I think to make a set believable to the audience lighting that comes from the props or sets is crucial. After some internet searching of ways of adding miniature lighting to a set I found small round LED bulbs that are battery powered and can be switched on/off using the plastic tab it comes with.
discovering these bulbs allowed me to explore my options with the set for the Roommate.
I wanted to make panels that had soft lighting come through walls in the hotel lobby.
I stuck 4 bulbs onto a frame rod, I then slid the frame behind the feature wall.
This gave me the option to take out the frame with ease and switch on or off the lights.
I first researched plans for spiral stairs, I then made my first trial stair using paper and aluminium wire. It definitely was not big enough, so I doubled all dimensions.
I cut out the steps from foam board 5mm. Everything was stuck together using hot glue gun, for the stair columns, I used bamboo skewer sticks. Fatma and I agreed that the surface of the stairs should be glossy so it would reflect light, therefore I went and found faux black leather to cover the entire stairs. I then spray painted everywhere else with matte black.
I spent approximately 3 days in the 3d workshop. I used the bandsaw to cut out the doors, windows.
I used a hand held screwdriver to drill holes. I made the dowels myself by cutting 6mm rod into small pieces then sharpened the edge so the ends were tapered. The dowels are the thing that holds all walls mounted to each other.
I loved working with the tools and in the workshop, I think in the future I would love the opportunity to take on more ambitious projects.
In total, I made 3 sets. 2 for The Roommate and 1 for In The High Hills.
For the costumes I collected scrap fabric pieces from the fashion department and used old clothing from home. I also used coloured cottons I bought from online.
Each puppet had different needs, for example, The Girl from the Roommate doesn't have an outfit but rather her skin is her look.
I had to come up with materials and a look using cotton (came material as the skin on her face).
I experimented with yarn, pen and stitches on the fabric.
In the end, I decided sketching using black fine liner and then sewing straight lines was the closest to Fatma's designs.
For the puppets in the high hills concept, it was easier coming up with fabrics and making their costumes.
I wanted to play with different textures, therefore I used a mixture of fabrics.
During the year, I picked up a new skill, crochet & knitting. I was really enthusiastic to use crochet to make the traditional Turkish sock wear 'patik'.
Material:
unravelled yarn (4ply into 1)
2mm crochet hook
Pattern: I had to come up with my own pattern for the patiks as there wasn't a miniature pattern available online.