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You had a terrible choice to make in Berlin. Recover the platinum or save your team, you choose your team and now the world is at risk. Some flaw deep in your core being won’t simply allow you to choose between one life and millions. You see that as a sign of weakness. To me, it’s your greatest strength. 

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Hunt is uniquely trained and highly motivated - a specialist without equal - immune to any countermeasures. There is no secret he cannot extract, no security he cannot breach, no person he cannot become. He has most likely anticipated this very conversation and is waiting to strike in whatever direction we move. Sir, Hunt is the living manifestation of destiny - and he has made you his mission.

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When you’re in love with a married man, you shouldn’t wear mascara.

The Apartment (1960) dir. Billy Wilder

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Lando at the Kessel mine:

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When you’re in love with a married man, you shouldn’t wear mascara.

The Apartment (1960) dir. Billy Wilder

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And here they all are together. 

Have had such a blast doing these!

Friends Season Collages

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Flash Gordon (1980)

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80’s Cereals part II

part 1: http://ohmy80s.tumblr.com/post/169588211181/80s-90s-cereals

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“I love that you get cold when it’s 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you’re looking at me like I’m nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it’s not because I’m lonely, and it’s not because it’s New Year’s Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” - When Harry Met Sally (1989, directed by Rob Reiner)

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Ben’s Mixtape for Rey: He’s having a rough time (Heavily inspired by @pixelrey‘s crackvids)

Spotify

In honor of hitting 1,000 followers! 

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JIM BURROWS (director): Based on the [live] audience for the Friends pilot, I knew how popular that show would be. The kids were all pretty and funny, so beautiful. I said to Les Moonves, who was head of Warner Bros., “Give me the plane. I’ll pay for dinner.” I took the cast to Vegas.

MATT LeBLANC: Who goes to Vegas on a private jet? And Jimmy gave me 500 bucks to gamble.

LISA KUDROW: On the plane he showed us the first episode of Friends. None of it had aired yet.

Jimmy took us to dinner, and he gave us each a little money to gamble with. He said, “I want you to be aware that this is the last time that you all can be out and not be swarmed, because that’s what’s going to happen.” And everyone was like, “Really?” I thought, Well, we’ll see. Maybe. Who knows? We don’t know how the show’s going to do. Why is he so certain?

JIM BURROWS: I told them they had a special show and this was their last shot at anonymity. They wanted to gamble, and I was the only one with money. They wrote me checks. Schwimmer gave me a check for $200, and Jen did. I should have saved them.

MATT LeBLANC: We went to Caesars for dinner. We sat at the big round table in the middle of the room. Jimmy said, “Look around.” Nobody knew us. People kind of knew Courteney from that “Dancing in the Dark” video.

He said, “Your life is going to change. The six of you will never be able to do this again.” It was almost like Don Corleone talking. He’s not going to be wrong. He’s Jimmy Burrows.

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X-Men (1991-92) by Jim Lee

In 1992 all I wanted was to be able to draw as cool as Jim Lee.

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Phantom of the Paradise, 1974. 

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Labyrinth (1986) dir. Jim Henson