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“The jellyfish doesn’t actively move anywhere; it’s just moved with the tides.”
by Nikolay Kovalenko, Uriel Soberanes, Vino Li, Vania Medina, kaaaka liang
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Shihanne’s Kizuna meta -- Part 1: The meaning behind Kizuna, and the actual cause of partnership dissolution
Kizuna is a very easy movie to misunderstand, and it’s not helped by the fact that the official translation kind of sucks. (Seriously, I highly recommend you check out the translation of one of the novels – the Dash X or the Shueisha Mirai version – because of how badly the official one sucks.) On top of that, a lot of its information is packed in the subtleties of a lot of its lines, which means that, without paying very close attention, you can walk off with a completely misleading interpretation of what the movie is trying to say. A lot of times I see people talking about how the movie’s message is about adulthood sucking, or partnership dissolution being an inevitable thing…when the movie actually makes multiple indications that this is not the case.
(The rest of the post contains major spoilers for the movie, so be warned.)
Keep reading
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♦ Interiors / Architectural inspirations - follow ~ @stunninginteriors ♦
✨ Water Cherry House by ©️ Kengo Kuma & Associates (Japan)
𝘛𝘰𝘬𝘺𝘰 𝘑𝘢𝘱𝘢𝘯 / 5,300 𝘴𝘲.𝘮 / ©️ 📷 𝘍𝘳é𝘥é𝘳𝘪𝘤 𝘋𝘶𝘤𝘰𝘶𝘵
“… 𝘛𝘩𝘦 𝘷𝘪𝘭𝘭𝘢 𝘪𝘴 𝘭𝘰𝘤𝘢𝘵𝘦𝘥 𝘪𝘯 𝘢 𝘯𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘱𝘢𝘳𝘬 𝘰𝘯 𝘢 𝘤𝘰𝘢𝘴𝘵𝘢𝘭 𝘤𝘭𝘪𝘧𝘧 𝘤𝘭𝘰𝘴𝘦 𝘵𝘰 𝘛𝘰𝘬𝘺𝘰 𝘰𝘯 𝘢 5,300 𝘴𝘲𝘶𝘢𝘳𝘦-𝘮𝘦𝘵𝘳𝘦 (1.3-𝘢𝘤𝘳𝘦) 𝘵𝘳𝘢𝘤𝘵 𝘰𝘧 𝘭𝘢𝘯𝘥. 𝘛𝘩𝘦 𝘤𝘭𝘪𝘦𝘯𝘵 𝘩𝘢𝘥 𝘧𝘢𝘭𝘭𝘦𝘯 𝘪𝘯 𝘭𝘰𝘷𝘦 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘕𝘢𝘬𝘢𝘨𝘢𝘸𝘢-𝘮𝘢𝘤𝘩𝘪 𝘉𝘢𝘵𝘰 𝘏𝘪𝘳𝘰𝘴𝘩𝘪𝘨𝘦 𝘔𝘶𝘴𝘦𝘶𝘮 𝘰𝘧 𝘈𝘳𝘵, 𝘵𝘩𝘢𝘵 𝘒𝘶𝘮𝘢 𝘥𝘦𝘴𝘪𝘨𝘯𝘦𝘥 𝘪𝘯 2000 𝘢𝘯𝘥 𝘸𝘢𝘯𝘵𝘦𝘥 𝘩𝘪𝘮 𝘵𝘰 𝘥𝘦𝘴𝘪𝘨𝘯 𝘵𝘩𝘦𝘪𝘳 𝘩𝘰𝘶𝘴𝘦 𝘢𝘴 𝘸𝘦𝘭𝘭… 𝘒𝘶𝘮𝘢 𝘪𝘴 𝘮𝘰𝘴𝘵 𝘱𝘳𝘰𝘶𝘥 𝘰𝘧 𝘢𝘤𝘩𝘪𝘦𝘷𝘪𝘯𝘨 𝘢𝘣𝘴𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘢 𝘮𝘰𝘥𝘦𝘳𝘯 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘢𝘭 𝘧𝘰𝘳𝘮 𝘸𝘩𝘪𝘭𝘦 𝘪𝘯𝘵𝘦𝘨𝘳𝘢𝘵𝘪𝘯𝘨 𝘪𝘵 𝘸𝘪𝘵𝘩 𝘵𝘳𝘢𝘥𝘪𝘵𝘪𝘰𝘯𝘢𝘭 𝘑𝘢𝘱𝘢𝘯𝘦𝘴𝘦 𝘴𝘵𝘺𝘭𝘦. 𝘚𝘶𝘳𝘳𝘰𝘶𝘯𝘥𝘦𝘥 𝘣𝘺 𝘯𝘢𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘨𝘳𝘢𝘵𝘦𝘥 𝘸𝘪𝘵𝘩𝘪𝘯 𝘵𝘩𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦, 𝘵𝘩𝘦 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘪𝘯𝘵𝘦𝘳𝘪𝘰𝘳𝘴 𝘰𝘧 𝘛𝘩𝘦 𝘞𝘢𝘵𝘦𝘳 𝘊𝘩𝘦𝘳𝘳𝘺 𝘝𝘪𝘭𝘭𝘢 𝘭𝘪𝘷𝘦 𝘢𝘯𝘥 𝘣𝘳𝘦𝘢𝘵𝘩𝘦 𝘑𝘢𝘱𝘢𝘯𝘦𝘴𝘦 𝘴𝘵𝘺𝘭𝘦 𝘣𝘰𝘵𝘩 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘢𝘯𝘥 𝘵𝘳𝘢𝘥𝘪𝘵𝘪𝘰𝘯𝘢𝘭 ”
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Watch "DJ Seinfeld - 'The Right Place (feat. Teira)' (Official Audio)" on YouTube
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Pete’s Fine Foods. Gallup, New Mexico. ca. 1960.
Internet Archive
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“The lack of communication between the people in my paintings are probably a reflection of my own, if I may say, loneliness. I don’t know. It could be the whole human condition. ”
Edward Hopper, New York Movie
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