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clubfought · 2 years
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#LEARNMERCY.     independent, highly selective & low activity miguel diaz of n*tflix’s c.obra k.ai. still catching up on the show. canon & headcanon based. written & loved by ash / they them / 26.
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clubfought · 2 years
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i can’t wait to finish ck so i can finally make miguel.
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clubfought · 2 years
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clublead​  ,  david.
❝  a virus?  ❞  the laugh is clipped, icarus’ wings gone too close to the sun. he allows the movement of fingers, the grip of michael’s own hand. they linger together, the remainder of their immortal world a simple buzz of neon and hard rock.  ❝  what i’ve given you is the cure.  ❞  david speaks the word close, the solution on the fringes of a shark’s maw. his free hand snakes now, curling around the slope of michael’s neck. fingers stroke the fine hairs there, the words intimate, dripping with the taste of forbidden fruit.  ❝  the cure to sickness, the cure to death.  ❞  just as quickly as he’s grown close, he pulls away, turning on the bulk of his heels and waving a hand in the air.  ❝  you want out? then go.   ❞
head cants, blistering brightness casting a look over the shape of his own shoulder.  ❝  you want your choice, michael? there it is.  ❞  a beat, then:  ❝  or …  ❞  he halts, offering a sliver of himself again, the boy never given a chance, dangling another over the ledge.  ❝  close the curtains on this little drama.  ❞  an ultimatum, hinging on a falsity. no matter how far he runs, how many oceans he crosses, david will always be there, in his veins, in his mind, in his sweet, dead heart.  ❝  be with me. with us.  ❞  allow yourself to be truly healed.
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                   the choice is given easy. the decision, not as much. michael wanted nothing more than to go home, back to his mother and his brother, back to a normal life as a new kid in a new place. starting over... this isn’t how it was supposed to be. and now regardless of how desperately he wanted his old life back, they both knew there was nothing for him to go back to, too dangerous to even see lucy or sam, let along be there with them. david, this place, the lost boys — it’s all he has, now. the man that now cradled his neck was far too aware of that fact, even as he gave michael the impossible choice he claimed he wanted. he misses david’s touch immediately, frustration etched into his features at that realization, michael watching the other walk away with a furrowed brow.
what would he give to see what david was like before his heart died. sometimes michael thinks he catches small glimpses, beats of a boy who once had a life and a family. it’s never something they talk about ( but now he had an eternity and more to find out ). as the cliche goes, the silence that follows is deafening, only the ocean waves crashing along the rocks outside breaking up the quiet. be with me. he makes it sound easy, like this is the perfect world. eyes downcast to the stone floor. ‘ you don’t understand and you never will, ’ finally words escape from michael’s lips, defeated hand reaching for a decorated bottle to take a drink from. red liquid touches his tongue. it slinks down his throat, sweet and thick. the taste of despair.
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clubfought · 2 years
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STRIKE FIRST. STRIKE HARD. ⸻ SHOW MERCY. 
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clubfought · 2 years
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like for memes. comment a heart if you’re okay with shippy memes.
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clubfought · 2 years
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pagesfrayed​  ,  helena.
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“not  ⸻  necessarily  a  bad  thing.”      (  far  be  it  for  her  to  ever  garner  any  looks  like  that.  )        not  since  moving  to  santa  carla,  anyway.  it’s  hard  to  be  a  sore  thumb  amongst  a  sea  of  people  all  cut  from  the  same  cloth,  but  she  can’t  say  the  same  for  michael.  you’d  have  to  be  blind  to  miss  those  eyes  or  the  riotous  way  his  curls  hold  the  salty  sea  air,  like  he  was  made  for  it,  like  there  had  always  been  a  michael  -  shaped  piece  of  california  just  waiting  for  him  to  fall  into.        (  and  now,  for  whatever  fateful  reason,  here  he  is  ⸻  and  choosing  helena  to  hang  out  with,  no  less.  )            “ignore  all  you’d  like  but  i  think  that  girl  at  the  funnel  cake  stand  is  making  eyes  at  you.”      said  with  a  jut  of  her  chin  towards  the  aforementioned  ;  a  blonde  girl  who  looks  as  though  she’s  been  pulled  straight  out  of  a  swimsuit  commercial.            “you  know  what  they  say  about  funnel  cake,  mike?  it’s  delicious  and  we  should  get  some.”
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                   eyes move nonchalantly to the girl she talks about, and sure enough, their glances meet with a smile on her end. as polite of a boy as he is ( lucy emerson didn’t raise no fool ), michael gives a small grin her way before turning so that his elbows were laid against the railing, hands clasped together as head rolled to squint up at helena against the bright sun. he should want to talk to girls at funnel cake stands at his age. instead, he finds himself worrying about his mother and brother, desperate to find a job and help support the family that his father left behind. his smile only grows when helena speaks. ‘ should we wait until she leaves or do you think i have a chance of going over there without her talking to me? ’ light chuckle is given before he’s standing, pulling his shades back down before laying an arm over helena’s shoulders. ‘  c’mon, we’ll get one. then you can show me what else you like about this place, ’
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clubfought · 2 years
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thinking about Him ( vampire michael ).
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clubfought · 2 years
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THE LOST BOYS (1987) dir. Joel Schumacher 
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clubfought · 2 years
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                   ‘ you were a cheerleader? ’ high school seemed like such a long time ago. perhaps michael has grown somewhat bitter in his new state of being, and so his tone comes off as condescending at best. leather clad arms cross over his chest, earring swinging slightly with the movement of tilting his head. ‘ i can tell, ’     @killsbois​.
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clubfought · 2 years
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                    the aftermath has left the emersons floundering, having to put their grandpa’s house back together from the ground up. if nothing else, it’s brought them closer as a family, even closer than before. meeting up with star and laddie, michael suddenly realized that they weren’t the only ones effected. the lost boys were dead — where were these two supposed to go now? ‘ i guess i never really asked if you had a family before all this, ’ he hadn’t gotten to know her at all, really. hadn’t had the time before michael was thrown into an undead nightmare. crystal eyes move up to hers, sincere and earnest. ‘ do you... have somewhere to go? ’     @neverafters​.
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clubfought · 2 years
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                    ‘ is that real...? ’ pushing shades into brown curls, michael raises a brow down at her calf, finger pointing at the dragon tattoo clearly there, shown to the world, in black ink. it was probably a stupid question, but they were still young — he hadn’t met many his age with anything permanent like that ; only stick and peel, or at least smaller tattoos that you could easily hide. ‘ it’s cool. my mom would flip if i ever got a tattoo, ’     @vanshng​.
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clubfought · 2 years
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𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )
∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .
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clubfought · 2 years
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technically in the novelization, michael is under 18 and supposed to be going back to school. i’m changing that so he’s 19 and looking for a job when he moves to santa clara.
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clubfought · 2 years
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feel free to like this for a starter. lengths will vary.
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clubfought · 2 years
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clubfought · 2 years
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“You’ll never grow old, Michael, and you’ll never die. But you must feed.”
The Lost Boys (1987) | Dir. Joel Schumacher
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clubfought · 2 years
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feel free to like this for a starter. lengths will vary.
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