corvusocs-blog

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Goodbye!!!!

New blogs!! Art blog (also the main blog on the account): @corvusiink Rp blog: @rpcorvus Mental illness & sexuality: @bpdbugboy Fandom & humour: @kek-kai-sensen Aesthetic & Lolita/Ouji: @princeofboystyle Writing & OC blog: @corvusscribbles

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New blogs!! Art blog (also the main blog on the account): @corvusiink Rp blog: @rpcorvus Mental illness & sexuality: @bpdbugboy Fandom & humour: @kek-kai-sensen Aesthetic & Lolita/Ouji: @princeofboystyle Writing & OC blog: @corvusscribbles

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QUICK

FREE ART PROGRAMS I USE AND RECOMMEND

MEDIBANG PAINT PRO

FIREALPACA (the lightweight version of the above and really good for a slow computer)

GIMP (I use this primarily for editing purposes not drawing).

KRITA

WHERE I GET MY SUPPLIES:

JETPENS Check it out!!! 

Jerry’s Artarama

Dick Blick

REFERENCE  FOR DRAWING PRACTICE

jademacalla

null-entity

senshistock

posemaniacs

DIGITAL ART STUFF

Palette Generator

Color Blender

CHARACTER DESIGN STUFF?

Comparing Heights

Body Visualizer

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“Couples that clean blood off of each other are couples that stay together”

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Tag your oc who gets into a fight when someone laughs/makes fun of their partner and tag the oc who has to drag them away, fists swinging.

You know the one.

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Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?  5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

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New blogs!! Art blog (also the main blog on the account): @corvusiink Rp blog: @rpcorvus Mental illness & sexuality: @bpdbugboy Fandom & humour: @kek-kai-sensen Aesthetic & Lolita/Ouji: @princeofboystyle Writing & OC blog: @corvusscribbles

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Moving accounts but I think this blog will be moved to a flat out writing blog. That’s the only news I’ve got for it for now, new art blog, @corvusiink , will have a link to the new blog in due time

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I can't think of a character who fits into thus box (because swearless dialogue is my weak point) but now all I can imagine is Hunter, who had never heard a cuss word until becoming a Reaper, hearing such words and curiously asking what they mean and then being like "I'm gonna use this word literally all the time" and now she cusses like a sailor and doesn't know how to turn it off

Tag your oc who you could never, ever imagine cussing.

You know the one.

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chaotic good

Chaotic Good is known as the “Beatific,” “Rebel,” or “Cynic” alignment. A Chaotic Good character favors change for a greater good, disdains bureaucratic organizations that get in the way of social improvement, and places a high value on personal freedom, not only for oneself, but for others as well. They always intend to do the right thing, but their methods are generally disorganized and often out of alignment with the rest of society. They may create conflict in a team if they feel they are being pushed around, and often view extensive organization and planning as pointless, preferring to improvise. While they do not have evil intentions, they may do bad things (even though they will not enjoy doing these things) to people who are, in their opinion, bad people, if it benefits the greater good. Chaotic good is the best alignment you can be because it combines a good heart with a free spirit. Chaotic good can be a dangerous alignment because it disrupts the order of society and punishes those who do well for themselves.

TRAIT STRUCTURE

unpredictable. 

independent. 

free spirited. 

cheerful. 

optimistic. 

easy going. 

carefree. 

helpful. 

kind. 

merciful. 

respectful of personal liberties. 

anarchistic.

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which oc doesn’t understand why a kilogram of steel and a kilogram of feathers weigh the same if steel is heavier than feathers

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OK, But

There’s one imperative AU that we’ve all been missing.

The “I’m-the-new-kid-at-school-and-I’m-already-getting-chewed-out-by-the-principal-for-bullshit-uniform-reasons-and-I-caught-your-eye-and-gave-you-a-pleading-look-from-across-the-hallway-but-holy-crap-you-really-didn’t-have-to-strip-on-the-spot-to-distract-everyone-and-bail-me-out-so-thanks-for-that-and-also-did-I-mention-you’re-really-good-looking” AU.

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i overheard these two guys in the hallway at my school and one of them was like “you always look hot dude… no homo tho” and then like 5 seconds later he yelled “sike!” and slapped the other dude’s ass

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which oc claims they’re chill but they’ve never been chill at all their whole entire life

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you know what i love? i love making all my ocs gay, i love making all characters in my comics gay im so glad i can do whatever the fuck i want