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clive-the-outlaw · 27 days ago

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An Analysis of Clive Rosfield and the Dominants of FFXVI

finally writing this post after having brain worms about these themes since [checks notes] the game came out last year, so here goes

every single dominant in the game represents a theme to clive rosfield in some shape or form, and serves to mark the progress of his growth across the narrative of the game. either as an obstacle to overcome, or as a guiding beacon imparting him with purpose to keep carrying on

i'm going to look at each dominant that clive faces in the chronological order in which he absorbs their eikons, so we're starting from benedikta even though jill and joshua were the first ones in clive's life, and go from there. i'll be leaving leviathan out of this since i think that one's the most disconnected from clive's journey and has the least to say about him as a person (makes sense since it's DLC and not necessary for the full story)

also, this is obviously just my own interpretations of the game's themes and the way it utilizes their characters in clive's journey etc etc. i'm not saying this is the only Correct way to look at it, i just wanted to get my thoughts out on paper as a nice little overview for myself and others interested in that kind of thing

it's about 2k words long so i had to add a read more. onwards!

Benedikta Harman

benedikta and clive share similar traumas. both were enslaved at a young age, and while their experience of it differed for both, the similarities are so stark that the game practically spells it out for you. basically: benedikta is where clive would have ended up had he ignored or rejected cid's guidance

imo it's no coincidence that cid and benedikta have the history of cid having saved her from slavery when she was a young girl, because it mirrors how he saves clive and jill as well. the difference is that unlike clive and jill, benedikta did not end up with the benefit of gaining a support system like the hideaway

instead, she was taken in, used for her powers as a dominant and manipulated by barnabas, and eventually abandoned by cid which left her in an even worse place. with no other way to survive, she could only hold onto barnabas to grant her status and power to protect herself

now whether cid was wrong or right for leaving her behind is not something i'm gonna go into since we don't know enough about the circumstances in which it happened. from the way cid speaks to benedikta in game, benedikta and barnabas were responsible for acts he didn't agree with ("because i'd had enough of you and your king's antics"), so we'll leave it at that

that aside, though, it left benedikta to fend for herself, with no one she could have truly relied on. clive and jill, on the other hand, found a new home with people who understood and shared in their struggles, and with cid there to guide them

it makes the boss fight clive has with benedikta rather tragic, looking back on it. this is one of the boss fights that don't necessarily symbolize growth for clive, at least not in a positive way: he loses control just as benedikta did. it's a fight between two hurt people hurting each other because it is all they know how to do

the only difference is that one of them has people he can rely on, and the other is alone, used as a tool and then discarded when she served her purpose. the same as would have happened to clive, had he never escaped slavery

Cidolfus Telamon

it makes sense that we go from benedikta to cid after that, because once clive comes to terms with his trauma and Accepts The Truth, he moves onto the path of recovery. being that he doesn't know how to navigate that, however, cid becomes a natural mentor to him

from the start, you get the sense that cid has already decided in his mind that he wants clive to be his successor and keep the hideaway safe. the man is living on borrowed time, his arm turning to stone and coughing up blood every time he exerts his aether in any significant way. note what blackthorne tells clive the first time they meet, as well: "don't let cid decide what's best for you". cid clearly has a habit of steering people in certain directions

clive, who is at a loss on what to do now that he has been stripped of his original purpose, which was to avenge joshua, of course clings onto the new purpose that cid guides him towards. this is not to say that cid does so in a manipulative way: clive wants and needs to feel useful, and cid offers a way for him to do that to both their benefit. by the time they head to oriflamme, they hold a mutual trust between them, and clive views cid with clear respect and admiration, enough to pledge himself to cid's cause

the interesting part in all this is the way how clive absorbing ramuh coincides with him absorbing cid's ideals and cid's very identity as well in order to carry on his legacy. in the process, a part of clive's own identity becomes subsumed by this role he takes on as "cid" and the hideaway's new leader, quoting cid at various moments after the timeskip ("any objections?"). it is no different than the roles he fit himself into throughout his life or failed to fit into ("...prince, Shield, son his mother could love")

i always wonder what cid would have thought of that. i muse about it more in this post, if you're interested

Hugo Kupka

hugo kupka embodies, very plainly, refusing to accept the truth and being blinded by vengeance.

both hugo and clive were wrapped up in this idea of needing to get revenge, and for both of them that revenge was built on a lie. whereas clive confronted the truth of what happened to joshua and was able to move on because of it, hugo became wrapped up in a deception (albeit externally inflicted) and let it consume him

in so doing, he became a useful tool for barnabas that was then discarded as soon as his purpose of giving clive titan was fulfilled. his revenge amounted to nothing. but that is not to say that vengeance is being condemned by the narrative, rather, being blinded by it is.

clive, having seen and accepted the truth, exacts a much more righteous retribution on hugo for having destroyed the hideaway and having killed so many, all because of a lie that cid had killed benedikta

rather than let the need for vengeance rule him, clive wields it only when it is deserved. he overcomes the manipulation where hugo does not, and hugo suffers the consequences where clive emerges victorious

Dion Lesage

dion is similar to benedikta in that he exemplifies the outcome of a path that clive could have walked, but ultimately escaped from: to be used as a weapon, and to be trapped by his desire for approval from a parental figure. had clive been revealed to be a dominant much earlier in his life, there is no doubt in my mind he would have been in the same position that dion ended up in with his father. i've written about it more extensively in this post, so i won't repeat all of it

the gist of it is that dion is a tragic hero from beginning to end- unlike clive, he is unable to escape his fate. he embodies the self-sacrifice and endless striving for a parent's affection despite never being good enough

the sidequest with tomes is especially heartbreaking when keeping this in mind, because unlike clive who was able to accept the "sin" he committed in "killing joshua" (as well as actually killing rodney), dion cannot forgive himself for the sin of killing his father and destroying twinside

like i mention in the post i linked, it's no coincidence that clive reunites with joshua in the same scene where dion's sin is born. clive lets go of his guilt and moves forward, whereas dion becomes entrenched in his guilt to where it drives him to sacrifice his very life in an attempt to make up for it

on top of that, when you look into additional lore you see what a horrible person sylvestre truly was. ultimania reveals he had dion's mother assassinated in order to hide that he was born from an extramarital affair (likely a commoner, possibly a courtesan based on what anabella says "...your bloodline runs through the Oriflamme gutter, from a whore who weighed her child's worth in gil"), and also used dion's status as bahamut's dominant to make himself emperor. then you realize the full depth of the tragedy that is dion's story

dion died trying to redeem himself to a man who saw him as nothing but a tool, and had fully deserved to be killed by his hand all along

Jill Warrick

jill is, pretty much, what keeps clive's will from breaking

their romance absolutely cannot be separated from this, so even if you personally might not ship these two, canon is very clear about this

jill has always given clive the strength to carry on, more than anyone else. when he first finds her during his assassination mission at the nysa defile and realizes that it is her, he is ready to abandon his quest to avenge joshua and die together with her when they are about to be overrun by the iron kingdom's soldiers. and when she wakes in the hideaway later, she is the one who gives him the strength to face what happened at phoenix gate, and accept the truth of who he is

to elaborate on this: the game's mechanics give the major enemies a Will Bar you have to deplete for a reason, similar to how dominants lose control of their eikons when something causes their Will to break, and why ultima continuously tries to wear away at clive's Will throughout the game: willpower is an essential thematic component of the narrative, and jill being there for clive is what keeps his Will from breaking

i think it's very purposeful that the only time clive is truly defeated is by barnabas (if you'll remember the mocking Clive Bested pop-up lol). it's also to hype barnabas up as a villain, yes, but also to exemplify he needs jill--needs to absorb shiva--in order to overcome his greatest adversary yet

there's some discourse about the english vs japanese translations of the scene they share at the beach, and i'm not interested in getting into that: the english dialogue is what encompasses canon to me first and foremost. so, going off that, we get a scene where jill entrusts shiva to him, which might first be seen as clive taking the burden of it from her. which is true, but! it is also what gives clive the strength to carry on

in that way i think the game strikes an interesting balance between what is a "burden" and what is "strength". yes, carrying the hopes and dreams of your fellow comrades on your back is a heavy weight, but it is simultaneously something to draw strength from, because through that same token clive knows he's not alone. jill and everyone else at the hideaway is with him

Barnabas Tharmr

barnabas is clive's ideological foil, another path he could have walked. i could write an entire essay on this particular point alone, but most of it would be speculation and my personal headcanons based on the scant few lines we get from barnabas in-game and the added lore in ultimania, so i'll spare you. if you want to know more about how i see barnabas, cid and clive fitting together in terms of their ideology, though, refer to this post

anyways, this one is pretty obvious: barnabas represents the relinquishing of human will and becoming a slave to a higher power

i've mentioned in past posts before that ultima embodies the pinnacle of a slave master, tying in with the theme of it within the game- even the combat mechanics are built around it, as i mentioned in jill's section. what if clive never escaped slavery? what if he had succumbed to ultima and truly became mythos? that's pretty much barnabas in another form

barnabas is also the antagonist clive tries to talk to the most, even saying to him verbatim during their second duel at the bottom of the sea "we don't have to do this". their fights are not only physical fights, they are verbal and ideological ones: through their battles, they begin to build an understanding of each other, leading barnabas to come to the realization that he never truly relinquished his will at all

this realization signifies clive's ideological victory, and thus barnabas is fittingly the final dominant you fight before you face ultima themselves. every step of clive's journey has been leading up to this: working through his trauma and hurt, finding community and purpose, accepting the truth to no longer be lead astray, letting go of the need for approval and validation, carrying the hopes and dreams of his loved ones, and proving the strength of his ideals

Joshua Rosfield

joshua is the genesis of clive's search and need for a purpose

not by joshua's own hand, of course. he was just a baby, after all, but the birth of the dominant of the phoenix meant that clive no longer had a purpose (at least, in anabella's eyes). if clive could not be the dominant that his mother wanted, then the next best thing would be to become the shield that his brother needed

except, joshua turns this notion entirely on its head by the end of the game

he saves clive not once but twice, first in oriflamme, then later in the rift when ultima is trying to possess clive once more. both times, joshua thwarts ultima: both times, it is joshua who functions as clive's shield. he is upset when he thinks clive has pressured jill into giving him shiva, because he thinks it is clive yet again trying to shoulder the burden all by himself and having taken advantage of jill

there are many different interpretations of the ending of the game, but joshua is in part why my personal view is that clive is the one who lived and joshua is the one who died. joshua has always been clive's foremost protector, and through his sacrifice, clive is "released" from his roles and his need for a purpose to make himself useful his entire life

as a result, joshua is the one who sets clive free at the end of clive's journey. that is what allows clive to overcome ultima, who would see mankind shackled to their will, and instead has clive leading mankind to freedom in turn

In Conclusion

this game's themes fuck severely and i will be thinking about them for a long time to come. thanks for reading 🫡

#ffxvi #holy shit this analysis is so good it made me fall in love with the game again

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