic Girl at the Heart
I'm Alba, from Spain. A girl who loves all vintage things (mainly, classic cinema, old music and the fashion styles of these golden years). Maybe, I was born in a wrong era. #GoldenEraHollywood #EuropeanFilms #VintageMusic #FrenchNewWave...
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WHEN THE TREES WERE TALL
1961 | Lev Kulidzhanov
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BRIDE OF FRANKENSTEIN (1935) dir. James Whale
Elsa Lanchester as Mary Shelley & The Bride of Frankenstein
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Gene Tierney as Ellen Berent
LEAVE HER TO HEAVEN (1945)
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A Streetcar Named Desire, 1951
dir. Elia Kazan
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"During filming of the shower scene, director Henry Hathaway had to keep yelling at Monroe to keep away from the shower curtain and away from the lights as she insisted on being naked (as she was under the bed sheets at the beginning of the film). To pass the censors of the time, the scene was darkened in post-production."
Marilyn Monroe as Rose Loomis in Niagara (1953) dir. Henry Hathaway || Costume Design by Dorothy Jeakins
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Gene Tierney as Ellen Berent in Leave Her to Heaven (1945) dir. John M. Stahl
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Make Me Choose | @softasawhisper asked Steve's bitchy hands on hips pose or Steve pinching the bridge of his nose in frustration
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The Substance (2024): A Grotesque Exploration Of Ageism And Sexism In Hollywood
In the realm of horror cinema, few films manage to strike a balance between grotesque entertainment and profound social commentary. The Substance (2024), directed by Coralie Fargeat, is one such film that boldly ventures into this territory. Starring Demi Moore and Margaret Qualley, the movie is a feminist body-horror masterpiece that delves into the harsh realities of ageism and sexism in Hollywood.
At its core, The Substance is a story about an aging actress, portrayed by Moore, who grapples with the industry's relentless obsession with youth and beauty. The film's visual maximalism, while at times overwhelming, serves as a powerful metaphor for the suffocating pressures faced by women in the entertainment industry. The grotesque and unhinged scenes, filled with blood and gore, are not merely for shock value but are symbolic of the visceral struggle for autonomy and respect.
One of the most striking aspects of the film is its unflinching portrayal of the physical and emotional toll of ageism. Moore's character is not just fighting against the external forces of the industry but also battling her own internalized insecurities and fears. This dual struggle is depicted with a raw intensity that is both heartbreaking and empowering. The film's biting social commentary resonates deeply, shedding light on the often overlooked issue of ageism in Hollywood.
Margaret Qualley's performance as a younger actress navigating the same treacherous waters adds another layer of complexity to the narrative. Her character's journey highlights the cyclical nature of sexism and the ways in which the industry pits women against each other. The dynamic between Moore and Qualley's characters is a poignant exploration of solidarity and rivalry, making the film's message even more compelling.
The Substance is not for the faint-hearted. Its grotesque and blood-soaked scenes are brilliantly disgusting and deranged, making it a polarizing yet unforgettable experience. The film's gore-filled, bonkers finale will leave audiences either running screaming or wildly entertained. However, beneath the surface of its shocking visuals lies a thought-provoking critique of the industry's systemic issues.
In conclusion, The Substance (2024) is a cathartically fun and extreme feminist body-horror film that should be shown in movie theaters all over. It is a daring and memorable exploration of ageism and sexism in Hollywood, brought to life by stellar performances and a unique visual style. For those who appreciate horror with a message, The Substance is a must-watch.
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