welcome friends :) queer as in gay, yes, but also very peculiar
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how I reached the ineffable husbands to murder husbands pipeline is beyond me
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them. t h e m. k—kiss—kissing… 🤤😈


kisses
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crowley is always a mood
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preach’d.
Good Omens is the perfect show. Unapologetically queer, questioning religion, hierarchies, rules, established orders. Features two characters who don't have much and it's always at risk of being taken away but who fight; for their own peace and for one another, always. Despite them being ageless and theoretically immortal, they deal with fear and anxiety and pain and loss and grief. And all that because they allow themselves to. Because they think humanity, the things we have; love as we have it, is worth it.
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"Crowley, I'm not sure that riding a dragon is what I would call a 'low-profile' rendezvous... Won't you get in trouble if someone sees you?"
"Nah - my lot never pay attention, Angel, you know that. Anyway how bloody else d'you expect us to nip over to Highgarden in a single afternoon just for champagne poached pear crepes?"
"...well ...I suppose if it's for crepes..."
the good omens x hotd crossover nobody asked for 🤭
open for better quality, plus lore notes & a close-up below the cut!
despite my animosity toward the ending of the show i did indulge in a game of thrones rewatch recently before catching up with house of the dragon...
Aziraphale is probably a targaryen who became a maester to escape politics... and Crowley is a bastard son of some extinct valyrian house, who flies his dragon to the citadel frequently to steal Aziraphale away for flirty little dates 🩷
dragon!bentley is supposed to be a noodly-necked, serpentine dragon kinda like caraxes - only smaller and just a big ol' softie of course

#I NEEDED THIS#the dragon is called bentley and she is very sweet#and she loves aziraphale very much#I HAD TO REPOST THOSE TAGS BECAUSE…BECAUSE I HAD TO#good omens
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oh my god how did I miss this parallel
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i started watching good omens may 23 2025. i’ve watched it twice over, rewinded parts again and again, and still i yearn to watch it one more time for good measure before watching a new show. the grip the book and show has on my heart is immeasurably strong—it is one piece of media i think i will truly never forget, with all it’s hidden nuances and art within art and allusions. it’s not just beautiful characters and unforgettable dialogue, but a timeless piece of art.
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happy pride, friends & fiends! 🏳️🌈 may love always win.
to you i offer some wonderful screencaps of our favorite and ineffably queer husbands:






and a very happy pride to our beloved crowley & aziraphale. fingers crossed for many happier kisses to come.
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bro is NOT 🙅♂️ listening 🗣️
The way aziraphale looks at Crowley here sends me into a loop
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picture this: crowley pulling in aziraphale’s head to kiss his forehead/temple/cheek before leaving the bookshop (probably to run his ineffable husband’s errands because he is positively walked like a damn dog) and him doing this in front of customers, visitors and friends alike, usually with aziraphale perched in his writer’s chair. and aziraphale smiles and flushes every single time.
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please the way they talk about each other is so precious. they have so much theatrical chemistry.
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when crowley said he probably should start the conversation or he will never say what he needs to and aziraphale said “hold that thought” and said his bit and crowley said “oh god. right, okay.” and something like “I didn’t get the chance to say what I was going to say so i probably should say it now”, my heart shattered into a tiny million pieces and i can’t put it back together. this fucking HURTS.
would things be different if crowley had said his part first? do you think he would’ve told aziraphale that he was in love with him?
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"They are the Yin to each other's Yang"
- David Tennant-
"... They are. I like my Yang, but I like it better when your Yin is next to it"
- Michael Sheen -
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sure, yes, but also very much no. to call it this feels like denigration. degradation? maybe i love good omens far too much, but aziracrow is so much more than old man yaoi—
they transcend planes of love.
also neither of them have yaoi hands or genitalia and that’s a big criteria i think.
so i recently started going out with this girl and was trying to explain good omens to her:

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Hungry for Good Omens 3 crumbs of information? Let’s see what I’ve found and speculate a bit about cast members, filming locations, and… trees! As always, please tag accordingly, share only with the fans consenting to know potential spoilers, and get yourself something to drink since it’s going to be a longer read.

News flash: both Ned Dennehy (well-known to Good Omens fans as Hastur) and Sean Pertwee (recently revealed to star in the Finale as Brian Cameron) admitted to have been working on location in Tenerife during the film’s production time slot (January and early February, respectively). In Dennehy’s case, even providing a rather intimately close look at his character.



The location alone isn’t particularly surprising, as the Canary Islands and Tenerife in particular are currently experiencing an influx of international productions, including several TV shows by global streamers, making use of the favourable weather and prices. But Dennehy’s post, additionally liked by a Good Omens crew member, seems somewhat suggestive.
In the Instagram story above, Sean Pertwee called 14 January 2025 his last day on the shoot in Tenerife and subsequently traveled to London and Edinburgh, from where he shared another video three weeks later.
Now, technically the Tenerife film set could be a part of Pertwee’s NCIS: Tony & Ziva job he started last autumn. However, that would imply that he plays a greater role in the upcoming production than the currently available promotional materials imply, and the location stamp in the bottom right corner, Drago Milenario, is too deliciously Good Omens coded to overlook it.
It isn’t even a place, really, but a living organism. A plant. A tree.

Meet Drago Milenario, also know as El Drago, a natural monument and symbol of Tenerife. The oldest and largest living specimen of the endemic Dracaena draco (dragon tree), it is said to be a thousand years old and stand at 18 metres high with a 20-metre perimeter. “Great big bugger,” as Aziraphale would say.
There has been much debate over the age of the tree, and some even say that it may be over 5000 years old; more recent estimates seem more conservative and suggest that El Drago is no more than 800 to 1000 years old. It is difficult to say unambiguously, because the traditional method of counting rings is not applicable in this case — dracaena has no rings.
Its home, the Millennial Dragon Tree Park, or Parque del Drago, in Icod de los Vinos, is a sacred place and a burial zone of Tenerife’s original inhabitants, the Guanches. Members of the Guanche people venerated El Drago as a divine tree; a symbol of wisdom and fertility, believed to have magical powers, granting longevity and warding off evil spirits. Its blood-red oil or sap is called dragon's blood and historically used to treat wounds and embalm corpses. According to local legends, that’s because slain dragons don’t actually die, but rather turn into dragon trees like this one.

The dragon part of the story sounds objectively cool, but if we overlook it for a second, we might notice why the connection to Good Omens is so strong here. When asked about trees in the show’s context, one’s first point of reference is quite naturally the Garden of Eden scene and the shot above featuring the Tree of Knowledge of Good and Evil. The thing is, it wasn’t the only one.
According to the Bible, the very reason why Aziraphale was even stationed in Eden (possibly with a few other armed angels) was to protect the Garden from the newly exiled humans. More specifically, his “apple duty” meant that he was supposed to guard a very particular and yet unseen tree:
“The Lord God made garments of skin for Adam and his wife and clothed them. And the Lord God said, ‘The man has now become like one of us, knowing good and evil. He must not be allowed to reach out his hand and take also from the tree of lifeand eat, and live forever.’ So the Lord God banished him from the Garden of Eden to work the ground from which he had been taken. After he drove the man out, he placed on the east side of the Garden of Eden cherubim and a flaming sword flashing back and forth to guard the way to the Tree of Life.” (Genesis 3:21-24)


In the apocryphal Apocalypse of Moses, the tree of life is also called the Tree of Mercy. Adam, the first human, famously sent his son Seth and wife Eve back to the gates of the Garden to beg God and His angels for some oil of the Tree of Life to save him from his deathbed by granting either full immortality or longer lifespan. They were obviously denied, but in another part of the Bible — the Book of Revelation, on which most of the official Good Omens plot is based, Jesus announces the details of His Second Coming, including who and when will get the right to enjoy this forbidden fruit:
“Behold, I am coming quickly, and My reward is with Me, to reward each one as his work deserves. I am the Alpha and the Omega, the first and the last, the beginning and the end. Blessed are those who wash their robes, so that they will have the right to the tree of life, and may enter the city by the gates. (Revelation 22:12-14)
The Catholic Church in particular believes that the Tree of Life mentioned above is the Eucharist and often combines the image of the Tree with the Cross of Christ, both literally and figuratively (see above: The Tree of Life printed by John Hagerty, 1791) granting the immortal life to His Chosen Ones:
And he showed me a river of the water of life, clear as crystal, coming from the throne of God and of the Lamb, in the middle of its street. On either side of the river was the tree of life, bearing twelve kinds of fruit, yielding its fruit every month; and the leaves of the tree were for the healing of the nations. There will no longer be any curse; and the throne of God and of the Lamb will be in it, and His bond-servants will serve Him; they will see His face, and His name will be on their foreheads. And there will no longer be any night; and they will not have need of the light of a lamp nor the light of the sun, because the Lord God will illuminate them; and they will reign forever and ever. (Revelation 1-5)



In his Roll Play BAFTA interview published on 10 February 2025, while talking about his work for the Good Omens Finale, David Tennant himself has specifically referred to the possibility of Aziraphale and Crowley spending eternity together. But where? Well.
The visual symbolism of an apple tree seems so important for the Good Omens 3 plot that it’s even represented on the exclusive mug design shared on 30 April by one of everyone’s favourite production crew spouses, Carla Scott Fullerton (fullercoaching on Instagram):


For those who missed the original discussion, the reverse side of the complimentary mug gifted to Good Omens 3 crew members and depicted above contains a photo of slate number 100, scene 59 of the production with a quote “We’ve come to a decision…”. A typical feature film of this length consists of around 60 scenes, so it’s definitely the ending or one of the scenes directly preceding it.
Which means that the story ends, as it began, in a garden. And with a very specific apple tree, adorned with initials AZ and CR in two little hearts as hinted by the drawing in the background.

There’s a specific crew member though — one of the firsts to be confirmed for the upcoming production, actually — that has shared a Good Omens themed work with an apple tree a whole year earlier.
Here you can see Michael Ralph’s (i.e., Good Omens production designer’s) concept art depicting Neil Gaiman’s version of heaven on earth – “Heaven is a Library” – at LA music venue, The Wiltern, for The Art of Elysium’s Heaven 2024 charity gala. It’s got Va Va Voom yellow walls, red carpet, spiral stairs, a centrally located oculus, and lots of plants with an apple tree with a swing in the middle. In case this image wasn’t suggestive enough, it’s worth to focus on the twin display tables with Cupid statues on top, direct copies of the one from A. Z. Fell and Co. bookshop in Soho.
It’s not even subtle — and wasn’t meant to be, considering how Event Eleven, the creative agency behind the gala, typically organises high budget premiere events and promotional campaigns for Amazon Prime TV shows, and to this day it’s the closest we’ve got to a Good Omens 3 public celebration.

While this one was for charity and officially not affiliated with the studio, it took place only three weeks after the official announcement of Good Omens 3 and involved not only this curious simulacrum of Aziraphale’s bookshop as a setting, but also Jon Hamm on stage as the guest of honour, referencing the co-leads of the TV series and reciting an excerpt from the 1990 novel in an approximation of their characters’ voices, and the Ukrainian artist Katya Zvereva was commissioned to make an installation for the gala called literally “Tree of Life” (above).
If you remember my bookshop meta, you will probably find the official explanation of the event’s theme particularly interesting:
“Heaven is two things that are, perhaps, the same thing. Heaven is both a library, the place where we go for knowledge, wisdom, advice and for stories, and heaven is also a refuge, somewhere that we can go, whoever we are, for safety and protection. Heaven contains librarians and refugees, shelters the helpless, and gives them — us — somewhere quiet to sit and read or listen.”


Not incidentally, the only iteration of the Tree of Life in the actual show so far has been built into the layout of Aziraphale’s bookshop (left). Its Kabbalah depiction (right) is a representation of the entirety of creation, composed of ten spheres — referred to as the Sephiroth/Sefirot as a whole — each denoting a universal quality, such as wisdom or beauty. To quote The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order by Israel Regardie:
This altar diagram shows the Ten Sephiroth with all the connecting Paths numbered and lettered, and the Serpent winding over each Path. Around each Sephirah are written the Names of the Deity, Archangel and Angelic Host attributed to it. The Twenty Two Paths are bound together by the Serpent of Wisdom. It unites the Paths but does not touch any of the Sephiroth, which are linked by the Flaming Sword. The Flaming Sword is formed by the natural order of the Tree of Life. It resembles a flash of Lightning. Together the Sephiroth and the Twenty Two Paths form the 32 Paths of the Sepher Yetzirah or Book of Formation. The Two pillars on either side of the Altar represent:
1. Active: The White Pillar on the South Side. Male. Adam. Pillar of Light and Fire. Right Kerub. Metatron.
2. Passive: The Black Pillar on the North Side. Female. Eve. Pillar of Cloud. Left Kerub. Sandalphon.
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David Tennant about Michael Sheen :) ❤, 24.05.2025 MCM Comic Con
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love this chaotic trio. who’s idea was the fever dream dance, i gotta know


because they’re ridiculous
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