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hurdy gurdying or gurdly hurdying? 🤨

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when fiona apple asked “how can i ask anyone to love me when all i do is beg to be left alone”. well i have not found an answer but if anyone else has lmk

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The attic rooms of Castle Coole in Ireland. The World of Interiors, August 2010. Photo - Patrick Prendergast

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Paul Rog (Rus/Fr)

The Girl in Red Socks (2025)

Oil on canvas (46x38 cm)

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If aid does not enter to Gaza Strip within the next 48 hours — especially baby formula and flour — then prepare yourselves for the largest mass death crime in history.

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Shirley Jackson, Hangsaman, 1951

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Joseph Dilnot (British, 1997) - Waiting for Night (2025)

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lynda watson in body jewelry: international perspectives - donald j. willcox (1973)

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Theres sth so specific about contemporary american painting (looking at artists born late 80s-early 00s) and im wondering why that is. Did everyone whos now seeing some success go to the same schools and get mentored by the same artists? Maybe its me being prejudiced but my perception of american art schools is that they're pretty formulaic in at the very least the foundational year. Is that where lots of people seem to pick up this smooth-surfaced, semi-autobiographical, semi-surrealist figurative way of painting? And the colour palette is always 'unnatural', w skin reflecting bright colours, and everything's very saturated. There's frequently a solitary figure or the same/a v similar figure repeated. I can't really speak on common themes because I've not seen loads from each of these artists, but I've seen enough to recognise a visual through line............i find it interesting cos coming out of a painting/printmaking programme where everyones practices were wildly different visually but a handful worked w fantastical worlds (often introverted/kinda secretive/private) and a collage-like approach to making, which I've seen a lot in british painting recently.

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Kerry James Marshall - Portrait of the Artist as a Shadow of His Former Self (1980)

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Daniel García (Argentine, b. 1958, Rosario, Argentina, based Ibid) - Flores Negras, 2020, Paintings: Acrylic, Crayon on Canvas

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For real???

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Untitled (The Human Skeleton), Ana Mendieta, 1972 & 1973