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Jean-Michel Basquiat - Self portrait

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Fame is a kind of *soup,* Adrian Ghenie has said. The remark brings to mind the *primeval soup* from which humanity is often said to have emerged, formlessness slowly becoming form. But what kind of form? And how upright and stable will that form prove to be when it does emerge?

Ghenie considers the baleful effect of social media and interprets a howling, turbulent tragedy in his paintings of Marilyn Monroe in “The Fear of NOW” at Thaddaeus Ropac gallery. 

Michael Glover reviews.

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Kekarainen, Pertti - Tila (Passage VI), 2007.  x                        

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James Wallace Harrris: Launch Facility at Knodishall Green, Saxmundham. Acrylic on canvas 21" x 18" April 6, 2022. https://www.saatchiart.com/art/Painting-Launch-Facility-at-Knodishall-Green-Saxmundham/292357/9212383/view #art #arte #maalaus #architecture #architettura #schilderij #technology #futurismo #futurism #pittura #peinture #industrial #painting #kunst #konst #taide 

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Red man, 1981, Jean-Michel Basquiat

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Egon Schiele

Girl Reclining

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Sandro Chia (Italian, b. 1946), Two Lazy Painters, 1982. Oil on canvas, 95.75 x 102.5 in.

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The girls of Avignon, 1907, Pablo Picasso

Medium: oil,canvas

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Boxer, 1982, Jean-Michel Basquiat

Medium: acrylic,crayon

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Before the First Whistle, Romare Bearden, 1973, Brooklyn Museum: Contemporary Art

Medium: Screenprint on white wove paper

https://www.brooklynmuseum.org/opencollection/objects/112089

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Self Portrait as St. Sebastian (poster), 1914, Egon Schiele

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The Family of the Painter Adalbert Trillhaase, 1923, Otto Dix

https://www.wikiart.org/en/otto-dix/the-family-of-the-painter-adalbert-trillhaase-1923

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Thresh Hold, 1992, Benny Andrews

Medium: oil,collage

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Jim Harris: Launch Facilities at Furneux Pelham, Hertfordshire. Acrylic on canvas 21" x 18" December 17, 2021. https://www.saatchiart.com/art/Painting-Launch-Facilities-at-Furneux-Pelham-Hertfordshire/292357/8869961/view #art #arte #architecture #arkitektur #arkkitehtuuri #Architektur #painting #Gemälde #pittura #絵画 #futurism #technology #Tecnologia #peinture #kunst #konst 

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Michael David Volkmer, 150 x 120 / 2021

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Peter Doig: Lapeyrouse Wall, 2004 (Oil on canvas, 2 × 2.5 m)