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jumping cats by daniel gebhart de koekkoek

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Some beautiful views from Maurice , dir. by James Ivory (1987)

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Soho, Lewis Miller

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April compilation

1. T.S Eliot - The Waste Land

2. Pierre Boncompain - Femme endorimie

3. Naguib Mahfouz

4. Angus Wilson

5. Pierre Bonnard - Woman with Cat

6. Henri de Toulouse Lautrec - Alone

7. Yusef Komunyakaa

8. Edvard Munch - the Girl by the Window

9. Edna St Vincent Millay

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it drives me crazy how humans are just meant to hold each other. how come when you hold someone's hand, your fingers just perfectly lock with theirs? how is it that when you hug someone, your face fits just right in the crook of their neck? how can your hands cup someone's face like that's their only primary function? it cannot be coincidence that our bodies are fully capable of holding another... we were designed to love

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The kitchen of radical ceramicist Valentine Schlegel and her partner Yvonne Brunhammer in Montparnasse. Photo by Eric Marin

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andré castro vasconcelos

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Sofie Berntsen, From the series ‘Renaissance/version Francaise’, 2011 [OSL contemporary, Oslo]

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Ida Rittenberg Kohlmeyer (American, 1912-1997) - Untitled, Acrylic on paper, 66.0 x 81.3 cm (1974)

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“You say ‘amateur’ as if it was a dirty word. ‘Amateur’ comes from the Latin word ‘amare’, which means to love. To do things for the love of it.”

— Mozart in the Jungle

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The earth in the light of the sun, 1942

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https://www.instagram.com/p/BVU9APADyUm/

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Cara Pabst Moran

“Festival of Colours”

oil, 30 x 40

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tiny dog on the move

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Carl Gustav Carus (German, 1789 - 1869)

Moon Rising Behind Pines, N/D

Oil on board, 10.2 x 8 cm