conquerthenight
conquerthenight
In the end she never really died
757 posts
Phoenix | they/them, 21 | Wrote a singable English translation of Rebecca and Elisabeth Das Musical | AO3: @conquerthenight
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conquerthenight · 8 days ago
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Brussels Rebecca having I wear a suit during the curtain call is so chef’s kiss 😘
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conquerthenight · 9 days ago
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I was rooting for them to get together so much you have no idea
if olivia and alicia foxworth had lezzed out they could have killed malcolm by making his brain explode and then everything could have been fine
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conquerthenight · 10 days ago
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Remember what they took from us (Der Tod having both male and female costumes)
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conquerthenight · 10 days ago
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Jan Ammann the man that you are
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He knows
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conquerthenight · 10 days ago
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The Flowers in the Attic lifetime movie felt like a fever dream. It looked way too modern to be a 50’s piece apart from the vintage cars
i’m back on my vc andrews grind but i cant watch the first lifetime movie again
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conquerthenight · 1 month ago
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conquerthenight · 1 month ago
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“i asked chatgpt” “i asked grok” well, i asked the personification of death that keeps showing up whenever i'm mentally at my worst. we are not the same.
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conquerthenight · 2 months ago
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She is me and I am her
the heroine of rebecca is so fucking funny because she will just go off on a tangent where she imagines what will happen if she does something and it will be three pages of her going into the most DETAILED FUCKING DAYDREAM you have ever heard, complete with subplots and dialogue, meanwhile in the real world she has not moved or said anything she's just sitting on the floor catastrophizing while everyone around her is carrying on as normal because they haven't noticed she hasn't contributed to the conversation for the last 10 minutes. the guy she likes will tell her to her face "i am hanging out with you because i like spending time with you, i am not playing games or being nice or speaking with any double meaning" and she's like "sounds fake." she starts a small fire in a hotel room while her fiancé and employer are in the NEXT ROOM talking about her because she's convinced she'll never live up to her man's ex and she wants to take her mind off it. her best friend is a dog. she tries to climb out a window to avoid meeting her in-laws. girl is mentally unwell! 10/10 anxiety representation.
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conquerthenight · 2 months ago
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chicago pope tweets
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conquerthenight · 2 months ago
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conquerthenight · 2 months ago
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At this point I understand the Greek mythology obsession with being turned into a tree. I’m so done. Seriously someone just turn me into a tree please.
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conquerthenight · 3 months ago
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hi ʕ•ᴥ•ʔ
Hi >_< <3
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conquerthenight · 3 months ago
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Rebecca: Talk dirty to me
Maxim: The dishes
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conquerthenight · 3 months ago
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Stumbled upon this video essay on Musical Rebecca and how Kunze/Lévay supposedly departed drastically from the book’s themes by romanticizing Ich and Maxim’s relationship, and I have Des Notes(tm):
The claim that the novel is not a love story but a study of jealousy. Obviously…romantic jealousy. 🤣 Granted, the narrator also has self-esteem issues, but the moment Maxim says he never loved Rebecca, the narrator’s seething jealousy of her literally vanished. It is very much dependent on her love for Maxim and her belief that he did love Rebecca.
While Maxim did murder Rebecca in the book, it should be noted that little to nothing contradicts his claim that Rebecca was a bad person. Outside of Maxim’s POV, Du Maurier wrote numerous red flags. To whit:
Ben is afraid of Rebecca (she threatened to send him to the asylum, per him). Frank, who had a wholeass affair with Rebecca, tells the narrator directly that goodness is more important to a man than beauty. Beatrice, who is depicted as straightforward and honest, doesn’t praise Rebecca outside of her beauty and charm, forgot Gran loved Rebecca, and deals with the narrator with uncharacteristic patience. Even Mrs. Danvers proudly boasted that Rebecca once flogged a horse. And then there is the fact that all of Rebecca’s closest intimates are creeps and sleazeballs. Mrs. Danvers and Favell may have their sympathetic moments (as in, they did care about Rebecca), but that doesn’t mean they are depicted as good people.
And then there is the fact that Rebecca deliberately manipulated Maxim into killing her, lol. The final twist is that she had cancer and was looking for a quick end. Mrs. Danvers confirms, even before she knew of this diagnosis, that Rebecca feared getting sick and would have wanted a quick end. Her pregnancy was a lie meant to push Maxim to his limits, and it worked.
If Du Maurier wanted to make Maxim shady and unreliable, she wouldn’t have done any of this. Instead, she did everything possible to justify Maxim and buttress his claim that Rebecca was bad, which is no doubt part of why the narrator forgives Maxim so easily.
So on that count, what the novel ends up saying in terms of theme is less “traditionalist chauvinist husband murders his flawed but morally clean modern ex-wife” and more “abuse victim finally retaliates against his abuser and struggles to recover from his trauma with the help of another abuse victim.” Problematic? Yeah, highly so (except for the abuse victim overcoming trauma part). But that’s the way Du Maurier wrote it. She absolutely gave Maxim (almost) every reason.
So in adapting the book to a musical, Kunze decided to opt to emphasize out this romantic strain of the novel. Understandable, given that musicals are very romance-friendly and don’t do thrillers easily. But it’s still not a radical interpretation from Du Maurier’s work. You do get Rebecca fans and defenders, but given that a pro-Rebecca fanfic sequel irked most fans, it’s safe to say most fans agree that Rebecca was bad and Maxim was a victim.
Bonus: As for the novel’s queer coding, it should be noted that in the novel, Mrs. Danvers explicitly says Rebecca never loved anyone. Not just men. This supports the whole Rebecca-as-sociopath canonical strain (although ace headcanons are a possibility) and less the interpretation of Rebecca being a possibly queer woman silenced forever by her murderous macho husband. Also, Beatrice is perhaps just as queer coded than Rebecca herself, and it is heavily implied (and Maxim confirms it) that she didn’t like her, found her fishy.
So in sum: This is less Book-to-Musical Wicked and more Book-to-Musical Notre Dame de Paris. Subtle thematic shifts, same plot, some changes to make it more musical-friendly. Sounds like your everyday book-to-musical adaptation to me.
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conquerthenight · 3 months ago
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/blasting Sie war gewohnt, geliebt zu werden/ heyyyy it's Becky in Vivienne Westwood
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conquerthenight · 3 months ago
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pia douwes as elisabeth (dutch revival tour 2025)
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conquerthenight · 4 months ago
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last song: Zwischen Traum und Wirklichkeit (Elisabeth)
fav colour: blue
last film: uhhh idk
last show: My 600lb Life
sweet/savoury/spicy: savory
relationship: single
last search: ao3
I tag anyone who wants to do it
Get to Know Your Moots!
Tagged by @inversetwilight
Last song:
Favourite colour: red
Last film: Aliens
Last show: currently watching an older football match swindon vs sheffield united 2015. If that doesn't count bobs burgers.
Sweet/Spice/Savory: Sweet/Savory can't really spicy because of body issues though I love it.
Relationship: single as a pringle
Last Google search: the haunting of Bly Manor
Tagging: @143bc @lisshstuff @your-reluctant-optimist @octy-in-boots @patetemult @nonbinary-cryptid-baby @too-haught-haught-damn @accio-sense @queerspacetheory @rifewit204
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