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coralpapercollection · 7 months

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Prison-tech is a scam - and a harbinger of your future

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/14/minnesota-nice/#shitty-technology-adoption-curve

Here's how the shitty technology adoption curve works: when you want to roll out a new, abusive technology, look for a group of vulnerable people whose complaints are roundly ignored and subject them to your bad idea. Sand the rough edges off on their bodies and lives. Normalize the technological abuse you seek to inflict.

Next: work your way up the privilege gradient. Maybe you start with prisoners, then work your way up to asylum seekers, parolees and mental patients. Then try it on kids and gig workers. Now, college students and blue collar workers. Climb that curve, bit by bit, until you've reached its apex and everyone is living with your shitty technology:

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

Prisoners, asylum seekers, drug addicts and other marginalized people are the involuntary early adopters of every form of disciplinary technology. They are the leading indicators of the ways that technology will be ruining your life in the future. They are the harbingers of all our technological doom.

Which brings me to Minnesota.

Minnesota is one of the first states make prison phone-calls free. This is a big deal, because prison phone-calls are a big business. Prisoners are literally a captive audience, and the telecommunications sector is populated by sociopaths, bred and trained to spot and exploit abusive monopoly opportunities. As states across America locked up more and more people for longer and longer terms, the cost of operating prisons skyrocketed, even as states slashed taxes on the rich and turned a blind eye to tax evasion.

This presented telco predators with an unbeatable opportunity: they approached state prison operators and offered them a bargain: "Let us take over the telephone service to your carceral facility and we will levy eye-watering per-minute charges on the most desperate people in the world. Their families – struggling with one breadwinner behind bars – will find the money to pay this ransom, and we'll split the profits with you, the cash-strapped, incarceration-happy state government."

This was the opening salvo, and it turned into a fantastic little money-spinner. Prison telco companies and state prison operators were the public-private partnership from hell. Prison-tech companies openly funneled money to state coffers in the form of kickbacks, even as they secretly bribed prison officials to let them gouge their inmates and inmates' families:

https://www.motherjones.com/politics/2019/02/mississippi-corrections-corruption-bribery-private-prison-hustle/

As digital technology got cheaper and prison-tech companies got greedier, the low end of the shitty tech adoption curve got a lot more crowded. Prison-tech companies started handing out "free" cheap Android tablets to prisoners, laying the groundwork for the next phase of the scam. Once prisoners had tablets, prisons could get rid of phones altogether and charge prisoners – and their families – even higher rates to place calls right to the prisoner's cell.

Then, prisons could end in-person visits and replace them with sub-skype, postage-stamp-sized videoconferencing, at rates even higher than the voice-call rates. Combine that with a ban on mailing letters to and from prisoners – replaced with a service that charged even higher rates to scan mail sent to prisoners, and then charged prisoners to download the scans – and prison-tech companies could claim to be at the vanguard of prison safety, ending the smuggling of dope-impregnated letters and other contraband into the prison system.

Prison-tech invented some wild shit, like the "digital stamp," a mainstay of industry giant Jpay, which requires prisoners to pay for "stamps" to send or receive a "page" of email. If you're keeping score, you've realized that this is a system where prisoners and their families have to pay for calls, "in-person" visits, handwritten letters, and email.

It goes on: prisons shuttered their libraries and replaced them with ebook stores that charged 2-4 times the prices you'd pay for books on the outside. Prisoners were sold digital music at 200-300% markups relative to, say, iTunes.

Remember, these are prisoners: locked up for years or decades, decades during which their families scraped by with a breadwinner behind bars. Prisoners can earn money, sure – as much as $0.89/hour, doing forced labor for companies that contract with prisons for their workforce:

https://www.prisonpolicy.org/blog/2017/04/10/wages/

Of course, there's the odd chance for prisoners to make really big bucks – $2-5/day. All they have to do is "volunteer" to fight raging wildfires:

https://www.hcn.org/articles/climate-desk-wildfire-california-incarcerated-firefighters-face-dangerous-work-low-pay-and-covid19/

So those $3 digital music tracks are being bought by people earning as little as $0.10/hour. Which makes it especially galling when prisons change prison-tech suppliers, whereupon all that digital music is deleted, wiping prisoners' media collection out – forever (literally, for prisoners serving life terms):

https://www.eff.org/deeplinks/2018/08/captive-audience-how-floridas-prisons-and-drm-made-113m-worth-prisoners-music

Let's recap: America goes on a prison rampage, locking up ever-larger numbers of people for ever-longer sentences. Once inside, prisoners had their access to friends and family rationed, along with access to books, music, education and communities outside. This is very bad for prisoners – strong ties to people outside is closely tied to successful reentry – but it's great for state budgets, and for wardens, thanks to kickbacks:

https://www.prisonpolicy.org/blog/2021/12/21/family_contact/

Back to Minnesota: when Minnesota became the fourth state in the USA where the state, not prisoners, would pay for prison calls, it seemed like they were finally breaking the vicious cycle in which every dollar ripped off of prisoners' family paid 40 cents to the state treasury:

https://www.kaaltv.com/news/no-cost-phone-calls-for-those-incarcerated-in-minnesota/

But – as Katya Schwenk writes for The Lever – what happened next is "a case study in how prison communication companies and their private equity owners have managed to preserve their symbiotic relationship with state corrections agencies despite reforms — at the major expense of incarcerated people and their families":

https://www.levernews.com/wall-streets-new-prison-scam/

Immediately after the state ended the ransoming of prisoners' phone calls, the private-equity backed prison-tech companies that had dug their mouth-parts into the state's prison jacked up the price of all their other digital services. For example, the price of a digital song in a Minnesota prison just jumped from $1.99 to $2.36 (for prisoners earning as little as $0.25/hour).

As Paul Wright from the Human Rights Defense Center told Schwenk, "The ideal world for the private equity owners of these companies is every prisoner has one of their tablets, and every one of those tablets is hooked up to the bank account of someone outside of prison that they can just drain."

The state's new prison-tech supplier promises to double the amount of kickbacks it pays the state each year, thanks to an aggressive expansion into games, money transfers, and other "services." The perverse incentive isn't hard to spot: the more these prison-tech companies charge, the more kickbacks they pay to the prisons.

The primary prison-tech company for Minnesota's prisons is Viapath (nee Global Tel Link), which pioneered price-gouging on in-prison phone calls. Viapath has spent the past two decades being bought and sold by different private equity firms: Goldman Sachs, Veritas Capital, and now the $46b/year American Securities.

Viapath competes with another private equity-backed prison-tech giant: Aventiv (Securus, Jpay), owned by Platinum Equity. Together, Viapath and Aventiv control 90% of the prison-tech market. These companies have a rap-sheet as long as your arm: bribing wardens, stealing from prisoners and their families, and recording prisoner-attorney calls. But these are the kinds of crimes the state punishes with fines and settlements – not by terminating its contracts with these predators.

These companies continue to flout the law. Minnesota's new free-calls system bans prison-tech companies from paying kickbacks to prisons and prison-officials for telcoms services, so the prison-tech companies have rebranded ebooks, music, and money-transfers as non-communications products, and the kickbacks are bigger than ever.

This is the bottom end of the shitty technology adoption curve. Long before Ubisoft started deleting games that you'd bought a "perpetual license" for, prisoners were having their media ganked by an uncaring corporation that knew it was untouchable:

https://www.youtube.com/watch?v=VIqyvquTEVU

Revoking your media, charging by the byte for messaging, confiscating things in the name of security and then selling them back to you – these are all tactics that were developed in the prison system, refined, normalized, and then worked up the privilege gradient. Prisoners are living in your technology future. It's just not evenly distributed – yet.

As it happens, prison-tech is at the heart of my next novel, The Bezzle, which comes out on Feb 20. This is a followup to last year's bestselling Red Team Blues, which introduced the world to Marty Hench, a two-fisted, hard-bitten, high-tech forensic accountant who's spent 40 years busting Silicon Valley finance scams:

https://us.macmillan.com/books/9781250865878/thebezzle

In The Bezzle, we travel with Marty back to the mid 2000s (Hench is a kind of tech-scam Zelig and every book is a standalone tale of high-tech ripoffs from a different time and place). Marty's trying to help his old pal Scott Warms, a once-high-flying founder who's fallen prey to California's three-strikes law and is now facing decades in a state pen. As bad as things are, they get worse when the prison starts handing out "free" tablet and closing down the visitation room, the library, and the payphones.

This is an entry to the thing I love most about the Hench novels: the opportunity to turn all this dry, financial skullduggery into high-intensity, high-stakes technothriller plot. For me, Marty Hench is a tool for flensing the scam economy of all its layers of respectability bullshit and exposing the rot at the core.

It's not a coincidence that I've got a book coming out in a week that's about something that's in the news right now. I didn't "predict" this current turn – I observed it. The world comes at you fast and technology news flutters past before you can register it. Luckily, I have a method for capturing this stuff as it happens:

https://pluralistic.net/2021/05/09/the-memex-method/

Writing about tech issues that are long-simmering but still in the periphery is a technique I call "predicting the present." It's the technique I used when I wrote Little Brother, about out-of-control state surveillance of the internet. When Snowden revealed the extent of NSA spying in 2013, people acted as though I'd "predicted" the Snowden revelations:

https://www.wired.com/story/his-writing-radicalized-young-hackers-now-he-wants-to-redeem-them/

But Little Brother and Snowden's own heroic decision have a common origin: the brave whistleblower Mark Klein, who walked into EFF's offices in 2006 and revealed that he'd been ordered by his boss at AT&T to install a beam-splitter into the main fiber trunk so that the NSA could illegally wiretap the entire internet:

https://www.eff.org/document/public-unredacted-klein-declaration

Mark Klein inspired me to write Little Brother – but despite national press attention, the Klein revelations didn't put a stop to NSA spying. The NSA was still conducting its lawless surveillance campaign in 2013, when Snowden, disgusted with NSA leadership for lying to Congress under oath, decided to blow the whistle again:

https://apnews.com/article/business-33a88feb083ea35515de3c73e3d854ad

The assumption that let the NSA get away with mass surveillance was that it would only be weaponized against the people at the bottom of the shitty technology adoption curve: brown people, mostly in other countries. The Snowden revelations made it clear that these were just the beginning, and sure enough, more than a decade later, we have data-brokers sucking up billions in cop kickbacks to enable warrantless surveillance, while virtually following people to abortion clinics, churches, and protests. Mass surveillance is chugging its way up the shitty tech adoption curve with no sign of stopping.

Like Little Brother, The Bezzle is intended as a kind of virtual flythrough of what life is like further down on that curve – a way for readers who have too much agency to be in the crosshairs of a company like Viapath or Avently right now to wake up before that kind of technology comes for them, and to inspire them to take up the cause of the people further down the curve who are mired in it.

The Bezzle is an intense book, but it's also a very fun story – just like Little Brother. It's a book that lays bare the internal technical workings of so many scams, from multi-level marketing to real-estate investment trusts, from music royalty theft to prison-tech, in the course of an ice-cold revenge plot that keeps twisting to the very last page.

It'll drop in six days. I hope you'll check it out:

https://us.macmillan.com/books/9781250865878/thebezzle

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coralpapercollection · 7 months

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they should invent a new constellation and call it the big sniffer

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coralpapercollection · 7 months

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All true.

zagreus hadesgame is the character ever. he never shuts the fuck up. hes bi and polyamorous. he has feet made of lava. he enjoys fishing after a long day/night of killing his enemies. he fucking sucks at playing the harp. hes immortal but forever in his 20s and useless. patricide is literally in his job description. he doesnt know what birds are. hes a dogboy. he has a bed in his room that he doesnt sleep in and only ever uses to fuck. he accidentally convinced his friend that dionysus and himself are the same person and got a song written about him. his tits are immaculate. hes my everything

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coralpapercollection · 8 months

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#if you ask I will write a whole goddamn essay on Boromir #and why his death means more to us as we get older *whispers* babe I want the essay

Why must you always enable me I love it never stop. So. Wow. Where to even start. I rant through my tears about how much I love Boromir every time I watch Lord of the Rings, which I do about once a year with @captainofthefallen. Every time I watch it, his death means more to me, hits me harder, and I think that’s because the older we get, the more we identify with Boromir.

Here’s the thing. In all honesty, as a kid (I first read LotR when I was eleven, first watched the films at that age as well), I wasn’t too fond of Boromir. Oh I liked him all right, he was fine I suppose, but I didn’t connect with him. I was angry when he tried to take the One Ring from Frodo, and I cried a little at his death because death is sad and I was a kid, but it didn’t devastate me.

Because as a kid? I wanted to be Aragorn. The reluctant king who rises up and does the right thing, always. The guy who gets the amazing (be still my bi heart) Arwen, the Evenstar, fairest of the elves. The guy who literally kicks ass. The man who is noble, honorable, thoughtful, good with his words, humble, knows the burdens of leadership, who stands up and says there will be a day when the courage of men fails, but this is not that day.

I wanted to be the hero.

I noticed this trend among my peers growing up. We all loved Aragorn and wanted to be him. Boromir was sort of dismissed.

But then a funny thing happened, called getting older.

I got older, and I fucked up.

I got older, and depression hit.

I got older, and the weight of societal expectations, of being an older sibling, of adult responsibilities, of legacy, of family secrets, of family history, all settled on my shoulders.

I got older, and I learned that men are not always honorable, or kind, or humble, or the leaders they should be. And I learned how hard and desperate it is to continue to believe in the strength of men.

I got older, and I learned how temptation comes for us all, in different forms, and how we hurt people without meaning to, and how sometimes for all our regret and tears and apologies, we cannot mend what we broke.

I got older, and I leaned what it is to be forced into a role I didn’t want, to feel I’d hit a dead end, to struggle against those who had different views, to feel like people could look into my heart and see the anger and fear that I tried so hard to hide.

I got older, and I realized: I’m Boromir.

We’re all Boromir.

Tolkien was very deliberate with his characters. They aren’t just characters, flawed and wonderful though they might be. They also each represent something very specific. Aragorn represents the Ideal. The hero that we all can be, the hero that we should strive to be, the vision of mankind as we are supposed to be, if only we can let ourselves shed our hubris and our doubts. Aragorn represents who we should be.

Boromir represents who we are.

Flawed, frustrated, burdened, tempted, struggling, setback, good intentioned, afraid, angry, kindhearted, noble, loyal, and painfully, beautifully human.

Boromir went to the Council of Elrond reluctantly. He shouldn’t have gone. Boromir is a war leader, as we learn after his death. He successfully fought for and defended Gondor from Mordor for years. That’s where he belongs. Faramir is the quiet one, the diplomat, the “wizard’s pupil,” the soft-spoken and patient one. Note that even in the film version, which shows a differently characterized Faramir than in the books (Tolkien heavily based Faramir on himself), Faramir only wants the One Ring in order to give it to his father and win his father’s pride and affection–he doesn’t want it for himself.

If Faramir had been at the Council and Boromir had stayed in Gondor, everything would have gone differently, and possibly for the better.

But the Steward of Fuckwits aka Boromir and Faramir’s father decides he wants Boromir to go, to represent their family, because Boromir is the son he values and is the “face” of Gondor. So Boromir sets aside what he wants, and he goes. And the whole time he feels out of place, feels like a fish out of water, feels second to Aragorn, feels lost, feels terrified his city will fall while he is gone, feels like the race of Men is being mocked and looked down on as weak.

How many of us as we grow up are stuck like that? We can’t fix our family (although we try), we can’t fix our broken country (although we try), we can’t get rid of the doubts and fears that whisper to us (although we try), and we can’t stop feeling like we’re constantly second best, constantly failing, looked down on, especially the millennial generation.

(Given what’s happening in the world right now, I wouldn’t be surprised if Tolkien found himself surprisingly similar in outlook and feeling to our generation. But that’s another topic.)

And of course that’s the key. Boromir–darling, frustrated, stuck, fatally flawed Boromir–is so very relatable because he tries. He tries to teach Merry and Pippin to protect themselves and then tries to save them and dies for it. He tries to convince Aragorn (who at that point is more elf than man in his outlook) that there is no reason to give up on his people, their people–and he succeeds in that, although he dies before he gets to see it. He tries to make his father proud. He tries to apologize when he fucks up. He tries and he fails, and he tries and he succeeds. And the most important things he does, the biggest seeds he plants, he never sees them flower.

Like my God, the man’s last words are I failed. I failed you, I failed Frodo, I tried to take the Ring. I’m sorry, I failed. That hits me so goddamn hard in my mid20s and it’ll hit me even harder when I’m older, I’m sure. How many times have we said that to people? “I tried to help him.” “I tried to reach out.” “I tried to apologize.” “I tried to stop them.” “I tried so hard.” I tried, I tried, I tried. For the job, for the friend, for everything, I tried.

And I failed.

I have a laundry list of things I tried and failed at, and God, do they hurt. Sometimes it was something out of my control, sometimes it was my own behavior. And that scene with Boromir, the flawed man, staring up at Aragorn, the ideal hero, and begging him, begging him, “save them, they took the little ones, find Frodo,” begging him for forgiveness, apologizing for his failures?

Talk about a fucking metaphor.

We make our ideals in literature so that we have something to look up to and strive for, for others to strive for. Boromir falls prey to the ring, but Aragorn does not. You did what I could not. Of course Aragorn did. He’s the ideal. And we beg our ideals to be better so they can show us the way and hopefully, maybe, someday, we can be like them.

I had so many heroes growing up, real and literary. Sara from A Little Princess. Aragorn. Lucy from Narnia. Nancy Drew. Harry Potter. And so many times I would look at myself in the mirror and cry because I knew, I knew if I stood in front of them they would be disappointed in me. I knew I wasn’t being the person I could be. I tried, I failed, I tried, I failed, but my God I swear, I tried.

As a kid or even a teenager, we still see mainly who we want to be. Our ideal. And I hope that we never lose sight of that. I love Aragorn and my God am I going to keep trying to be like him, and like all of my other literary heroes. We need those heroes, we need them so badly, and the darker the world gets the brighter we have to make them shine.

As an adult, though–as an adult, we start to see not only who we want to be, but who we are, and who we could’ve been, and how we failed to be, and the paths not taken and the paths that were lost. And that’s important too. Because Boromir died convinced he was a failure. Convinced he was, truly, the weakness we find in men.

And he was… but he wasn’t.

Without Boromir, Aragorn wouldn’t know what happened to Merry and Pippin or where they went. Without Boromir, Aragorn would’ve had no hope in the race of men. Without Boromir, who would have carried the hobbits up the cold mountain, or taught them how to fight, or said give them a moment, for pity’s sake! Who would have defended Gondor for so long, or loved his brother with a ferocity that Denethor’s abuse couldn’t knock loose, and inspired that brother to keep fighting even as the light faded and the night grew cold and long?

Aragorn carries Boromir’s bracers throughout the rest of the trilogy, right up to his coronation, where he is still wearing them as he is made King. Because Boromir might not have seen it–we might not see it–but we tried and we failed but we didn’t fail at everything. Lives are made brighter for our presence. The world is better for our gifts and our convictions. And no fight, even a fight lost, is done in vain.

The remains of the Fellowship ride to Gondor not just because it’s the Right Thing to Do, but because it is the city of their fallen brother, it’s Boromir’s home, the home that above all he gave everything to defend. Boromir doesn’t want the Ring for power, he wants it so his home will be safe, his family will be safe, and God who can’t relate to that, as we grow older and we see our families and friends attacked and scarred, as we have children and want them out of harm’s way. Who wouldn’t be tempted to seize the chance to keep them safe?

I see so much of myself in Boromir. And I take hope. I take inspiration. I cheer through my tears as he is hit again and again with arrows and each time he gets back up on his feet and grits his teeth and you can see him thinking not today. As a child I thought Boromir was selfish but as an adult I hear him use his last breath to apologize to Aragorn and call him his brother and his king and I see he’s more selfless than he ever gave himself credit for being. Boromir sees only his faults, but we can see what he doesn’t, we see his positive impact and we see his virtues, too.

Because as an adult I’ve failed, and I want to believe that like Boromir, I’ve also succeeded, I’ve also been more than just my faults–even if I can’t see that yet.

Aragorn is who we should be. But Boromir is who we are.

And my God, we should be proud of that. Because Boromir is a damn good person to be.

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coralpapercollection · 8 months

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Leanne Franson

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coralpapercollection · 8 months

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One small but extremely annoying effect of Tech Modernization or w/e is how UI contrast is garbage anymore, especially just, like, application windows in general.

"Ooh our scrollbar expands when you mouse over it! Or does it? Only you can know by sitting there like an idiot for 3 seconds waiting for it to expand, only to move your cursor away just as it does so!" or Discord's even more excellent "scrollbar is 2 shades off of the background color and is one (1) pixel wide" fuck OFF

I tried to move a system window around yesterday and had to click 3 times before I got the half of the upper bar that let me drag it. Why are there two separate bars with absolutely nothing to visually differentiate them on that.

"Well if you look closely-" I should not!! have to squint!!! at the screen for a minute straight to detect basic UI elements!! Not mention how ableist this shit is, and for what? ~✨Aesthetic✨~?

and then every website and app imitates this but in different ways so everything is consistently dogshit to try to use but not always in ways you can immediately grok it's!!!! terrible!!!! just put lines on things again I'm begging you!!!!

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coralpapercollection · 8 months

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Saving for later

Being some recs for fics set after Good Omens S2

Tether Ginger_Cat, Words: 44,562 Aziraphale, Supreme Archangel of the Heavenly Host, is just minding his own business. Really. It's not like he's trying to get summoned to Earth during highly important archangelic duties. And Crowley's not trying to summon him, he swears, but somehow it still keeps happening... Now, if they could only figure out why?

We Can't Keep Meeting Like This Ginger_Cat, Words: 65,450 Once a year, Aziraphale and Crowley meet on Earth to discuss the development of the reincarnated Christ child. The problem is, they can't stop having sex instead.

What You Leave Behind (or, A.J. Crowley, Bookseller Extrodinaire) chubbytransboi, Words: 50,733 “Are you a bookseller too?” “Not even at gunpoint.” After The Promotion, Crowley finds himself as the proprietor of A.Z. Fell and Co. (Emphasis on the ‘Co.’) Or: new jobs, new friends, and new ways of healing. And a LOT of sticky notes.

of truth, of light, of good sideraclara, Words: 75,179 Crowley will save Earth alone if he has to.

Factory Settings Anonymous, Words: 106,998 Crowley gets reinstated as an angel.

and though i burn, how could i fall? (when i am lifted by every word you say to me) shadoweddepths, Words: 24,699 Five times Aziraphale and Crowley argue, and the one time they don't.

But You, My Dear, Are An Ocean megzseattle, Words: 76,895 After Aziraphale's defection, Crowley tries to figure out how to live life for himself.

don't let this darkness fool you mygalfriday (BrinneyFriday), Words: 23,887 Lurching to his feet, Crowley stumbles through his flat in the dark – tripping over empty whiskey bottles and clothes he’d stripped out of and never bothered to pick up again. Heart pounding, he throws open the door. And the bottom drops abruptly out from beneath him. It feels like falling all over again – except from so much higher up than he’d ever been the first time. This is worse. This is so much worse because it isn’t him. It’s Aziraphale.

Endless, Numbered contritecactite, Words: 48,244 Crowley knows where he's not wanted—or, rather, where he was wanted but didn't want to go and is now no longer wanted—so he takes off until he finds a place that doesn't matter. Yet. It starts to matter quite a bit just around the time that Muriel reaches out to him about a book in Aziraphale's old shop that doesn't seem to be acting quite right. A medium-burn sort-of fix-it told partially through Aziraphale's recent diary entries in which nothing terribly dramatic happens because they've had enough of that.

freshly disowned in some frozen devotion (no more alone or myself could i be) shadoweddepths, Words: 22,379 Aziraphale rejects the Metatron's offer and chooses Crowley instead. Crowley helps him through the aftermath.

mourning doves`` sleepyimpulse, Words: 22,686 “I’m sorry,” he registered himself saying between heaving sobs. “I’m so sorry, Crowley, I’m so sorry. Forgive me, please, please forgive me.” He hadn’t meant to say it like that, he knew the words were all wrong (he would never find the right ones). But the pain was coming at him in every direction and something, something had to give, and so he clung to Crowley like a life preserver. Crowley bent his body over Aziraphale’s and slowly, surely, pressed a kiss to his bloodied forehead. “I can’t,” he whispered, and Aziraphale went unconscious.

pieces of you blackeyedblonde, Words: 18,348 “Crowley,” Aziraphale whispers, hand mindlessly grappling for the golden clasp secured at his throat. “What have you done?” “What I’ve always wanted,” Crowley says flatly, clutching the baby close against his bare chest. “You made your choice, angel. And I made a few of my own.” “Whose,” Aziraphale starts to say, and then can’t speak for a moment while something visceral moves through him. “Whose child are they? Other than yours, I mean.” “Look at her for yourself,” Crowley says, drawing his dark wing up just enough that Aziraphale can gaze at the newborn without feathers blocking the lamplight glowing behind them. “You haven’t even been gone for a year—don’t tell me you suddenly can’t recognize one of your own.”

Touch my Tears with Your Lips IneffableDoll, Words: 27,217 The emptiness of Heaven is punishment itself, a torture for a very Earthly angel. He has no power. The Metatron lied to him. Crowley is somewhere else. Aziraphale is alone. When he eventually escapes back to Earth – where he belongs – Aziraphale and Crowley have a lot to work through, even after averting the Second Coming, a renewed attempt at taking away all they hold dear. They need to be gentle with each other’s fragile, fractured hearts and together, figure out how to love one another the way they’ve long wished to. A story of trauma, healing, and love. So, so much love.

Light the Corners of my Mind cyankelpie, Words: 25,897 Aziraphale, thirty-eighth order scrivener—at least, that's who they told him he was—wakes up from some perfectly normal memory loss to find a cryptic note written on his hand. The further he goes in his search for answers, the more questions he has. Will he ever learn why he was demoted to a desk job? Or how he'd managed to collect enough books to open a bookshop? Or why that familiar red-haired demon on Earth seems to be avoiding him?

Devotion, grace and other small miracles Chrissy22, Words: 4,343 Seven months after the events of Season 2, Crowley gets a phone call from a panicking Muriel.

journeys end in lovers' meeting terpsichorean, Words: 48,137 With the Second Coming averted and Aziraphale back on Earth, all Crowley wanted was a return to the way things used to be, before he confessed his feelings and kissed his best friend in what may be the most unsuccessful love confession of all time. In an effort to cheer an equally miserable Aziraphale, the two of them leave London to attend a murder mystery party in an old country estate. But things quickly go wrong and someone ends up dead. It's up to Aziraphale and Crowley to save the other guests from whatever dangers lurk within the manor. And maybe, Crowley will gather the courage to ask the one question he’s not sure he wants answered: why did Aziraphale come back?

nebula 231080 starklystar, Words: 33,710 Philosophers liked to pose the question, observation against perception: If a tree falls in a forest and no one is around to hear it, does it make a sound? Aziraphale would argue that sound was something witnessed, and Crowley would argue that if sound had to be witnessed, then why was virtue unwitnessed a nobler thing? But first, Crowley would point out that he himself had fallen, alone and without witness, and it had bloody fucking hurt.

I'm the treasure baby, I'm the prize stereobone, Words: 9,405 "Are you working for Mrs. Sandwich?" Nina asks. "No," Crowley says. "Well, yes. Well, define 'working'."

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coralpapercollection · 8 months

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coralpapercollection · 8 months

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“Australia Day” is almost over and I haven’t even seen the photo of Burnum Burnum planting the Aboriginal flag on the cliffs of Dover and claiming Britain for the Indigenous people of Australia on my dash yet

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coralpapercollection · 8 months

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Golden oreo

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coralpapercollection · 8 months

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making art is just like showering………can’t get up and do it, can’t stop when you’ve started. you want to crawl out of your skin if you don’t do it often enough. everything in the world is the exact same

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coralpapercollection · 8 months

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WHY SRIRACHA WAS IMPOSSIBLE TO FIND AND NOW TASTES BAD

If you like hot sauces and the like you probably have been a big fan of sriracha... specifically the sriracha made by Huy Fong Foods. But, you may have noticed that since 2020 there have been noticeable times where it was sold out for months and months. Even worse - now that it is back on shelves it tastes like crap.

I did some digging.

All of the peppers for Huy Fong Foods Sriracha were grown on Underwood Ranches in Ventura County, CA. Family-owned farm (since the 1800s) that grew along with Huy Fong Foods. Starting at 400 acres and growing to almost 4000 to support the popularity of sriracha. This was when it tasted good. In the late 20-teens Huy Fong decided to demand money back from the farm for... no one really fully understands why. They then severed the contract leaving Underwood with 4000 acres of hot peppers and no one to buy them.

Meanwhile Huy Fong approached a number of other farms scattered across southern California and had them quickly spin up pepper concerns. This put a massive dip in their supply and they lost a year of sauce-making basically. Then bad weather knocked out a lot of these farms and they lost another season or two. Also the quality and flavor across multiple farms was inconsistent.

Meanwhile Underwood sued Huy Fong, won, received 23 million dollars, hired back their workers, and got back to growing. Additionally they were able to mitigate a lot of the weather issues the last few years through better technique and had bumper crops.

So they made their own sauce - Underwood Dragon Sriracha...

and lord strike me down if it doesn't taste much more like the older sriracha than whatever Huy Fong Foods is making now. Anyways, they don't seem to sell to stores but you can buy directly from their website. I did and I've been putting it on everything.

I wasn't paid to write this... I just like doing exhaustive research about things I enjoy.

(EDIT to adjust Underwood Farms to Underwood Ranches, and change location from Ventura to Ventura County)

Source: https://www.facebook.com/sean.baptiste.125/posts/10159735977401881

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coralpapercollection · 8 months

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Holding the collar to keep head from slamming --- 100% approved, v. smooth.

Season One meta posts in 2024? Yes, very much so. We need more of that.

Will this be slightly unhinged? Yeah, probably, so welcome back to Alex's unhinged meta corner.

Everyone has probably connected the kiss back to the wall-slam scene in Tadfield Manor by now, but while I was re-watching it for the nth time and combing through it frame by frame like a mentally sane person, I realised just how orchestrated it was from beginning to end.

I assume we can agree that Aziraphale called Crowley nice on purpose to get a hint of intimacy out of him, but I think this time it is very different from the other instances during which he reacts with anger to being called nice.

My first main observation is the way Aziraphale positions himself.

We pick up after Crowley's explanation about the non-lethal shooting happening outside, and they are facing each other at an angle, with Aziraphale having stopped a few steps behind him.

Now, until the slam itself, Crowley doesn't move, he remains where he is, waiting. (We'll come back to that in a bit)

However, instead of remaining at a safe distance or standing literally standing anywhere else, he walks a small curve to then stop right in front of Crowley. Not at his side or a little bit away or at a respectable distance—no, right in his face. You can judge his position by looking at the wooden door (?) in the background.

The following camera position makes it hard to see the amount of distance between their faces, but we know that he must be close enough so that Crowley can immediately grab his coat without problem.

Excuse my art skills, but just to make sure everyone is on the same page, have a little drawing showing their positions and movements.

Now, that manoeuvring takes Aziraphale a few seconds, and what does he do? He stalls. Look at what exactly he tells Crowley:

You know, Crowley, I've always said that, deep down, you are quite a nice—

There are a lot more words than necessary! He could have shortened that sentence but he didn't, and on top of that, if you listen to him say it, he makes two noticeable pauses, one after 'Crowley with a little look outside, one after 'that'. By then he has reached his final position, so no more stalling, he can try to finish his sentence now.

Alex, you might say now, of course Aziraphale did it on purpose, but Crowley only reacted to what he said.

And to that I respond, nope, he was 100% in on it.

I know because when Aziraphale stops in front of him, he waits. He does not move, he doesn't shut him up even though he has heard the same spiel hundreds of times—no, he is waiting and allowing Aziraphale to initiate their little game.

This face is not the face of someone who is already angry or confused about which words will tumble out of Aziraphale's mouth. He even arches his eyebrow in a motion that I personally interpret as 'go on'.

Crowley is listening and waiting for the signal, and the moment Aziraphale says 'nice', he grabs him and pushes him up against the opposite wall. It's an extraordinarily quick reaction, the kind you have when you know you're about to act and what you'll do.

Some further evidence that the entire moment was orchestrated by the two of them.

Aziraphale stretches out his arms behind him to brace himself against the wall, he was expecting to be moved that way and intentionally put himself into a position that would allow Crowley to do so.

Additionally, by grabbing his lapels the way he does, Crowley can make sure that the back of his head doesn't hit the wall. If you watch the clip by yourself and slow it down, you'll discover that Aziraphale gently rests it against the wall on his own while Crowley is talking.

Aziraphale is completely relaxed not only because he knows Crowley would never hurt him, but also because this entire thing is a game that they willingly participate in. It is dangerously under-negotiated, sure; luckily they more or less agree on the ground rules.

Obligatory close-up with the noise squish because I am a blorbo connoisseur and not a heathen. The little eye gaze at the lips, and if you ask me, and this is my post so you ARE asking me, Crowley is very much looking at Aziraphale's lips from behind his glasses.

But I have one more observation to make!

I could never quite put my finger on why exactly the scene felt off, but now I am convinced it's because despite the act, Crowley isn't actually upset. There ARE times when Aziraphale actively crosses a boundary and endangers him with his compliments, but this is not one of them. The growling, him baring his teeth, the fact that he is pressing their entire bodies together, him leaning in thar far, and also what the FUCK is he saying?

The excerpt from the script books:

First part okay, I can buy that, a bit basic but alright. But 'nice is a four letter word'? Where exactly was he going with that and how was that sentence going to end? It's close enough to the topic to pass as real for any outsider who might overhear them, but if you actually listen and try to comprehend it—yeah, no, he was about to go full gibberish.

The goal wasn't to yell at Aziraphale about calling him nice, it was all about prolonging the physical intimacy by holding a monologue.

If you still don't believe me, have a look at their faces when they get interrupted.

Crowley has a "whot?" expression on his face and not a single hint of anger or annoyance. Aziraphale has an expression I will lovingly call "perish you peasant and let my demon husband slam me against a wall in peace".

If someone gave you only this picture—no context, nothing—what would you assume they were doing before someone rudely interrupted them? Based on what the fuck is happening on their faces and the complete lack of distance between their bodies, you'd probably assume they were snogging each other senseless.

Which they were, in a way, just without the lip contact.

I rest my case.

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