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Moving Video Call Backgrounds
Animated Backgrounds in Video Calls & Virtual Meetings
Overview
Coworkers have been asking me how I get animated and moving backgrounds (and foregrounds) in my video conference calls and virtual meetings. So, Iâve created this article to give an overview of the process and tools. For this articleâs background example I chose a video that wonât get me into copyright trouble. Its background is a recording of the city gates of Amnoon. And its a scene I recorded while playing the game Guild Wars 2.
The method to create this effect is layering. In oversimplified terms, the background is the bottom layer. In my example I used a video instead of a static image. Layered on top of the background is the output from my webcam. And finally, the very top layer is a graphic with some text. I combined all these layers using the free software tool OBS (Open Broadcaster Software) and output that as a single video feed.
Since Iâm not actually âbroadcastingâ or streaming (OBS is primarily for Twitch, YouTube, Facebook Live, etc.), I need something to convert the broadcast into a useable format. Therefore, Iâve installed the OBS plugin VirtualCam, which makes the OBS output look like a webcam to other programs. Instead of selecting my actual webcam as the input for my video-conferencing software, I set it to the virtual device named âOBS-Camera.â This technique works for Microsoft Teams, Zoom, Skype, Jitsi, and GotoMeeting. Iâve done so much testing that some of the results are fading into a memory fog. So, Iâm only âmostly positiveâ that it will work with Google Hangouts, Google Meet, and Discord. The only âfailureâ I distinctly remember is for my doctorâs tele-medicine product, and that was because it would not let you choose an input device.
OBS is just one âlinkâ in the chain of tools used to create my desired output, and each software tool runs on a fairly beefy computer (see the end of article for details). Below is more detail on each link in this chain of tools. They are presented in a logical sequence: from the source to the destination. Along the way Iâll also mention some alternative tools that Iâve experimented with, since they may suit your needs better. And at the end of the article is a collection of miscellaneous notes, tips, and tricks.
The Chain of Tools
Environment
Iâve arranged my environment to improve the image and audio quality I can produce. Iâve added lamps and baffles to diffuse, bounce, direct and control the temperature (color) of the lighting. Not only of my face but also of the background (so itâs easier for the computer to cleanly âremoveâ my real background). For audio I do the same to optimize conditions: I set the timer on my air conditioner so it cools the room beforehand, and automatically turns off just prior to the start of the next meeting. I then turn down fans and other background noise. Iâve also covered the glass (bordering our front door) with a decorative overlay so the dog is oblivious to the comings and goings in our neighborhood. And finally, I close the office door if the grandchildren are visiting.
Audio hardware
My primary microphone is a dynamic mic with a cardriod sensitivity pattern (i.e., it minimizes off-axis and extraneous background sounds and focuses on just my voice). Itâs a Samson Q2U in a Rycote InVision USM shock mount on a Gator Frameworks boom and stand. The mic can be connected via USB, but Iâm using an XLR cable to a Zoom H6 acting as my computerâs Audio Interface. The Zoom H6 lets me mix multiple audio inputs, directly monitoring the mic, control gain, enhance the audio (e.g., volume compression), etc.
video hardware
Built-in webcams typically produce terrible video (grainy, choppy, dark, and low resolution) and at the wrong angle. Dell is notorious for their ânostrilâ cameras, which are mounted below the screen. Therefore, I began my journey with equipment already at hand. For video I used an iPhone XS Max because it has an awesome camera. To make my iPhone act as a webcam, I used Kinoniâs EpocCam app and PC software. To hold the phone at the proper height and angle, I used a Ram Mount X-grip with an extension arm and custom base (a glass brick filled with decorative river stones). A wireless Qi charging pad from Anker was stuck to the back of the X-grip to supply continuous power.
Although the iPhone was a high-quality solution, I wanted a dedicated webcam because I kept forgetting it was still mounted above and behind my monitor. Not only did I keep leaving it behind, it was also inconvenient to use the phone, as a phone, in this configuration. Although the cameras on iPads and Touch iPods are not as good as recent iPhones, they could be a dramatic improvement over the built-in webcams youâre using. And EpocCam works with Android devices and on macOS as well, as well as other competitors that Iâve heard of from other users.
Before for buying a dedicated webcam, I also experimented with other ânormalâ cameras configured to work as webcams. One option was using the HAYOX capture device to convert HDMI output to USB input (e.g., when connecting a GoPro HERO8 Black in a Media Mod âcageâ). But the latency and low-light performance was poor. I also converted a security camera I had on hand (the Wyze Pan Cam) into a webcam by applying a special firmware change. This was purely out of curiosity since the camera has an extremely large field of view that makes it undesirable except for the most desperate of users. You also lose the Pan/Tilt/Zoom controls and Infrared features, so itâs now restored back to its âsecurity cameraâ configuration. And I can feed it into OBS as a secondary camera view using an iPad connected with an Apple HDMI adapterâitâs pretty cool, but not particularly useful for virtual meetings.
None of the above experiments compared to the performance of a dedicated webcam like the Logitech Brio (which is what Iâm currently using). The less expensive Logitech C920s, C922, and StreamCam are also great alternatives. And Iâve craved pricer upgrades such as the HuddleCam HD or an Alpha-series Sony mirrorless camera (e.g., the wallet-busting a7S III). But those are more suited to professional streamers and media influencers that broadcast for a living.
The final piece of hardware equipment I have is a âgreen screenâ (for chroma keying). I would NOT recommend it for most users, and I only use it for special situations. A lot of the software that I mention below can be used without it. Green screens can be tricky to set up because they must be evenly lighted (no shadows or brighter areas) and can âsplashâ a green glow onto the subject if the light angles or distance are wrong. And when the screen is far enough back from your position, then it has to be humongous to still fill the cameraâs FOV (field of view)! I use the Valera Explorer 90 and even at this size it is a challenge to position so that it fills my webcamâs FOV. I wish it came with other color screens (chroma blue, neutral gray, and white), and I may make some by hand if the vendor doesnât add them. I had originally contemplated a retractable ceiling-mounted backdrop that pulls down like a movie-projector screen. But I went with the Valera since it collapses easily and is small enough to store out-of-sight in a closet corner. If I were a professional streamer, and had a larger office/studio, then Iâd probably go for a fixed screen (like this massive 8x8 foot backdrop) or perhaps a wall covered with special chroma green paint.
Software
I use multiple software programs to create the video feed used in virtual meetings. And the combination changes based on the look to be achieved. If Iâm using a static image as my background, then no additional software is needed. Both Microsoft Teams and Zoom include excellent features that do background replacement.
A more complex composition, like my example video above, uses a few more tools. Letâs look at the layers (from front to back) and the tools used for each. In the foreground is a graphic with text that provides additional information. The broadcast industry calls this a âLower Thirdâ (or L3) since it typically appears at the bottom of the screen. In my example video above, my L3 is actually positioned in the upper right corner. It was created using the free art program Paint.NET but any graphics software (CorelDraw, Photoshop, Procreate, etc.) could be used. I save my L3 graphics in the PNG format since it lets me save images with transparent backgrounds. But also because PNG does a superior job of compressing mostly solid, non-gradient colored shapes and text, which is what most L3s are.
Both L3 examples above have a section for a ticker (scrolling text). This text is layered over the L3 and comes from, and is configured in, OBS. The ticker is a âTextâ layer with a âScrollâ filter added. Below is a screen shot from OBS for an AFK (Away From Keyboard) screen. At the bottom (second pane from the left) is the SOURCES pane and it shows the two layers that make up the preview being displayed. The bottom layer is named âPlease Stand By TVâ and it pulls in the background image. On top of that is the ticker: a layer named âAFK Textâ which contains the âI will be back in just a momentâ message (including settings for placement, color, font, size, speed, opacity, etc.).
For my example video at the top of this article there is a middle layer, which is me via the webcam. In OBS this is a âVideo Capture Deviceâ layer type. However, there is a software component that sits between the Logitech Brio and OBS. The âLogitech Camera Settingsâ application lets me adjust and optimize the cameraâs video. I adjust saturation, white balance, contrast, etc. to match the background (whether moving or static). For example, if itâs a sunny beach scene then I would set the white balance to a warmer golden cast, increase the contrast, and bump up the brightness so it matches the scene. I also adjust my office lighting so that the shadows fall in the same direction as in the background. If the background is of a thunderstorm at sea, then I would match my image with a cooler white balance (i.e., a subtle blue cast), a darker exposure, and less contrast. Iâve also taken the opposite approach, and selected backgrounds that already match the lighting in my office. With more believable backgrounds (like a photo of an office or kitchen versus the cockpit of a spaceship), the matched lighting has been realistic enough to cause people to think I was actually in those locations!
In addition to the cameraâs utility software, OBS can also apply filters, and adjustments, and LUTs (adjustment Look Up Tables). A LUT is customized to both your specific camera and to your specific lighting conditions. To create a LUT, you first capture an image from your camera, which is taken under set lighting conditions. Then use a photo (or video) editing program to make adjustments to the captured image until it looks best. The adjustments are not applied directly to the captured image. Instead they are put on a separate layer, and youâre viewing your image through the adjustment layer. (Think of it as if you were painting on a pane of glass that is sitting on top of a photo.) Next, you replace, cover, or hide your captured image with a LUT reference table (original and unmodified). The LUT table is now sitting below those same adjustments. The results are flattened (the layers combined) and saved to a PNG image. This file is a custom LUT that can be applied to your cameraâs output so all video gets the enhancements. Below is the before-and-after for a Wyze Pan Cam, a camera thatâs optimized for security monitoring, not image quality. As you can see it adds a terrible yellow cast to the video, but with a custom LUT applied, the colors are much more natural.
For an animated, moving background Iâve been using YouTube videos. Yep, itâs just that simple! In OBS this is a âBrowserâ layer and would be positioned at the bottom. If your videoing or photographing your own (or when choosing someone elseâs) backgrounds, be mindful of the angle. In a meeting, your webcam is at eye-level while seated! So choose/take photos at that same height to create more natural backgrounds.
Picking a good background is a balancing act. If itâs too plain, then the artificial outlineâthe edge where the computer cut you out from your real backgroundâwill be very noticeable. A bit of detail and texture in the background helps to hide that outline. If the scene is too busy and detailed, it becomes distracting and you blend with it instead of being in front of the background. In real TV studios they use a âhair lightâ to ensure distinction and depthâto make the person stand out from, instead of blend into, the background.
When removing and replacing your actual real-life background, you want it to be plain and as uniform as possible. A blank wall would be excellent. This helps the computer distinguish your outline from the background. Angle your lights and use baffles (I use foam core boards) so that the light falls on your face and shoulders but not on the wall behind you which are slightly darker. To prevent âhot spotsâ and deep shadows on your face, bounce the light off the walls instead of pointing lights directly on yourself. This will soften and diffuse the lighting and create a more appealing appearance.
While on the topic of texture and detail in background images, itâs important to not go overboard. Some software cannot cope with an image that is too intricate. I had a photo of the interior of the NASA space station. The original was too complicated for Microsoft Teams to even display. Also, you donât want to overload the software by having it to constantly downscale large images. And photos from modern cameras and phones are massively oversized compared to a computer screen. They are so large they can crash your software. To prevent big images from slowing down or crashing my software, I proactively resize my backgrounds to âFull HDâ sizeâthat is, 1920 pixels wide by 1080 pixels tall. (This is also the size that MS Teams would reduce a background image to, so it saves the time and effort required to convert it every time,) And while Iâm cropping, sizing, and enhancing backgrounds, I will also flip them so the incoming light in the image matches my actual lighting. For example, a background photo may have a window (with incoming light) that is on the left. I will flip that photo so the window is on the right-hand side, like my real-life window.
While weâre discussing software limits, donât load too many backgrounds into your meeting software! I learned the hard way that MS Teams will crash if you have over 100 custom backgrounds. I now keep all my custom backgrounds in their own folder and only copy about 75 to MS Teams at a time. Below is a script I use to replace old custom backgrounds with a set of fresh âfinishedâ images.
DEL /Q C:\Users\Craig\AppData\Roaming\Microsoft\Teams\Backgrounds\Uploads\*.jpg COPY /Y C:\Backgrounds\Finished\*.jpg C:\Users\Craig\AppData\Roaming\Microsoft\Teams\Backgrounds\Uploads\
Tips, Tricks, & Notes
Use a wired ethernet connection when video conferencing. Itâs not only faster, but also more reliable and stable than WiFi.
The Zoom H6 can be used with an iPhone/iPad, even without AA batteries! When the H6 boots up, select PC (instead of iPAD) as the connected device.
Video processing can be intensive and requires a computer with sufficient capabilities. My Windows 10 PC has a Core i7-7700K at 4.2GHz, 32GB of RAM, a Samsung 850 Pro 512 SSD, 4 Toshiba 7200RPM 500GB drives in a RAID 5 array, an ASUS Prime Z270-AR motherboard, an Anker 10-port powered USB3.0 hub, a 1000 watt Corsair power supply feeding dual video cards, and a Corsair Hydro H100i liquid cooling system to supplement two case fans to keep the whole thing from burning itself out. This computer sits next to a window air conditioner that counters all the heat coming from this PC, the monitors, and accessories. Before the AC was installed the office could reach 80°F even in the dead of winter with all the heating vents closed.
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Faster Notification Toggle
Faster Notification Toggle
Introduction
In this article I show you how to quickly toggle a specific notification type on or off. These iOS setting are normally buried in an inconvenient location that you must slog your way to. But using Appleâs Shortcuts app, you can create a button that jumps directly to the setting. You can even use a voice command and have Siri open the page for you.
For me, email notifications are especially vital during work hours. Because email is the lifeblood of an information business (like my employerâs), I want to respond immediately when a request or question hits my inbox. But it is equally important to prevent email alerts from interrupting meetings, disrupting doctor appointments, annoying cinema patrons, or awakening me and my spouse in the dead of night.
Therefore, I frequently toggle this particular notification on or off as the situation demands. I found the manual method unnecessarily cumbersome: First, find and open the Settings app. Then find the Notifications category. Next scroll through the massive list of apps in the search of the one I want (often scrolling past the Mail app). And, lastly, toggling the notifications to the desired state.
I have now fixed that pain point: I can say âHey, Siri, toggle mailâ or tap a âToggle Mailâ button in my widgets. Either method jumps immediately to the toggle page for Mail. Below I give the steps on how to create this shortcut on your iOS device. This technique requires iOS version 13 (it does not work on certain older versions or out-of-date devices). Appleâs earlier support for this mechanism was a bit waffled, so letâs hope this recent development signifies a stronger commitment to let the Shortcuts app access settings.
Create the Shortcut
Watch the video below for a quick walkthrough. Or keep reading for the full written instructions and some additional information for advanced users.
First, find and open Appleâs Shortcut app. If you donât remember where you put it, use Appleâs Finder. On my iPhone the Finder is opened by swiping downward from the middle of the screen. Start typing the word âshortcutâ and it will soon show the app in the Applications section. If you deleted it, then you can re-download it from the iTunes store.
After you launch the Shortcuts app, make sure you are on the âMy Shortcutsâ page by using the menu at the bottom of the page. To create a shortcut, you can either tap the plus sign in the upper right corner of the page or tap the âCreate Shortcutâ button at the bottom of the displayed list.
I named my shortcut âToggle Mailâ for several reasons. First, it is short enough to fit inside a widget button. Second, I could also use Siri to invoke the shortcut because the name was memorable, easy to say, and unambiguous. And third, (the reason that it was memorable) was because the name was logical and self-explanatory. But feel free to use something else if this name does not work for you. To set the name of your shortcut, tap the button in the upper right of the page (with three dots) to access the shortcutâs âDetailsâ page.
Replace the âShortcut Nameâ in the top field by typing in the name you prefer.
While still on this âDetailsâ page, tap the existing icon if you want to change the symbol or color. I chose green and used the âalertâ symbol for my glyph. The âShow in Widgetâ is already on by default so we can leave that untouched. You could optionally also tap the âAdd to Home Screenâ if having the shortcut there is more your style. When youâre finished on this page tap the âDoneâ link in the upper right of the page to begin building the actions of the shortcut.
Tap the âDoneâ link in the upper right of the Icon page to return to the âDetailsâ page. On the âDetailsâ page tap the âDoneâ link to return to the actual shortcut definition.
Now tap the blue plus sign button (with the âAdd Actionâ link) centered near the top of the page. Our shortcut will have two steps (i.e., actions). First, define our destination: that is, tell the shortcut where this particular setting lives. And, second, open that defined location (that is, display that page so we can set the toggle to the desired state).
For our first action, begin typing in âURLâ into the search field. Select âURLâ when it appears in the âActionsâ results list.
When the action is initially added it has an example destination of âapple.comâ in light text. Tap this example text so we can type in a replacement.
Enter the following string precisely. I recommend that you copy and paste the line below to ensure accuracy.
prefs:root=NOTIFICATIONS_ID&path=com.apple.mobilemail
Now we are ready to add our second and final action. Again, tap the plus icon centered below our first action. When the search field appears begin typing âOpen URLsâ and then tap the matching result when it appears in the âActionsâ list.
There are no parameters to configure for this final/second action. So, tap the âDoneâ link in the upper right of the page to finish your creation. It is now ready to use. You can invoke the shortcut from the widget button (swipe left-to-right from the center of the home page), or by name using Siri. If you took the option of putting a button on your home page, you might want to reposition its icon so itâs placed in a convenient location.
Advanced Users
For users that are a bit more adventurous and technically inclined, you can use the URL shortcut technique to access different settings. If youâre not using Appleâs built-in mail program, you need to replace the identifier with your productâs official internal name. The first action will still begin with
prefs:root=NOTIFICATIONS_ID&path=
But instead of ending with com.apple.mobilemail you need to specify your mail app after the equal sign. Here is how to find the official internal name of your application.
Go into the Notifications section of Settings and find the exact name as itâs listed there
Open a web browser and search for âiTunesâ and the name of your application (for example, âOutlook on iTunes storeâ)
Find the search result thatâs on the official Apple.com website. In the screenshot below, it was the first result.
Click the official App Store link and confirm itâs the correct application (vendor, version, etc.)
Make note of the final identification number in the URL. For our example, Microsoft Outlookâs URL to its App Store page is https://apps.apple.com/us/app/microsoft-outlook/id951937596 so the identification number is 951937596
Put this identification at the end of a lookup URL (i.e., after the equal sign). For MS Outlook (app identifier 951937596) the URL would be https://itunes.apple.com/lookup?id=951937596Â
Go to the lookup URL and youâll be prompted to download a file name 1.txt
Save the file and then open it in a text editor
Search this text file for âbundleIdâ and make note of the exact official name that follows. For our example, we found
, "bundleId":"com.microsoft.Office.Outlook",
So, the official internal name is com.microsoft.Office.Outlook
Use this name in your shortcut. For this example, the first action would define the settings URL as:
prefs:root=NOTIFICATIONS_ID&path=com.microsoft.Office.Outlook
Other Settings
A shortcut can have other destinations than just notification toggles. Below is a slew of other destinations to inspire your creativity and research.
Accessibility
Accessibility: prefs:root=ACCESSIBILITY
App Store
App Store: prefs:root=STORE
App Store âź App Downloads: prefs:root=STORE&path=App%20Downloads
App Store âź Video Autoplay: prefs:root=STORE&path=Video%20Autoplay
Apple Pencil
Apple Pencil (iPad-only): prefs:root=Pencil
Battery
Battery: prefs:root=BATTERY_USAGE
Battery âź Battery Health (iPhone-only): prefs:root=BATTERY_USAGE&path=BATTERY_HEALTH
Books
Books: prefs:root=IBOOKS
Calendar
Calendar: prefs:root=CALENDAR
Calendar âź Alternate Calendars: prefs:root=CALENDAR&path=Alternate%20Calendars
Calendar âź Default Alert Times: prefs:root=CALENDAR&path=Default%20Alert%20Times
Calendar âź Default Calendar: prefs:root=CALENDAR&path=Default%20Calendar
Calendar âź Sync: prefs:root=CALENDAR&path=Sync
Camera
Camera: prefs:root=CAMERA
Camera âź Record Slo-mo: prefs:root=CAMERA&path=Record%20Slo-mo
Camera âź Record Video: prefs:root=CAMERA&path=Record%20Video
Compass
Compass: prefs:root=COMPASS
Contacts
Contacts: prefs:root=CONTACTS
Control Center
Control Center: prefs:root=ControlCenter
Control Center âź Customize Controls: prefs:root=ControlCenter&path=CUSTOMIZE_CONTROLS
Display
Display: prefs:root=DISPLAY
Display âź Auto Lock: prefs:root=DISPLAY&path=AUTOLOCK
Display âź Text Size: prefs:root=DISPLAY&path=TEXT_SIZE
Do Not Disturb
Do Not Disturb: prefs:root=DO_NOT_DISTURB
Do Not Disturb âź Allow Calls From: prefs:root=DO_NOT_DISTURB&path=Allow%20Calls%20From
Emergency SOS
Emergency SOS: prefs:root=EMERGENCY_SOS
Face ID
Face ID: prefs:root=PASSCODE
FaceTime
FaceTime: prefs:root=FACETIME
Game Center
Game Center: prefs:root=GAMECENTER
General
General: prefs:root=General
General âź About: prefs:root=General&path=About
General âź Background App Refresh: prefs:root=General&path=AUTO_CONTENT_DOWNLOAD
General âź CarPlay: prefs:root=General&path=CARPLAY
General âź Date & Time: prefs:root=General&path=DATE_AND_TIME
General âź Dictionary: prefs:root=General&path=DICTIONARY
General âź Keyboard: prefs:root=General&path=Keyboard
General âź Keyboard âź Hardware Keyboard: prefs:root=General&path=Keyboard/Hardware%20Keyboard
General âź Keyboard âź Keyboards: prefs:root=General&path=Keyboard/KEYBOARDS
General âź Keyboard âź One Handed Keyboard: prefs:root=General&path=Keyboard/ReachableKeyboard
General âź Keyboard âź Text Replacement: prefs:root=General&path=Keyboard/USER_DICTIONARY
General âź Language & Region: prefs:root=General&path=INTERNATIONAL
General âź Multitasking (iPad-only): prefs:root=General&path=MULTITASKING
General âź Profiles: prefs:root=General&path=ManagedConfigurationList
General âź Reset: prefs:root=General&path=Reset
General âź Software Update: prefs:root=General&path=SOFTWARE_UPDATE_LINK
Health
Health: prefs:root=HEALTH
iCloud
iCloud: prefs:root=CASTLE
iCloud Backup: prefs:root=CASTLE&path=BACKUP
Mail
Mail: prefs:root=MAIL
Mail âź Blocked: prefs:root=MAIL&path=Blocked
Mail âź Blocked Sender Options: prefs:root=MAIL&path=Blocked%20Sender%20Options
Mail âź Default Account: prefs:root=MAIL&path=Default%20Account
Mail âź Include Attachments with Replies: prefs:root=MAIL&path=Include%20Attachments%20with%20Replies
Mail âź Increase Quote Level: prefs:root=MAIL&path=Increase%20Quote%20Level
Mail âź Mark Addresses: prefs:root=MAIL&path=Mark%20Addresses
Mail âź Muted Thread Action: prefs:root=MAIL&path=Muted%20Thread%20Action
Mail âź Notifications: prefs:root=MAIL&path=NOTIFICATIONS
Mail âź Preview: prefs:root=MAIL&path=Preview
Mail âź Signature: prefs:root=MAIL&path=Signature
Mail âź Swipe Options: prefs:root=MAIL&path=Swipe%20Options
Maps
Maps: prefs:root=MAPS
Maps âź Driving & Navigation: prefs:root=MAPS&path=Driving%20%26%20Navigation
Maps âź Transit: prefs:root=MAPS&path=Transit
Measure
Measure: prefs:root=MEASURE
Messages
Messages: prefs:root=MESSAGES
Music
Music: prefs:root=MUSIC
Music âź Cellular Data: prefs:root=MUSIC&path=com.apple.Music:CellularData
Music âź EQ: prefs:root=MUSIC&path=com.apple.Music:EQ
Music âź Optimize Storage: prefs:root=MUSIC&path=com.apple.Music:OptimizeStorage
Music âź Volume Limit: prefs:root=MUSIC&path=com.apple.Music:VolumeLimit
News
News: prefs:root=NEWS
Notes
Notes: prefs:root=NOTES
Notes âź Access Notes from Lock Screen: prefs:root=NOTES&path=Access%20Notes%20from%20Lock%20Screen
Notes âź Default Account: prefs:root=NOTES&path=Default%20Account
Notes âź Lines & Grids: prefs:root=NOTES&path=Lines%20%26%20Grids
Notes âź New Notes Start With: prefs:root=NOTES&path=New%20Notes%20Start%20With
Notes âź Password: prefs:root=NOTES&path=Password
Notes âź Sort Checked Items: prefs:root=NOTES&path=Sort%20Checked%20Items
Notes âź Sort Notes By : prefs:root=NOTES&path=Sort%20Notes%20By
Passwords & Accounts
Passwords & Accounts: prefs:root=ACCOUNTS_AND_PASSWORDS
Passwords & Accounts âź Add Account: prefs:root=ACCOUNTS_AND_PASSWORDS&path=ADD_ACCOUNT
Passwords & Accounts âź Fetch New Data: prefs:root=ACCOUNTS_AND_PASSWORDS&path=FETCH_NEW_DATA
Personal Hotspot
Personal Hotspot: prefs:root=INTERNET_TETHERING
Personal Hotspot âź Family Sharing: prefs:root=INTERNET_TETHERING&path=Family%20Sharing
Personal Hotspot âź Wi-Fi Password: prefs:root=INTERNET_TETHERING&path=Wi-Fi%20Password
Phone
Phone: prefs:root=Phone
Photos
Photos: prefs:root=Photos
Privacy
Privacy: prefs:root=Privacy
Privacy âź Calendars: prefs:root=Privacy&path=CALENDARS
Privacy âź Camera: prefs:root=Privacy&path=CAMERA
Privacy âź Contacts: prefs:root=Privacy&path=CONTACTS
Privacy âź Location Services: prefs:root=Privacy&path=LOCATION
Privacy âź Microphone: prefs:root=Privacy&path=MICROPHONE
Privacy âź Motion: prefs:root=Privacy&path=MOTION\
Privacy âź Photos: prefs:root=Privacy&path=PHOTOS
Privacy âź Reminders: prefs:root=Privacy&path=REMINDERS
Privacy âź Speech Recognition: prefs:root=Privacy&path=SPEECH_RECOGNITION
Reminders
Reminders: prefs:root=REMINDERS
Reminders âź Default List: prefs:root=REMINDERS&path=DEFAULT_LIST
Safari Browser
Safari: prefs:root=SAFARI
Safari âź Advanced: prefs:root=SAFARI&path=ADVANCED
Safari âź Camera: prefs:root=SAFARI&path=Camera
Safari âź Clear History and Data: prefs:root=SAFARI&path=CLEAR_HISTORY_AND_DATA
Safari âź Close Tabs: prefs:root=SAFARI&path=Close%20Tabs
Safari âź Content Blockers: prefs:root=SAFARI&path=Content%20Blockers
Safari âź Downloads: prefs:root=SAFARI&path=DOWNLOADS
Safari âź Location: prefs:root=SAFARI&path=Location
Safari âź Microphone: prefs:root=SAFARI&path=Microphone
Safari âź Page Zoom: prefs:root=SAFARI&path=Page%20Zoom
Safari âź Reader: prefs:root=SAFARI&path=Reader
Safari âź Request Desktop Website: prefs:root=SAFARI&path=Request%20Desktop%20Website
Screen Time
Screen Time: prefs:root=SCREEN_TIME
Screen Time âź Always Allowed: prefs:root=SCREEN_TIME&path=ALWAYS_ALLOWED
Screen Time âź App Limits: prefs:root=SCREEN_TIME&path=APP_LIMITS
Screen Time âź Downtime: prefs:root=SCREEN_TIME&path=DOWNTIME
Shortcuts
Shortcuts: prefs:root=SHORTCUTS
Siri
Siri: prefs:root=SIRI
Sounds
Ringtone:
prefs:root=Sounds&path=Ringtone
Sounds: prefs:root=Sounds
TV
Settings âź TV: prefs:root=TVAPP
Voice Memos
Voice Memos: prefs:root=VOICE_MEMOS
VPN
VPN: prefs:root=General&path=VPN
Wallet
Wallet: prefs:root=PASSBOOK
Wallpaper
Wallpaper: prefs:root=Wallpaper
Wireless Radios
Bluetooth: prefs:root=Bluetooth
Cellular: prefs:root=MOBILE_DATA_SETTINGS_ID
Wi-Fi: prefs:root=WIFI
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Building a Battery Backup
Power outages are no stranger to Atlanta residents. Spring and summer bring lightning storms, strong winds, and sometimes tornadoes. Winter brings ice storms and in the autumn, weâre close enough to both the Atlantic Ocean and the Gulf of Mexico to feel the impacts from the tail of hurricane season. Even on cloudless, sunny days an errant driver can knock out a transformer and then there are the mysterious outages that last just a few minutes for no discernible reason. So, a battery backup seemed prudent to power my medical equipment and keep all my addictive gadgets charged. If you are an RV traveler or a camper with a vehicle at hand, then you might also find the following setup useful.
Avoid Inverters!
Inverters, which turn DC current into AC current, are both dangerous and horribly inefficient devices. The conversion process can easily waste 40% of a batteryâs energy. Itâs much more efficient to use a deviceâs DC adapter when one is available. Also, inverters can damage fine electronics because the âaffordableâ units output power that has a stepped or squared waveform. Simple devices like power tools, water boilers, fans, etc. can handle that rough output. But sophisticated electronics like TVs and laptops require a smooth waveform. The inverters that can produce the required sine wave output cost a lot more. If you need an inverter between your battery and device, make sure that itâs providing the correct type of power and is adequately fused.
No Car Batteries!
Car batteries are designed to provide a surge of power, all at once, and up-front to get the vehicle started. Once the vehicle is running on gasoline, the engine produces electricity through its alternator and recharges the car battery. These lead-acid batteries are not designed to handle a continuous or long-term power drain. So, youâll want a Deep Cycle battery instead. Deep Cycle batteries are designed for an extended electrical pull and are what are used in golf carts, scooters, RVs, and boats and are often called âmarineâ batteries. Buy an AGM (absorbent glass mat) battery because they are sealed and can be used indoors. This prevents corrosive acid and awful fumes that could come from an unsealed battery.
Although lithium ion batteries can deliver power in a smooth sine wave and over an extended period, they cannot match the capacity or voltages of an AGM battery at the same cost point. Lithium battery capacities are typically rated in mAh (milliampere hour), which is one-thousandth smaller than the Ah (ampere hour) used to rate AGM battery capacities. A lithium battery with a 100 Ah capacity battery is insanely expensive compared to an AGM version of the same capacity.
What is Ah?
The unit of Ah (ampere hour) is the number of amps that can be delivered in an hour. So a 100 Ah battery, in theory, delivers 1 amp of electricity for 100 hours, or 2 amps for 50 hours, or 4 amps for 25 hours, etc. These are theoretical maximums because a batteryâs age will reduce its capacity. Also, batteries do not discharge at the same rate for the entire duration. And environmental factors such as cold can reduce capacity. Nor would you use a battery's full capacity (i.e., discharge it completely) since that severely damages its ability to recharge. An AGM battery should not be discharged below 50% or its longevity will be curtailed. For my scenario, my medical device draws less than 10Ah per day, so a 100Ah AGM battery provides several days of service without going below the 50% threshold.
Wow! That's Heavy!
Also, the size and weight of a 100Ah is at the upper limits of portability. The model I purchased is a hefty 64 pounds and fits in a standard âgroup 27â battery case with barely space to spare. The case is important because of the danger of shorting out the battery terminals. There's enough energy in these batteries that a short can melt metal or start a fire. Also, the case I purchased has two convenient 12V plugs for connecting my devices, two insulated posts for permanently connecting the charger, a battery meter, and circuit breakers. And speaking of chargers, I selected one that is specifically is safe for AGM batteries. I can safely leave the battery connected to the charger, which automatically cuts power to prevent overcharging and also prevents the battery dropping too low on charge. The external terminals would also allow me to connect multiple batteries in parallel (to increase capacity) and/or in series (for higher voltages) should I ever need those. Or they can be used to attach solar panels to recharge the battery using sunlight.
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The King Is in Darkness
I was surprised to see the king in total darkness. Then it dawned on meâŠ
I typically drive into work before the sun rises, and I get a dramatic view of the lights of crown on the King & Queen. These are iconic landmarks in north Atlanta, at the Concourse complex in the âPerimeterâ area. They were designed with crowns to look like chess pieces. The photo Iâve attached was taken on a visit to Atlanta more than a decade ago, when I lived in Chattanooga and thought I would be staying there for the rest of my life. So obviously, Iâve been enamored with the King & Queen for a long time. Imagine my delight when I ended up working next to them. Over the years Iâve noticed the lights change colors to celebrate different holidays. But this is the first Iâd seen a tower in complete darkness. The other was lit in deep blood red, so I knew the King was in darkness on purpose.
Today is Good Friday, when we celebrate the crucifixion. The day the sun was plunged into darkness during the midday. And the day light of life in the King of Kings was extinguished and he was laid to rest in the blackness of a borrowed tomb. I found the commemoration and symbolism in the tower lighting very uplifting in the predawn hours of Good Friday.
It struck me as strange, in my younger days, why the day of Jesusâ murder and burial would be called Good Friday. Until someone pointed out a passage in Psalm 118. Youâll often hear verse 24 quoted without its context: âThis is the day the Lord has made; We will rejoice and be glad in it.â And itâs used as if it read âThis is a dayâ instead of âThis is THE day.â But if you look at the verses surrounding this line, you realize this is a prophecy about a SINGLE day of incredible importance.
I will praise You, For You have answered me, And have become my salvation. The stone which the builders rejected Has become the chief cornerstone. This was the Lordâs doing; It is marvelous in our eyes. This is the day the Lord has made; We will rejoice and be glad in it. Save now, I pray, O Lord; O Lord, I pray, send now prosperity. Blessed is he who comes in the name of the Lord! We have blessed you from the house of the Lord. God is the Lord, And He has given us light; Bind the sacrifice with cords to the horns of the altar. You are my God, and I will praise You; You are my God, I will exalt You. Oh, give thanks to the Lord, for He is good!
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Easter Garden Sign Project
Completed! Visit the project page to see how I crafted a hanging yard sign using craft store supplies and colored pencils. I couldnât find a suitable Easter plaque to celebrate Resurrection Sunday, so I made a garden decoration proclaiming âHe is Risenâ embellished with a cluster of dogwood blossoms.
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How to Scan 35mm Slides
How to Scan 35mm Slides
Intro
The first, and most important question to ask yourself is, âShould you?â It might be better to give the task to the professionals if you donât have the time, patience, skills, or equipment. Memories Renewed is a service that I have used and which came highly recommended by TheWireCutter.com.
I chose to do it myself because it satisfied several of my requirements. First, the number of slidesâover a thousandâjustified the purchase of a scanner. Some scanning services charge over a dollar per slide, and even Memories Renewedâs relatively low price of ninety cents per slide eclipsed the price of a scanner.
Second, I needed a new scanner and the replacement would be used even after the slide scanning project. My old scanner was so ancient it required drivers purchased from a third-party vendor. And it was doubtful the drivers that I bought for Windows 7 would also work under Windows 10. So, it didnât make sense to keep investing in the old scanner, especially since it lacked the ability to scan film negatives or slides. This was a good opportunity to upgrade to a modern, supported, and more capable replacement. After researching my options and looking at reviews, I chose the Epson Perfection V600 scanner.
And lastly, I had the time, patience, and the skills for this DYI project. It is not a technically challenging task to operate a consumer-grade flatbed scanner. However, photo-retouching does require a bit of knowledge. Old 35mm slides will have scratches, blemishes, color casts, etc. and youâll want the skills to correct or mitigate these issues. The Epson scanning software has tools to address some issues, while others are fixed post-scan in photo editing software. Iâll touch on a few of the basics, but in-depth coverage of photo editing is outside the scope of this article. You shouldnât, however, have any trouble finding free video tutorials on photo-correction topics such as histograms, gamma curves, HSB, etc. And any investment into those editing skills also apply to the photos youâre currently taking.
In this article Iâll give you hints and tips on scanning 35mm slides specifically. Some of the tools and techniques apply to scanning film negatives and old photo prints also. This guide is not a replacement for your scannerâs manual, which should be the primary source of instruction. Â Rather this is a supplement to clarify topics that are omitted or ambiguous. So, if youâre up to the challenge of slide scanning, letâs look at the equipment that will be useful.
Equipment
A slide/film scanner differs from an ordinary flatbed scanner because it has special illumination to project through the film or negatives. Also, a slide scanner typically uses a tray to hold the slides in the specific location of that lighting. The Epson Perfection V600 scanner has this lighting and the included tray will hold slides or negatives. But particularly appealing is the scanning software, which includes Digital ICE that can remove or mitigate blemishes and damage on both film and photos. The results can be amazing sometimes, and sometimes they will make a scan worse. You should make a slide-by-slide decision on whether to use Digital ICE, since you can often get better results from manual corrections.
Youâll want to remove any dust or dirt from the slides (and scanner flatbed) before scanning. The easiest method is to blow the dust away and I use a Giottos Large Rocket Air Blaster. Cans of compressed air can be too powerful, but they are useful for clearing your work area. For stubborn specs that canât be blown away, I use a soft photographer's brush. These two tools were sufficient to clean most of the slides. I did have some slides with mildew damage and used lint-free wipes to apply a special emulsion cleaning fluid. These tools could also be used to clean film negatives, although I would add cotton gloves to the mix to prevent fingerprints. But gloves werenât needed for my project since I only handled the slides by their frames.
Another way I protected the slides from fingerprints was by using a spudger. This is a tool with a point on one end and a flat screwdriver-like blade on the other. Itâs made of nylon and wonât scratch the glass of the scannerâs flatbed. And itâs handy at lifting the slides from the tray. I already had several spudgers on hand (from my iFixIt toolkit), but they can be purchased by themselves. For a particularly stubborn slide, push it to one side of the frame and use the spudger tip on the opposite side to lever it out of the frame.
A zip bag or a sealed plastic box should be used to store your brush, spudger, lint-free wipe, etc. Thereâs no sense leaving them out between work sessions to gather dust.
Prepare
Before scanning wash your hands to minimize the oils on your fingers. And wipe down your work area, so you wonât be kicking up any dust while you work. If youâve dug out your slides from an attic or closet, the box is probably dusty. Take the box to a different area to clean it so the air in your work area isnât full of floating dust motes that will settle on your scanner and slides.
I learned the hard way that I also must prepare my work area by pausing my backup software. I use Google Backup & Sync, which gets confused when I edit photos. When I would go online to view the photos it showed the original versionânot the finished version that had been corrected and edited. Therefore, I pause this software at the beginning of a session, and I donât turn it back on until my photo editing is finished. I budget my time and work in batches, so I donât scan more photos than I can edit, and thus ensure that the edited versions are what get backed up to the cloud.
Scanning
You should decide on a workflow and stick with it for a work session. A workflow is a series of steps that youâll execute in the same manner, and in the same sequence, for each iteration. A workflow prevents mistakes and produces consistent results. You should position your tools and the slides to support your workflow. For example, I position the slide carousel to my left (since Iâm working left-to-right) and rotate the carousel so the next slides to be cleaned are just below the 3 oâclock position. When I remove or return slides to the carousel I grip and rotate them the same way to ensure the emulsion side of the film is always facing the correct direction (more on that in a minute).
Another workflow decision is what you will be doing while the slides are being scanned. For example, you could do photo-retouching on the images that have already been scanned. But I have found the process goes much faster if I work on cleaning and documenting the next four slides to be scanned. I can accomplish more if I focus only on scanning. Switching between scanning and editing feels more productive, but it is actually much slower overall. So, I save all the photo editing until after Iâm finished scanning.
Belly Down
Slides are placed on the flatbed of the scanner emulsion-side up. Iâve seen advice on using the text printed on the frame to identify the sides. However, my slide collection comes from photo labs in different countries and represented several brands, and I found that frame printing is neither consistent or dependable. Also, some frame brands didnât even have text on them. To make matters worse, occasionally the film would be (even within one brand) inconsistently and incorrectly mounted. So, the best method is to always examine the film surfaces of every slide.
The emulsion side of film will be dull, and the opposite side will be shiny. For some film brands, it may be hard to discern the dull from the shiny side. Here is a list of indicators, in descending order of reliability, to help distinguish the emulsion-side:
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Emulsion side is facing you if film is⊠NON-emulsion side is facing you if film is⊠DULL SHINY CONCAVE (curves away from you) CONVEX (âbellyâ curves towards you) Any text in film image is reversed Any text in film image appears normal May have brand name, logo, and/or âThis side toward screenâ on the frame. WARNING: Not all brands or labs follow this convention. May have slide number and/or date-developed on the frame. WARNING: Not all brands or labs follow this convention.
Below are photos of different brands and style of slides showing the difference between their sides. The emulsion side is shown in the left column and the non-emulsion side of the same slide is to its right.
The frame's markings below are opposite from the Kodachrome brand shown above. The film, rather than the frame, are the real indicators of which side is which.
When you place a slide in the scannerâs tray, the emulsion side should face up (i.e., SHINY BELLY DOWNÂ towards the glass). Also, be sure to rotate the slide so that the top of the image is towards the back hinge of the scanner.
When you return the slide back to its carousel, the top of the image goes towards the bottom of the carousel. And the shiny belly will be facing a higher numbered slot.
Problem Solving
Warped Frame
Slides in cardboard frames can warp over time, which can result in a suboptimal focus. You can sometimes gently bend the frames to compensate. But if they spring back to their warped state there is another solution: add a couple of empty, plastic frames on top of the slide when it is in the tray. This is just enough to allow the scanner lid to make contact and hold the slide flat against the glass.
Black Edge Bands or Strange Cropping
If the scanner adds black bars to a slide or crops it in strange ways, then it is probably because of light bleed. This light bleed confuses the scanner and it guesses the wrong slide size (inner window dimensions). The bleed is usually an outside edge and adding an empty slide frame on top will often stop the bleed.
But sometimes youâll need a special light-blocking frame. I made such a tool using an empty frame. I added black electrical tape so that it wrapped each edge of the frame, giving the frame a tiny increase in dimensions and a snug fit in the tray. On rare occasions, it would take two of these frames on top of my slide to block all the bleed.
Because the tape on these special slides can peel back, I store them separately from all my other tools. This ensures no sticky residue transfers to any other item. And I check them before each use to make sure all the tape pieces are down and havenât picked up a stray hair or other debris.
Also, when using empty frames to counter warping or to stop light bleed, be aware of the window shape. Most of my slides had rectangular windows, but I did encounter a handful with square windows. The empty frames need to have the same shape and size window as the underlying slide, and you should orientate them so that all windows in a stack align.
Fixing Images
The above problems fix the physical aspect of the slides to ensure a good scan. The Preview function is used to identify the issues and then again to validate theyâre resolved. The next type of fix is made using software to correct defects in the film or created by the photographer.
Fix At Scan
Major issues are fixed during the scan. These problems are over-exposure (too light), under -exposure (too dark), blowout (combination of extreme areas that are too dark and too light), and color cast (overall image is red, or yellow, or blue, etc.).
Below is a screen shot of the settings that I use to scan 35mm slides. The very first item control is MODE and you must first set it to âProfessional Modeâ in order to access all the settings and tools shown below. Youâll also notice that this panel is divided in two with an ADJUSTMENTS divider in the middle.Â
Before discussing the adjustments, I want to discuss the RESOLUTION setting. Memories Renewed uses a setting of 4000 dpi for their customersâ 35mm slides. But youâll notice I have selected 2400 dpi. That is because I will not be printing out any of the resulting images. Instead they will only be viewed online, so making them bigger than the size of most screens is a waste of disk space. Also, larger images take longer for the scanner to create, longer to load, longer to display, and longer to transmit. Consider how you will use the resulting images and choose a resolution that makes sense for that scenario.
In the adjustment tools (in the panel above) there is a row of icons. The only two that I use are the Tonal Curves (third from the left) and HSB (fourth from the left). I'll give some examples of how they are used below. But before moving on to that topic, I want to discuss the adjustment settings below the row of icons.
I leave the UNSHARP MASK at Medium and have not yet encountered a need to change that setting. The COLOR RESTORATION is checked ON as needed on a slide-by-slide basis (with ON being most common). The preview will immediately improve if this setting is beneficial so you can make a decision without having to do a test scan and even without having to do another preview. And lastly, I will sometimes enable the Digital ICE setting. But this setting does display in the preview, so youâll have to review any scans made with this adjustment. The review is necessary because sometimes Digital ICE will introduce undesired artifacts. Consequently, I only use this setting sparingly.
Adjustment Tools
In the photos below, the image on the left is an unadjusted image with a red cast. This is caused by age (tends to happen to certain film brands). The next image, just to the right, is a dramatic improvement. This adjustment is a result of setting the COLOR RESTORATION checkbox ON.
The image below and to the left has a blowout issue. This happens when a photographer is facing a bright light in the background, which cause the foreground to be too dark. To correct lighting problems such as blowout, over-exposure, and under-exposure, I use the Tone Curve adjustment. In the next photo you can see this tool floating over our sample image. The shadows are not quite as deep and the sky isn't quite as glaring. These adjustments were made by changing the curve in the adjustment tool.
In the grid above youâll see a faint, straight, red line running diagonally from the lower left to upper right corner. This is represents the lighting before adjustment. By clicking the line and dragging you can change the straight line to a curve. You can also move the endpoints of the line to adjust the lighting. The bands along the sides of the grid indicate whether you're adjusting dark values (lower left) or light values (upper right). Wherever the line curves upward the values get lighter, and wherever the line curves downward the values get darker. In my curve the very darkest shadows remain unchanged, but everything else gets brighter. That is, except the very end of the curve. The upper-right end doesn't meet at the grid corner but instead curves down, which makes the extreme whites not so bright. A full discussion of tonal curves is beyond the scope of this article. The best way to get the gist of this tool is by experimenting, since the preview will change in real-time and give immediate feedback. And the Epson software has a RESET button if you want to remove a curve experiment youâve just tried.
The Tone Curve also has radio buttons along the mid-left for color channels, so you can adjust the curve for reds only, greens only, and/or blues only. The other tool for controlling color is the HSB tool (HSB stands for Hue, Saturation, and Brightness). The Hue slider is used to shift the overall image toward red or blue. The saturation slider is used to give dull images a punch of color. Or, conversely, if the colors are excessively vibrant, you can desaturate them to more natural tones. Or, alternatively, you can completely desaturate a photo to convert it to a black-and-white image. Some brands of film accentuate reds, so you can choose to desaturate only the reds to bring the photo into balance.
Fix After Scan
The fixes by the scanner correct the most egregious problems that tend to change the photo overall. Tweaking and cleanup of individual areas of a photo are applied after the scan. Some fixes such as color adjustments, cropping, and resizing can be achieved using a free photo editor such as paint.net. But Iâve found Adobe Photoshop Elements is exceptionally good at red-eye removal, dust and blemish removal, and fine-tuning lighting. The healing brush alone is worth the price of this package.Â
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Bad Battery Advice?
Do You Give or Follow Bad Battery Advice?
âThat battery is about to explode!â
Thatâs the second time in recent months Iâve had to give someone bad news about why their laptop had an ugly bulge and why its performance had plummeted. I then suggested they quickly power it off and take immediate action. On the inside, however, I wanted to scream âGet that bomb out of my office, NOW!â
When they returned later in the day with a replacement, they shared some advice theyâd received on preventing a recurrence. A misinformed technician instructed them to fully discharge the laptop battery on a regular basis. This triggered another fit of screaming (albeit, inside my head). While not as dangerous as an exploding lithium battery, such bad advice is destructive. And Iâm dismayed at the number of peopleâeven those with a technical backgroundâwho perpetuate such horrible advice.
To combat destructive and dangerous advice, Iâve assembled best practices on charging your devices. Most of you want the bottom line and donât want to get deep into the weeds. But if one of the few that wants the research behind the advice, Iâve listed resources at the end of this article.
What Kind of Batteries?
Modern devices like your smartphone, tablets, laptops, etc. use lithium-ion batteries (also known as lithium polymer, Li-ion, and LIB). The advice in this article is for lithium-ion batteries only. The chemistries of lead-acid batteries, alkaline batteries, NiCad batteries, etc. are very different. Some of the bad advice thatâs being given or followed for lithium-ion batteries comes from confusing and mixing advice from legacy battery types.
What Lithium-ion Batteries Hate
Overcharging
Junk Cables &Â Chargers
Extreme Temperatures
Full Depletion
Related Links:
âHere Are the Reasons Why So Many Hoverboards Are Catching Fireâ âCNET.com
âHoverboards Recalled for Fire and Explosion Risks â Againâ âUSAtoday.com
âEverything We Know About Samsungâs Galaxy Note 7 Recallâ âDigitalTrends.com
âApple Lawsuit Reveals Most Chargers Sold on Amazon Are Fakeâ âEngadget.com
âWhat to Look for When Buying USB-C Cables and Adaptersâ âAndroidCentral.com
âThe Best Lightning Cable for iPhone and iPadâ and âThe Best Micro-USB Cableâ and âThe Best USB-C Adapters, Cables, and Hubs to Connect Old Accessories to Your New Laptopâ âTheWireCutter.com
 Overcharging is probably the worst thing you can do to a lithium-ion battery, because that can lead to fires and ruptures. The good news is that major manufacturers take great pains to build in multiple safeguards to prevent overcharging. So, overcharging is normally not a concern. When âsmartâ charging is used, the power to the battery is cut off to prevent damage or danger. Not all manufacturers are conscientious, however, and the cheap Chinese hoverboards popular in 2015 and 2016 omitted overcharging protections. This led to them spontaneously combusting and was a contributing factor to being banned. Consequently, I will not buy equipment that has warnings to unplug a device once it is fully charged. This is a bad sign theyâve gone the cheap route and have omitted overcharging protections.
Not that devices with âsmartâ charging are immune to overcharging. Even mainstream products can sometimes be flawed. The Samsung Galaxy Note 7 phone became infamous for the explosions and fires it caused. And Dell, HP, Lenovo, etc. have also made battery recalls. On the upside, these defects tend to be identified early and âup front.â
Prevent Overcharging
To prevent overcharging you should use quality chargers and cables. For Apple products, that means cables that are labeled as MFi certified. If I specifically need an Apple brand item (e.g., the HDMI lightning adapter), I buy them from a major retailer because Iâve had issues with counterfeits on Amazon.com (see article in sidebar). USB-C is another cable standard thatâs suffered from quality woes.
But even if youâre not using a special cable, itâs still important to use quality components. Donât buy cables or chargers from the local drugstore, gas station, or bargain bin. Not only is this important for the safety of your device, cheap components often deliver a weak and unstable power flow and can take longer to charge your device.
One way to ensure quality is to use the products provided by the deviceâs manufacturer. But there are also plenty of reputable third party sources that are just as good (or better) and can save you money. One of my favorite brands for chargers and cables is Anker and their products can be found in my home, vehicle, office, and backpackâas well as for my family, friends and relatives since I've given Anker products as gifts, too. Iâve also been happy with Monoprice brand cables. And I have heard good things about Amazon Basics as well, although Iâve been so happy with Anker I haven't been able to verify as many Amazon Basics myself.
Overcharging Danger Signs
Since thereâs a chance even a major brand can have defective lithium-ion batteries, be on the lookout for danger signs, especially when you first acquire a new device. A bulge from a swelling battery is a red flag that something is horribly wrong. Extreme heat is the other indicator of an issue. Fast charging a battery normally makes the battery warm to the touch, but if it is getting extremely or painfully hot, thatâs not normal. In the opening scenario I mentioned a third symptom, which is directly related to the heat problem. If your device is running really slow, it could be due thermal throttling. The faster a processor runs, the more heat it generates, so some devices slow down to avoid damaging temperatures. Unfortunately, in my opening example, the source of the dangerous heat was the battery and not the processor.
Keep Your Cool, But Not COLD
Like the processor, lithium-ion batteries donât like heat. Leaving a device on your dashboard on a summer day is a good way to shorten the lifespan of a lithium-ion battery. Doing a fast-charge under those circumstances could lead to even more trouble. On the opposite extreme, lithium-ion batteries donât hold a charge well in freezing temperatures. In the winter, I store my phone in an inside pocket, instead of an outside pocket, so it benefits from body heat. It turns out lithium-ion batteries like room temperatures just like humansânot too cold and not too hot.
Donât Hit Empty
The most common and destructive practice I see is letting the battery hit empty. Lithium-ion batteries hate being fully discharged, and you damage it each time you let these batteries run dry. If done frequently, this reduces the charge your battery can store or deliver, and it eventually destroys the battery. The reason most people allow a full discharge is probably inattention, so itâs hard to provide an effective countermeasure other than âcharge frequently.â I suspect that sometimes this destructive behavior is a holdover from the charging technique used on NiCad batteries to prevent the âmemory effect.â However, this does NOT apply to lithium-ion batteries, so donât let them hit empty!
Another source of the bad âfull dischargeâ advice is a misunderstanding of battery calibration. Modern devices use sophisticated calculations to estimate remaining battery life. One way to improve those estimations is to recalibrate its monitoring by letting the charge run low (BUT NOT OUT). My recommendation is to only recalibrate when your deviceâs estimations are consistently and significantly off. And even then, donât let the charge drop below 5%. This buffer is important because a lithium-ion battery discharges more quickly at the end of its spectrum. You could accidentally hit a damaging full discharge, especially if your deviceâs estimations are off.
A Few of My Anker Favorites
Red 10ft. Lightning Cable MFi Certified
Gold Double-Braided 6ft. MFi Certified Lighning Cable
4-Port Charger
Charging Best Practices
Cycles
While on the topic of charging, I wanted to clarify how charging cycles work. All batteries have a finite lifespan, and for lithium-ion it is typically measured in cycles. If a battery is rated for 1,500 cycles, it means it should survive to do 1,500 full recharges. A cycle is NOT consumed each time a device is connected to a charger. Instead it is the measure of a recharge that brings a battery from 0% to 100% full. Therefore, if a battery drops to 75% and then gets fully recharged, only a quarter of one cycle has transpired. If the next day the battery drops to 80% and then gets fully recharged, then only a fifth of one cycle has transpired. For those two days, thatâs a cumulative 45% of just one of the cycles.
Always Charge Method
50-80 Method
Because modern quality devices have safeguards to prevent overcharging, a full discharge is the more likely problem people will face. Therefore, charging your iPhone overnight is not something to be feared or avoided. Devices with a smart charger or battery cut the power and stop charging when they get full. Therefore, my advice is to plug such devices into a charger whenever it is available. Of course, the manufacturerâs instructions and advice on charging should take precedence. This is especially important for off-brand and cheap devices which may lack overcharging protections.
Another option, although a bit impractical (especially since it is only minimally better for the battery) is to perform charging based on level. If you donât find this practice too extreme, then let your device get to 50% remaining before recharging. And then, when you do recharge donât let it reach 100%âinstead disconnect it when it reaches 80% or 90% full.
Personally, I donât like heading out the door with a device at 50% capacity. If Iâm on the move for too long I could hit empty because I was unable to charge it. I have found no discernable lifespan improvement between the two charging methods. So why not choose the method with the better convenience? For the past decade, across a number of my devices, Iâve seen the empirical evidence that supports the âalways chargeâ method. No device had to be replaced or repaired due to battery issues. In fact, they tended to live a bit too long, since they survived well into obsolescence (sighâfirst world problems).
Resources for a Deeper Dive
âWhat You Should (and Shouldnât) Do to Extend Your Phoneâs Battery Lifeâ by TheWirecutter.com
âWhy Your Phone Dies When It Claims to Have Battery Leftâ by TheWirecutter.com
âAsk Ars: What Is the Best Way to Use a Li-ion Battery?â from Ars Technica
âMaximizing Battery Life and Lifespanâ from Apple.com
âFive Tips for Extending Lithium-ion Battery Lifeâ from TechReplubic.com
âHow to improve battery life on your smartphone or smartwatchâ from Engadget.com
Many technical articles and studies are available from Battery University at http://batteryuniversity.com/learn/
âA Look Inside the World of Batteriesâ (multiple blog postings by Nadim Maluf at Qnovo.com)
âSecurity Now!â from Gibson Research Corporation. Transcripts can be found by using the SEARCH box in the upper-right of the page to find episodes referencing âlithium.â Then set âSecurityNow!â as the filter. For example episodes 321, 322,324, 332, 334, 338, 526, 552, 575, 577, 582, 647, etc. have touched on the subject of lithium-ion chemistry and charging.
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Reviewed: 2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love by Rachel Aaron.
A review of 2K to 10K:
Writing Faster, Writing Better, and Writing More of What You Love by Rachel Aaron.
Letâs get to the good stuff right away: This work made my list of top 10 best books on writing!
Keep reading to find out why. I also list some supplementary and complementary reading and offer a resource of my own thatâs a free download.
If youâre pinching pennies itâs only fair to mention that this book is a compilation of key posts from Rachel Aaronâs blog, Pretentious Title (http://thisblogisaploy.blogspot.com). But having it all together and organized is well worth the very affordable asking price. I found all the formats so reasonable that I purchased both the Kindle and Audible versions.
I listen to lots of audiobooks and podcasts as a survival technique in Atlantaâs rush-hour traffic, so the Audible format was the first consumed and is 2 hours 26 minutes in duration. The narratorâs voice (Arial Burnz) was pleasant, and the subtitles and division breaks were fairly obvious from her modulations. The one place where audio didnât work was a chart in the section titled âBONUS! How I Wrote a Novel in 12 Days.â Itâs not a crucial component, and youâll still get all the essential goodness of the book if your mind goes fuzzy during the recitation of all these numbers. The author kindly makes the chart available on the web at http://rachelaaron.net/audiotools.php so you donât actually miss out.
Because of the chart, Iâd mildly recommend the eBook over the audiobook if youâre going to get only one format. At the time of this review, the audiobook was the least expensive format, the Kindle held the middle ground, with the paperback version following. There is no substantial difference in content between the formats, and if you get both the Kindle and Audible formats they support Whispersync. That is, each remembers your place in the book as you switch between the formats. Also, you can play the narration in the Kindle version and it will highlight the words on the page as they are being spoken, which can help you focus on the content.
That content is, unsurprisingly, exactly what the title suggests: how to be a more productive writer. It reemphasizes the many studies made by the corporate world: planning greatly impacts productivity. While it might seem obvious or instinctual to many, there are plenty of writers trapped in the Writing into the Dark approach or emulating Stephen Kingâs method and advice to just write it all down and fix it later. That paradigm doesnât work for everyone, and when it does, it tends to favor seasoned and experienced authors.
But for the budding or frustrated writer, this book includes plenty of encouraging guidance that is well thought out. And Rachel Aaron expands on her premise by examining other factors that contribute to productive writing. And I use the term âproductiveâ in the full sense, because both quality and quantity were the results of Rachelâs methodology. Rachel then uses the second part of the book to give great information on plotting, characters, story structure, and editing. This gives aspiring authors an inside look at the entire writing process of an established novelist. Even writers who subconsciously already understand the concepts espoused by Rachel, will still find it refreshing and encouraging to have them laid out clearly, concisely, and objectively documented.
I would, however, encourage writers to investigate the story structure element further. While the Three-Act structure is incredibly popular and useful, a well-rounded writer should be familiar with different frameworks. Knowing the strengths and weaknesses of each framework equips a writer to adopt a method that fits their personal paradigm, fits the genre, and fits the story type (e.g., character-driven versus action-driven). In addition to previously mentioned Writing into the Dark by Dean Wesley Smith, Iâd encourage authors to explore Lester Dentâs Master Plot Formula, Write Your Novel from the Middle by James Scott Bell, How to Write a Novel Using the Snowflake Method by Randy Ingermanson, the Monomyth structure, beat-based frameworks, etc.
While Iâm on the topic of supplementary reading, I canât resist a recommendation to go with Rachel Aaronâs penultimate chapter on editingâmy all-time favoriteâSelf-Editing for Fiction Writers by Renni Browne and Dave King. And speaking of shout-outs, Rachel gives recognition to Scrivener and provides a productivity tracking template that you can download. Itâs a very simple fill-in-the-form document to track times and record word counts. I already have a spreadsheet that does all the math for me, so Iâve taken the opportunity to convert it to Google Sheets and share it publicly. Feel free to make a copy and tweak it to fit your needs.
In conclusion, Iâd also like to make mention how I came to find this gem. Iâd semi-randomly sampled a new book on Audible: Nice Dragons Finish Last by Rachel Aaron. That taste led me to devour the remainder of the Heartstriker series only to find it was, as of then, incomplete. In my search for the expected release date of the next book, I stumbled upon Rachelâs blog and her excellent articles on writing and marketing. That in turn led to her 2K to 10K book. Iâd so admired her potting skill in the Hearstriker series, that I had to give 2K to 10K a try and my curiosity was well rewarded. If youâre an aspiring writerâor even an experience writer looking to get better tractionâI heartily recommend 2K to 10K.
30 Day Free Trial 2 free audiobooks when you join
FREE Kindle Reading App Read eBooks on Most Devices
Other books mentioned in this article:
Nice Dragons Finish Last (Heartstrikers Book 1) by Rachel Aaron
Self-Editing for Fiction Writers by Renni Browne and Dave King
Write Your Novel from the Middle by Jame Scott Bell
How to Write a Novel Using the Snowflake Method by Randy Ingermanson
Writing into the Dark: How to Write a Novel without an Outline by Dean Wesley Smith
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Logo Design: Guide for Customers
Logo Design: Guide for Customers
Logos are a difficult beast by their very nature. Theyâre an attempt to take an abstract idea, typically multifaceted and complex, and represent it in a single, simple, concrete form! The final image may take many forms (banners, brochures, T-shirts, etc.), but for simplicity Iâll refer to them generically as âlogos.â Here are some guidelines Iâve codified from my experience working with customers to design logos. Below is a list of considerations a customer can make before talking with an artist.
Every logo project requires time from the customerâusually more than they imagined.
Logos must survive shrinking. A logo must be distinguishable when scaled down to an inch square or smaller. Your audience will probably see the small versions more than the big versions.
For the same reasons as above, a logo must look good in black-and-white. When a logo does have color it typically uses solid colors (i.e., no gradients) and not too many different colors. This also reduces printing costs and ensures consistency between printing lots since the image can be faithfully reproduced without variation. Blue and red are the most common and most psychologically appealing colors.
Upper case acronyms are more memorable than lowercase (IBM, BMW, UPS, HBO, etc.).
A logo must be simple. Be wary of âhow about if we add âŠâ since a complex image is a muddy image. âSay one thing and say it wellâ is the best approach. When combining elements from different logo proposals you can end up with a visual Frankenstein. A logo creates an identity first and foremost. If youâre lucky, you might be able to tell a story. Donât insist on incorporating your entire organizationâs philosophy and mission into the logo â create a memorable handle first. For example, picture the logos of Chevy, AT&T, Nabisco, and Target. Theyâre very distinct images, but those images say absolutely nothing about trucks, telephones, cookies, or department store merchandise! But when you see the logo, you instantly know who youâre dealing with and what they offer. Let your logo be identifiable, and let your newsletters, pamphlets, presentations, web sites, etc. clarify who, what, and why you are.
Know how the logo is specifically to be used. A silk-screened T-shirt design can be more detailed than a small embroidered logo on the pocket of a golf shirt, so these details are significant.
A camel is a horse created by a committee. You MUST minimize the number of people making decisions on your logo. Itâs natural to work through several âwhat ifâ scenarios as logos are combined, tweaked, and brainstormed. With a committee this can turn into an almost endless process as myriads of permutations are tested. If a committee must make the final decision, at least narrow down their choices to a maximum of three options. Itâll save you a lot of headache!
Articulate what your organization or conference is all about in a short, single sentence. I would challenge you to pick three words that highlight what you are all about. Of those three words, which is the most important? The least important?
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Posting Planner
Why Plan?
Which would be better? Should a husband give his wife a giant truck load of roses just once in their marriage? Or a steady stream of romantic moments throughout the marriage with each punctuated with a single rose? I hope for your sake you find the question rhetorical! In the same way that it's healthier to spread out your meals, sleeping, work, play, etc., so should you pace your postings. Consistency is a major factor in retaining and engaging web site visitors. Theyâd rather see a weekly posting instead of 52 postings all-at-once followed by 51 weeks of silence.
Consequently, I'm using a spreadsheet to capture ideas for future posts, to track their creation and development, and to schedule when each will be published. I wanted to share that creatorâs tool with you, so letâs start by looking at each attribute (column) in my spreadsheet. Youâll also find a link to an example spreadsheet, that you can use for your own template, at the end of this article.
The Attributes
ITEM: The article title or topic Â
TIMELY?: Is the post related to a date or deadline in any way? For example, an announcement or a status update should be posted in proximity to the event it discusses. While a product review or tutorial doesnât necessarily have to be posted as soon as it is completed. The timeliness attribute has a major bearing on the priority of an item, both in terms of when it gets posted and what I work on first if I'm trying to make a due date. The deadline itself goes in the POST column. Â
SEQ: Once I determine an itemâs priority, I record the sequence in which they will be created and posted. Any row without a sequence assignment stands out and serves as a To-Do reminder that I need to complete its evaluation and make a decision. The sequence number represents priority in ascending order, so 1 (one) would be my number one priority. Sequence numbers do not have to be consecutive or unique. For example, I could have several items with a sequence of 99 to show they are all low priority. Assign values in steps of 10 so you'll have slots to insert items later (e.g., 10, 20, 30, 40, etc.). After an article has been posted, I change this value to zero and give that row a gray background to show it has been completed. And speaking of colors, throughout the spreadsheet I use highlighting and font color to draw my eye to outstanding tasks. Â
READY? This column identifies if an item is ready for posting. A value of âawaitingâ means an item is finished, but the posting date is dependent on some external factor. The explanation for what Iâm waiting on will be in the NOTES column. Otherwise I put âYESâ if it's ready to be posted or scheduled or blank (which stands out better than putting ânoâ) or âPOSTED.â Â
POST ON: This is the date when an item is to be posted. If it is relative to some other factor, then I put âTBDâ and explain the dependency in the NOTES column. A value of âdry weekâ indicates an item that can be posted at any time and is suitable when there arenât more pressing items taking priority.
 There are tools you can use to schedule the actual postings. For example, Squarespaceâs blog/news postings can be scheduled, Twitterâs TweetDeck, or multi-site Buffer.com. The latter has a scaled-down free version. Iâd previously used Hootsuite but found it limited and unstable, so I recently switched to Buffer. Both offer a free personal version, and the paid versions arenât cheap. But if your site is busy enough to warrant those premium features, then it is probably generating enough traffic and income to justify. Until then, you could use a spreadsheet to keep track of when you need to perform cross-posting announcements (like below). Set a reminder alarm for the next date and time. When it rings, navigate to the service listed in the SITE column. Then copy and paste the EXCERPT and URL into the posting. Delete that row, and change your reminder for the next date and time.
There are many conflicting studies regarding the best time of day and day of the week to post for maximum impact. Your audience and their timezone plays a big role, but with a heavy bias in the Eastern Time Zone. Below is my personal guestimation that I cobbled together from a few different sources. The letters represent good time slots for Facebook, Twitter, Instagram, Pinterest, LinkedIn, and Google+ (with optimal windows in red). Consequently, I moving my web postings from Mondays to Wednesdays since most social sites share a window during that day.
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 MON TUE WED THU FRI SAT SUN 0800  L L L    0900 G G G G    1000 G G,L G G    1100        1200 T,IT,L,IT,L,IT,L,IIFF 1300 T T T T,F T,F F F 1400 T T T T,F T,F F F 1500 T T T,F T,F T,F F F 1600        1700 T,L,I T,L,I T,L,I T,L,I T,I   1800        1900        2000      P  2100   P   P  2200      P Â
Services: The next few columns list the services and social sites where announcements and cross-posting links are planned. For example, after completing an art project and posting all the related images on the web site, I'd make an announcement in my NEWS feed (blog). Although the project page may have many photos of the work in progress, the finished image is the main graphic. So, Iâd want to post that photo on Instagram and Pinterest as well. I use âYESâ (uppercase) and "no" (lowercase) to record my decision. The âYESâ values also serve as a checklist of assets to be created (e.g., a square image for Instagram, a portrait image for Pinterest, and/or a highly-condensed excerpt for Twitter). And the READY? column will track if theyâve all been completed yet.
Google and tumblr (since I always post to the other if I post to the one)
LinkedIn (for items that may have an interest to the business community)
Twitter
Instagram (for items that have a visual element)
Pinterest (for items that have a visual element)
Facebook Â
NOTES:Â Any dependencies or clarifications are recorded here Â
CATS & TAGS: The category and tags for the topic. They serve as a reminder to add them to the social media post. And they help balance and vary postings to keep the news feed fresh. For example, if the last two postings were about art, I could pick a different category for my next posting.
Within this spreadsheet is a âCats & Tagsâ page where I keep track of all my category and tags to ensure consistency. I will reference this list to identify which of them apply to a newly written article. And I update and supplement the list based on how readers might be searching for those topic. For example, an article about writing would obviously get a tag of #writing. But my list has a note reminding me that on Twitter users search for #writingtips more than for #writing. So my announcement post about my new article on Twitter would use #writingtips. Â
URL: For copy & pasting convenience Â
CHARS: A formula that calculates the number of characters in the Excerpt column Â
EXCERPT: The hook that explains what the reader will get if they follow the link in the post
If you have a more formal workflow, you could add columns to track tasks with greater granularity. For example, for text-centric posts you could add a WRITE column with the values of blank (an idea yet to be started), âResearch,â âDraft,â âEdit,â or âDone.â In a team environment, assignee names could be used beneath various columns. But as you customize a posting planner that fits your needs, beware of the trap of tracking too many attributes. Only track what actively helps you:
Stay on track
Prevent omissions
Create quality
Deliver consistently
I leave you with one final benefit of pacing out your posts. Itâs always good to let a piece simmer for awhile. So when you return and give it one more review before publishing (which you should!), then itâs with a fresh perspective. That can surface issues you were previously blind to, and recharge your creativity so your edits have more punch and polish.
An example spreadsheet is available for public access on Google Docs. You can click the button below to view it. You can copy this example to create your own editable version which you can enhance and modify to meet your specific needs.
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Bad Dog, Good Sync
Iâm a fan of cloud storage, internet backups, and automatic file synchronization between computers. For years my solution was centered around JungleDisk, but a change of ownership led to a switch to GoodSync. Then a recent decline in GoodSync reliability and support inspired me to write about these cloud technologies, the products I evaluated, and the strategies I followed to optimally leverage them.
What is Cloud Storage?
You may be familiar with cloud storage products like DropBox, Google Drive, Microsoft OneDrive, and Apple iCloud. These let you keep files on the internet, which is sometimes referred to as âcloud storage.â Â The awesome benefit of internet storage and access came into sharp focus for me after losing a laptop to a burglar in 2010. Cloud technologies allowed me to survive the loss of that computer and its files. And cloud access let me remain functional and keep my momentum until I could purchase a laptop replacement. Depending on the product, you can leverage cloud storage in additional and useful ways. Here are some of the top benefits:
Backup
Files created on a computer or a device automatically get copied to storage on the internet. Online backups can be a component of a backup strategy, but by itself it can lead to trouble. If you accidentally corrupt a file, or if a malicious virus were to encrypt your files, that damage would propagate and thus destroy any âbackup.â Also consider how you will be impacted if the vendor has technical difficulty and goes offline. See my discussion of the 3-2-1 best practice below. It lists the other factors that can supplement your cloud storage so that you have a real backup.
Cloud Drive
Because the files are copied to the internet, many vendors will let you access that copy from a browser or mobile device. JungleDisk even let you map a drive letter to the internet storage so it would appear like normal storage to all your programs. Some solutions also support standard protocols like WebDAV, SFTP, or Amazon S3 to allow apps to access files in cloud storage. I would avoid products that limit your access via a proprietary client program. Iâve often found those clients have small feature sets, awkward interfaces, unreliable behavior, and a limited number of platforms.
Sync
Iâm too frequently disconnected from the internet, so I need offline access and local copies of my files. Therefore, my cloud storage needs to be compatible with synchronization. Since synchronization can leverage the backup copies in cloud storage, it would be even better if the synchronization were automatic and built into my cloud solution. That is, after new files or changes are copied up to the internet, those same changes can be copied down to other computers connected to that account.  Designated folders can be kept in sync across multiple computers, without requiring them to all be connected to a single local network. Some products also give you the option to configure âmasterâ folders, so that changes only flow in a single direction. That is, changes on the master always propagate to the other connected computers. But changes, additions, or deletions on non-master computers do not propagate back to the master. Instead those changes are eventually overwritten and lost, and forced to match the master copy (also known as an âechoâ).  For example, I have a two-way sync between my laptop and desktop. I can switch between computers and all changes are automatically synchronized to the other machine. But I only echo that folder to my wifeâs laptop (which  I can access in an emergency). She doesnât care about or use those files, so to prevent accidental changes from her end, the sync is one-way only.  In between all these computers is the cloud storage copy, which I can access from my phone, tablet, or even a guest computer.
Security
Some cloud solutions (e.g., SpiderOak) allow you to encrypt your files (with a key held only by you) to keep them secure. Others, like DropBox, allow your files to be visible to some of their employees. The ability to control the encryption key protects you from a disgruntled employee or a security breach at the service provider.
I Miss You, JungleDisk Desktop
JungleDisk Desktop had all the features and options listed above and was extremely reliable and easy to manage. I used it for many years and its pricing was very reasonable: they charged only a few cents per gigabyte for storage consumed and bandwidth utilized. They were purchased by Rackspace in 2008 and at first it looked like the parent company was going to invest and improve on an already great product. Unfortunately, about 2014 Rackspace changed to a direction that was consumer unfriendly. Rackspaceâs focus for JungleDisk changed to big enterprise, their product emphasized only the backup feature, and their pricing model added per-seat licensing and payment minimums. Rackspace then announced that JungleDisk Desktop would be discontinued in September 2017 and forced all customers to either cancel their service or upgrade to the enterprise product (called JungleDisk Workgroup) . Although the enterprise solution still supported the same features as the âDesktopâ product, none of those features were mentioned in any documentation or communication. You could only find out about them by contacting support, and Rackspace never made any efforts to correct this oversight. These portents strongly suggested the impending death of all these extra features, so I began searching for a substitute in the months preceding JungleDisk Desktopâs termination date.
There was no comparable competitor, so I had to cobble together multiple products to approximate a replacement. For cloud storage I settled on Google Drive Sync after OneDrive suffered synchronization corruptions (Iâve since heard Microsoft has fixed this issue). Google Drive Sync also has the advantage of adding photos found on your local drive to Google Photos. Dropped from the running was Appleâs iCloud since it is the most expensive solution; DropBox which had a smaller feature set; and SpiderOak whose complexity was more than I wanted to manage. I do, however, still use iCloud and DropBox in a limited capacity because some iOS apps and Windows programs only work with those products.
The 3-2-1 Backup Strategy
Google Drive also fulfills a portion of my backup strategy, supporting the â3-2-1â best practice:
3: Until there are a minimum of 3 copies of a file, you donât really have a backup
2: Your backups should use a minimum of 2 different media types
1: At least one backup needs to be off site (e.g., if your house burns down)
Enter GoodSync
For synchronization, I opted not to use Google Drive Sync so that any file corruptions would not automatically propagate. Â I only use the sync feature to propagate from one âmasterâ computer for backup, storage, and cloud drive functions. Â All other synchronizations would be manually initiated and configured to synchronize or echo with the master copy. A synchronization that goes wrong can result in massive destruction, so I wanted granular control until the reliability of the replacement solutions had been established.
GoodSync 30 Day Free Trial
One of the backup and sync tools that I have used for a decade is the free Microsoft SyncToy. And for massive ad hoc backups I would sometimes use the free utility FastCopy. Both products require that the source and target drives must be visible to the computer where these utilities run. So they canât be used with remote computers across the internet. To fill that need I researched various solutions and decided upon GoodSync and purchased a license for each computer. Â Some advantages of GoodSync is that it can synchronize across the internet or access local network and drives directly (i.e., faster). If youâre only doing local synchronizations, I recommend SyncToy instead as it is much easier to use and is free.
GoodSync chugged along happily for six months. Â And I was about to schedule some automatic synchronization jobs when I began to run into problems. The first was self-inflicted, although non-obvious. Depending on how you set up a sync job, administrator credentials may get stored in that job. Â So when I changed the login password on one of my computers, GoodSync jobs would lockout the account on that computer because it was submitting the old password. It took me quite awhile to figure out what was happening, but after recreating the jobs (so theyâd use the updated password), everything started working again. That was only done to test my theory, and I was unhappy with this arrangement. Â So I reconfigured the sync jobs so they âpushedâ instead of âpulledâ from that computer. Â With that change the credentials did not have to be stored with the job.
Then in January I had one sync job stop running. Change is the main cause of computer issues, but Iâd not made any changes to these jobs or computers. I validated the failing job against a working job and they were both configured identically. So GoodSync was the primary suspect and I opened a support ticket with the vendor. The technician working my case was lazy and incompetent, basically telling me to âread the documentation.â I pointed out that I had, and found deficiencies in said instructions and asked a series of questions for clarification, which were ignored. In the interim, I did the technicians job and did my own investigation. These were highly technical aspects and no customer should be expected to know about hidden file ownership attributes and ACL policies. I was eventually able to identify that the problem was indeed caused by GoodSync. Â It would intermittently create a file named â_file_state_v4._gsâ in a hidden directory named â_gsdata_â but omit the ownership. Without an ownership attribute, it couldnât determine access permissions and the job would fail. Â If the owner was correctly populated the job would work. Â I eventually found a work-around: create a remote control session for the other computer, log in using an administrator account (full control permissions so the omission is overruled), and then run the job. Itâs definitely a pain and I almost abandoned GoodSync completely over this issue. Because if it wonât run, whatâs the sense of having it?
A few weeks later, all sync jobs on one computer refused to run. It was a new and different error and I validated that it wasnât the owner attribute issue at fault. I couldnât even recreate the jobs, so I opened another support ticket and got the same lazy and incompetent technician. So this might be a small, if not solo, business. Which does not bode well for long term viability. The first suggestion was âUpgrade to the latest version.â Hey, idiot, minutes before you made that stupid suggestion, I sent you the log files you requested and it shows that Iâm already on the latest version. Then they reply âDisable your security software.â
Let me be clear, run (do not walk) away from any idiot that suggests you disable security as one of their first troubleshooting options.
Luckily, I persisted, and they eventually found and acknowledge that the problem was on their servers. After they fixed their issue, the jobs resumed running without requiring any changes on my end. All these issues do not bode well for GoodSync. On some days it still takes some prodding when GoodSync fails to set ownership attributes correctly. Although the work-around isnât terribly hard, finding it was way beyond the technical expertise of an average person. Consequently, I have contingencies ready, and my worst case scenario includes a USB thumb drive and old reliable SyncToy. Â Below are a couple of USB storage options that Iâve been using.
The Samsung features a good balance in performance and price. Â But of particular importance is its full metal case, which is important for keychain carry. Â Too many times, Iâve had thumb drive plastic attachment points break. Luckily, when theyâve broken theyâve not been lost, giving me time to replace them. Â And I use TrueCrypt to create encrypted volumes on my thumb drives and my external drives to protect sensitive files in case they should get lost or stolen.
Metal Samsung 128GB USB 3.0 Flash Drive BAR
The one âplasticâ exception is the speedy SanDisk Extreme CZ80. At 64GB itâs still roomy enough for my needs. To mitigate the plastic attachment point, I use a small key ring between it and the main key ring. This strain relief strategy appears to be working since Iâve had a couple of these drives for two years now.
 SanDisk Extreme CZ80
Alternatives
The products already mentioned and linked in this article are some of the big players which Iâve already researched. They are a good place to begin your search. But there are some equally big and capable offerings which I havenât mentioned, and the following resources will include them. Â These resources also catalog and review features which might apply more significantly to your specific needs.
âComparison of Online Backup Servicesâ by Wikipedia
âComparison of File Hosting Servicesâ by Wikipedia
âComparison of File Synchronization Softwareâ by Wikipedia
âBest Online Backup Serviceâ by The Wirecutter
âThe Best Online Backup Services of 2018â by PCMag
âWhich Cloud Storage Service Is Right for You?â by CNET
âThe Best Cloud Storage and File-Sharing Services of 2017â by PCMag
âThe Best Cloud Storage Services of 2018â by TechRadar
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Get it âWriteâ on the Web
If you write for the web and want to be polished and professional, then you want to be typographically correct. Â Below is a guide on what those correct punctuation marks are, and how to create them.
Whatâs the Problem?
When you write with a good word processor such as Microsoft Word, it will (in most cases) automatically use or substitute the correct punctuation for you. For example, if you typed this:
The company president wrote "The biggest impact--this isn't an exaggeration--is a 3/4 loss of revenues . . ." in an urgent email this morning.
The punctuation characters would be corrected to use the proper symbols like this:
The company president wrote âThe biggest impactâthis isnât an exaggerationâis a Ÿ loss of revenuesâŠâ in an urgent email this morning.
The âwrongâ versions are fine for casual or personal communications with friends. But if you want your post to be polished and professional, youâll want to use the visually appealing and grammatically correct versions. The easiest method for that is to use a word processor with the smarts to do that for you, such as Microsoft Word or Google Docs. But even those tools may sometimes not understand your intent, and youâll need to make a manual adjustment. Youâll also find that working on the web often means youâll have to manually enter these symbols. For example, when creating a blog post, composing an online article, or writing a feature for a business Facebook page.
Below is a chart of the special characters I most commonly use. For foreign language characters (like Ă) or esoteric mathematical symbols (such as ÎŁ), youâll can find thousands of them on a Unicode character tables (like this). The easiest way to get these characters into a web document is Copy & Paste. But if youâre using them frequently, it can be easier and quicker to type their codes. Because I write on the web so frequently, Iâve come to memorize the codes for quotation marks, apostrophes, and em dashes. And itâs much faster to type in their numeric codes than to open a reference, find the symbol, copy it, navigate back to where itâs needed, and then paste it.
 Chart of Common Special Characters
How to Use
Copy & Paste the desired punctuation from the âSymbolâ column of this chart.
For Windows users: you can alternatively use the keyboard combination shown in the âComboâ column. For example, to create the copyright symbol (©) the combo is Alt-0169. That is instructing you to HOLD down the ALT key while tapping 0, then 1, then 6, then 9 on the numeric keypad. Release the ALT key and the symbol appears. Any digits in a combo must be entered using the numeric keypadânot the numbers above the letter keys.
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Symbol Combo Name â Altâ0151 Em Dash: breaks, interruptions, or redactions â Altâ0150 En Dash: ranges, connect/compare (but not join) words (e.g.,SarÂbanesâOxÂley Act) - Altâ045 Hyphen: join words (e.g., topsy-turvy) â Altâ0147 Double Quote open â Altâ0148 Double Quote close " Altâ034 Double Quote straight â Altâ0145 Single Quote open â Altâ0146 Single Quote close / Apostrophe ' Altâ039 Single Quote straight ⊠Altâ0133 Ellipsis: omissions Altâ255 Non-breaking Space (mimic HTMLâs  ) ° Altâ0176 Degree © Altâ0169 Copyright Âź Altâ0174 Registered âą Altâ0153 Trademark § Altâ0167 Section ÂŒ Altâ0188 Quarter œ Altâ0189 Half Ÿ Altâ0190 Three Quarters Ă· Altâ0247 Division Ă Altâ0215 Multiplication
Many manuals of style recently called for the replacement of two spaces between sentences with just a single space. The twin spaces are a holdover from the days of typewriters and typographes have declared them visually disruptive on web pages. Itâs not a special character per se as much as it is a habit to break. For an oldtimer like me, who learned to type on a manual typewriter in the â70s, and then constantly practiced the twin-space convention for 40 years, it may be impossible for me. My only hope is when Iâm working with tools that allow global search-and-replace, and then only when I remember the ârightâ way is now the âwrongâ way.
And speaking of grammatical correctness, the proper use of the above symbols is beyond the scope of this article. But I have added a short note for a few of them, in the chart above, as reminders of proper usage. If in doubt, an internet search along the lines of âwhen should I use an em dash?â will lead you to plenty of well-written grammar and style guides.
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Goodbye Pushbullet
My solution to the universal clipboard need now that Pushbullet is fading
https://www.craiggiven.com/news/2018/1/3/goodbye-pushbullet
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Quince Rocking Chair Project
I decorate a chair with floral artwork of quince blossoms using colored pencils.
https://www.craiggiven.com/quince-rocking-chair-project

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The Butterfly Boot Jack Project
I came up with the idea of creating a unique and visually appealing version of a boot jack. A boot jack is a simple device that lays on the floor, and you wedge the heel of a booted foot into the "V" of the jack to pry off a tight-fitting boot or shoe. These are typically plain, utilitarian, and somewhat ugly things. But I formed the V into the antenna of a butterfly.

See the project page for more:Â https://www.craiggiven.com/butterfly-boot-jack-projectÂ
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Free: Mandala Coloring Book
A collection of my circular geometric designs, sometimes referred to mandalas, in a gallery and also as a coloring book â FREE: for your and your friendsâ personal use.
https://www.craiggiven.com/free-mandala-coloring-bookÂ
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Write Myself Empty
Writing Gnats
As I struggled to regain traction on my novel, my head was abuzz with distracting gnat clouds of ideas and issues. Prewriting seemed the accepted and logical solution, so I broke my manuscript into individual scenes in Scrivener as a precursor to outlining the entire plot. This, unfortunately, served only to stir up additional clouds of writing gnats. So my next attempt to silence them was a technique I use at my day job: write myself empty. It is as if I literally pluck the distractions from my mind and stick them to the paper. The effort of articulating an item is an acknowledgment and respect of its importance. Then that gnat is content to remain in storage, quietly awaiting its turn to be at center stage and to find resolution. Letâs seek inspiration from the work tool (which Iâll call the âfly paperâ) that I use to snare and subdue distractions.
Fly Paper for Day-Job Gnats
Project Name
About
The âAboutâ section rarely appears for most projects
It can be used to keep milestone or milestone dates top-of-mind
It can be used to capture names, addresses, or numbers of particular consequence
In Progress
A concise statement of one task to be accomplished
All items are dated since a superior may ask when an issue was reported, resolved, delegated, due, etc.
ISSUE: Issues are prefixed with an uppercase label to make them easy to identify because they also tend to be urgent
Items that are awaiting a response or action from another party can be prefixed with âAWAITING:â or colored (I use fuchsia)
Bold text, red lettering, and/or yellow highlighting identify important or urgent items
Next Steps
Like the âIn Progressâ section, except for items yet to be undertaken
On the Horizon
Like âNext Steps,â but for items much farther into the future
This section wonât exist for most projects
Completed
The reason for keeping a completed section is not so much for a sense of accomplishment, but a quick reference when a superior wants a status updateÂ
All items in the completed section use a gray font to deemphasize them
Issues that have been dealt with receive a prefix of âResolved,â âWork-Around,â âNAPWADâ (not a problem, working as designed), etc.
This section is also a place to document major decisions made, who made them, and when they were made
Although, the title on this document is âStatus Report,â itâs not actually something seen by my superiors. Iâm the primary beneficiary and I use this document to juggle multiple projectsâsome of which can be complex, lengthy, and large in scope. Every workday morning I open this document to set my course, and it stays open to capture the inevitable additions that pop up throughout the day. It helps me silence distractions, focus on the top-tier tasks, and ensure next-tier items donât fall through the cracks.
Oh, wait! That sounds a lot like writing a novel! The structure of the fly-paper for writing gnats will be different than day-job gnats. But it shares the same act of capturing and the same benefit of silencing. If youâd like to apply my âStatus Reportâ template to a project at home or work, Iâve shared the file below, in Microsoft Word format, for download. For those without MS Word access, Iâve also uploaded and converted it to Google Docs and hopefully that will provide beneficial.
Which Fly Paper for Writing Gnats?
Mind Maps versus Flow Direction
Finding the right technique is not the same as finding the right tool to perform that technique. Instead of assuming the same tool can be applied to the technique, I wanted to carefully consider which âfly paperâ would be best at capturing my writing gnats. The first idea that came to mind was the popular and obvious solution of mind mapping. There are plenty of mind mapping tools available, including Scrivenerâs sibling Scapple. However, despite its integration advantage, Scapple is only available on Mac and Windows, so it doesnât work on mobile devices nor is it cloud based. And even though Iâve tried some mind mapping solutions that are cloud based and available as mobile apps, I havenât been satisfied with the results. Mind mapping is great on a giant whiteboard or even on a big sheet of paper. But most screens can only show a portion of a map legibly. And no matter the device, onscreen mapping doesnât flow like handwritten mind maps. Instead it stutters and drags since I cannot dedicate my focus to mappingâsome attention must be diverted to operating the technology. Iâve persevered when such mind maps were part of a group event, or a presentation, or when I needed to capture or publish the results. So I know that, with enough dedication and practice, mind mapping software could fit your need. If youâre already at that point, be sure to share your software recommendations (in the comments below) for your fellow readers.
For me, however, when it comes to writing gnats, the goal is to eliminate distractions, not accommodate or outperform them. My energy and focus needs to go to actual writing, and that as quickly and easily as possible. But more importantly, mind mapping flows in a direction very different from writing. Writing in English flows from left to right and down the page. In contrast, mind-mapping expands from the center of the page in all kinds of directions. So I need a tool that works with the natural flow of writing. The relationships that were previously captured in the bubbles and lines of a mind map can be transformed into headings, indents, and other rubrics that are compatible with the directional flow of writing. Those methods have already proven both their ability to capture and organize thoughts in my day-job tool and will work equally well on writing gnats. And since my mind is already practiced in those features, I want a tool that not only offers them, but also allows me to invoke them without interrupting my flow (i.e., intuitive and easy controls).
Before listing my test bed, I feel the need to address the tangent of âdistraction-freeâ writing apps. Unfortunately, that term is often code for âdumbâ and the creators are trying to sell a lack of features as if it were a benefit. Iâve tried a few of these apps and havenât found any benefit to them. Perhaps you are the type who is truly distracted by menus and toolbars, but I have found these âdistraction-freeâ apps a waste of money and time. I do, however, have to give Scrivener credit for its offering, because it hides rather than eliminates features. Also, Scrivener gives you control over that âdistraction freeâ experience such as selecting a pleasing backdrop, scaling the font, setting the editor width, etc. But for me âdistraction-freeâ is not about what is on the screen, but rather what is buzzing in my head, and the features that will quell those distractions are:
Rubrics
Size, color, highlighting, bold, italic, underline: to draw the eye and triage importance
Strikethrough: to indicate a consideration was made but rejected
Headings: to organize and navigate the document
Layout
Indents: to show dependencies and relationships
Bulleted lists: the core element of the tool, and when sequence is not relevant
Numbered lists: when sequence and hierarchy are both important
Platform
Desktop: To leverage a full sized keyboard, mouse, and dual monitor setup (Microsoft Windows in my scenario)
Mobile: The ability to work on a project while away from a desk by using a phone or tablet (iPhone and iPad for my scenario)
Cloud: Allows work in a browser and ease of switching platforms because the files are stored in or synchronized through the internet.
Copy & Paste: I should be able to transfer what Iâve captured to a finished document. That's typically via Copy & Paste, and the platform should not mangle the style or destroy proper typographical elements such as:
urved double quotes, single quotes, and apostrophes:Â â, â, â, â versus " and 'Â
Hyphens, en dashes, and em dashes: -, â, and â
Ellipsis: ⊠versus . . .
The Contenders
Scrivener
How is Scrivener a contender when itâs not even a cloud product? First, it is vigorously targeted at writers, so I want to know if it can stand up to the rigors of my demands. Second, its Dropbox support makes it somewhat cloud friendly. Dropbox sync is nearly automatic on desktops and on mobile the manual sync is so simple itâs hard to consider obtrusive. And, lastly, the iOS Scrivener app qualifies it for the mobile requirement.
Although it delivered on nearly every requirement, I found the interface quirky. Adjusting to its nuances had a slightly steeper learning curve than other products with which Iâve experimented. I also found its support for headings and numbered lists weak and indents can only be used with lists unless you elect to manually wrestle them into place. The most glaring issue was Copy & Paste, and a search of their forums found other Scrivener customers of the same mind. In the screenshots below you can see where Iâve pasted text into Scrivener. In the first example, the lines overlap each other and in the second they pasted as hyperlinks (although without any actual destination).
Google Docs
Google Docs passed with flying colors and offered all the features needed. It even made the sweet spot in the headings department, offering four pre-built levels (the need for levels deeper than four quickly diminishes as the hierarchy grows). The editor is responsive and fairly intuitive, and being browser-based not only qualifies it as cloud-based but multi-platform as well. But its crowning achievement is the price of âfree.â
iOS Notes
I didnât expect the Notes app to be a serious contender. But recent improvements under iOS 11 and iCloud support made it worthy of at least a passing mention and experimentation. Unsurprisingly I found font manipulation and list features minimal, so itâd only serve those with equally undemanding requirements. But, for those with an iPhone always within reach the convenience is hard to deny for short and simple captures.
Office365
Microsoft Word is the dominant platform when it comes to word processors. And this admission comes from a WordPerfect expert who remained loyal to the very end. But the end did come, and in the long years following, Word retained its throne legitimately with a powerful feature set. Its iOS versions are incredibly close to their desktop counterparts, but the browser version had two issues. The most significant issue is the lack of smart quote support. Instead of getting curly quotes and apostrophes (like âthisâ and âthisâ it gives you "this" and 'this'), which is important if youâre writing dialog or using contractions. Of lesser impact is that Word Online lacks decent tab key support, which customers have decried since 2012. Tables can be used as a work-around for the lack of tab key support. But I thought Iâd mention these two shortcoming and Microsoftâs extended attitude towards these issues. And itâs worth noting that Google Docs handles both these features without issue.
Then there is the price. And thatâs exacerbated by being bundled in a hard-to-resist office suite. For less than a hundred dollars a household of five not only gets Word, but Excel (spreadsheet), PowerPoint (presentations), Access (database), OneNote (like Evernote on steroids), Publisher (desktop publishing), Outlook (email), and a terabyte of OneDrive cloud storage and synchronization. While youâre certainly getting value for your money, it also cannot be called cheap, especially when it must be paid annually.Â
As a power user familiar with all the products in the bundle, with nearly 20 years of experience, and having multiple computers that can leverage the device licenses, it was easy to justify the subscription. But even into my second year of a subscription, I didnât find myself using it fully due to a mental block. Despite my investment in Office365, I would catch myself in Google Docs to creating articles, idea lists, or project notes.
I couldnât blame habit and familiarity because it only happened for personal documentsâI dive into Word and Excel without hesitation every day at work. I canât blame accessibility because even multi-factor access is both quick and flows smoothly. Nor can I blame capability because I hadnât spent enough time using it to know if the features fell short or not. I was puzzled by my irrational reluctance until I realized that the annual subscription was haunting me, and that I was subconsciously treating its cost as a risk. Perhaps that was due to Microsoftâs troubled OneDrive history (I was an early adopter of the now defunct SkyDrive and Window Live Folders). But Google isnât blameless either when it comes to abandoned customers (e.g., Reader, Picasa, Wave, etc.). So, Iâve begun to be intentional in my usage of Office365 to stamp out my irrational reticence and to surface and solidify any real concerns should they exist.Â
Conclusion
Productivity is the goal, so if youâre already proficient and content with a tool then stick with it. However, if youâre without a tool then pick one compatible with your financial assets, your mindset, and your skill set. Google is free, quite powerful, and a great place to start your journey. Scrivener is an affordable solution targeted at authors who want an integrated writing environment and only need a basic text editor. And finally, Office365 is for users who relish a rich feature set instead of being daunted by its power or its price.Â
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